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This paper exposes 11 myths around the Transatlantic Trade and Investment Partnership (TTIP).
FOREWORD BY GUY KAWASAKI Presentation designer and internationally acclaimed communications expert Garr Reynolds, creator of the most popular Web site on presentation design and delivery on the Net — presentationzen.com — shares his experience in a provocative mix of illumination, inspiration, education, and guidance that will change the way you think about making presentations with PowerPoint or Keynote. Presentation Zen challenges the conventional wisdom of making "slide presentations" in today’s world and encourages you to think differently and more creatively about the preparation, design, and delivery of your presentations. Garr shares lessons and perspectives that draw upon practical advice from the fields of communication and business. Combining solid principles of design with the tenets of Zen simplicity, this book will help you along the path to simpler, more effective presentations.
Robert Bogdan combines a richly descriptive text with striking illustrations to create vivid biographical sketches of these pioneer photographers, who worked their individual styles to illuminate six different regions of the Adirondack Mountains. The book also provides insight into the popular culture of the times mainly through postcards but it also takes an in-depth look at the families and work lives of these artisans as they plied their trade in the popular venue of commercial postcards. Aside from the Adirondack locals and a few postcard connoisseurs, the gifted folk artists and craftspeople profiled here were virtually unknown until now. Bogdan has collected nearly 250 illustrations including postcards and photographs depicting Adirondack life of the time. Many of these images have never before been published.
At the height of his career, writing short stories provided Dickens with a release from the formal constraints of his novels and gave free reign to his creative imagination. Ranging from "flights of fancy" to literary masterpieces, Dickens's short stories contained artistic experiments that inspired fuller developments in his novels. Yet the short stories have been all but overlooked in critical discussions. Deborah A. Thomas focuses directly on this body of work, tracing three stages of development. In the early stage until 1840, Dickens produced numerous short stories, culminating in his experience with the abortive Master Humphrey's Clock. In the following ten years, he restricted his writing of short stories to the five Christmas Books but refined his theories about the value of the genre in the context of his work. In the third stage, 1850-1868, Dickens again turned actively to the writing of short stories, many of them the "Christmas Stories" appearing in the weeklies Household Words and All the Year Round, which Dickens edited successively from 1850 to 1869 and from 1859 until his death in 1870. The author concentrates primarily upon the more notable stories, drawing for a perspective upon Dickens' own concept of "fancy." In an increasingly factual age, Dickens—attracted to the unusual and the unknown—found the short story a form in which he could indulge his high degree of fantasy and explore the hidden corners of the mind. Dickens' fascination with psychological abnormality and the supernatural—reflected in his novels—reveals itself even more intriguingly in his short stories. In Thomas's analysis, Dickens' short stories appear as an important key to understanding the novels, while proving worthy in themselves of critical attention. Essential to a thorough study of Dickens, her book sheds light upon previously obscure facets of his developing artistry.
This set of essays offers new insights into the journalistic process and the pressures American front-line reporters experienced covering World War II. Transmitting stories through cable or couriers remained expensive and often required the cooperation of foreign governments and the American armed forces. Initially, reporters from a neutral America documented the early victories by Nazi Germany and the Soviet invasion of Finland. Not all journalists strove for objectivity. During her time reporting from Ireland, Helen Kirkpatrick remained a fierce critic of that country’s neutrality. Once the United States joined the fight after the Japanese attack on Pearl Harbor, American journalists supported the struggle against the Axis powers, but this volume will show that reporters, even when members of the army sponsored newspaper, Stars and Stripes were not mere ciphers of the official line. African American reporters Roi Ottley and Ollie Stewart worked to bolster the morale of Black GIs and undermined the institutional racism endemic to the American war effort. Women front-line reporters are given their due in this volume examining the struggles to overcome gender bias by describing triumphs of Thérèse Mabel Bonney, Iris Carpenter, Lee Carson, and Anne Stringer. The line between public relations and journalism could be a fine one as reflected by the U.S. Marine Corps’ creating its own network of Marine correspondents who reported on the Pacific island campaigns and had their work published by American media outlets. Despite the pressures of censorship, the best American reporters strove for accuracy in reporting the facts even when dependent on official communiqués issued by the military. Many wartime reporters, even when covering major turning points, sought to embrace a reporting style that recorded the experiences of average soldiers. Often associated with Ernie Pyle and Bill Mauldin, the embrace of the human-interest story served as one of the enduring legacies of the conflict. Despite the importance of American war reporting in shaping perceptions of the war on the home front as well as shaping the historical narrative of the conflict, this work underscores how there is more to learn. Readers will gain from this work a new appreciation of the contribution of American journalists in writing the first version of history of the global struggle against Nazi Germany, imperial Japan, and fascist Italy.
Expand your bird knowledge with this gorgeous encyclopedia of nearly 400 bird species around the world, unique for its inclusion of both their physical and mythological characteristics. If you’re a nature lover who thrives on bird videos and photography, go beyond the scope of standard field guides with this comprehensive reference. Each entry of The Complete Language of Birds provides not only the bird’s name and physical qualities, but also its history, symbolic meanings, and hidden properties from mythology, legends, and folklore. Within the pages of this colorful volume, you’ll find: Beautiful illustrations and descriptions of common and unusual birds Notes on the surprising properties and powers of birds Discussions of the symbolism and mythological significance of each bird species Dive into an unusual dimension of historical and arcane knowledge with the study of birds. A collection of fun and interesting facts about birds gathered from science and culture, the stunning illustrations and lively descriptions make this an engaging guide you’ll return to again and again. Elegantly designed and beautifully illustrated, the Complete Illustrated Encyclopedia series offers comprehensive, display-worthy references on a range of intriguing topics, including dream interpretation, techniques for harnessing the power of dreams, flower meanings, and the stories behind signs and symbols. Also available in the series: Complete Book of Dreams, Complete Language of Flowers, Complete Language of Herbs, Signs & Symbols of the World, Complete Guide to Astrological Self-Care, and Complete Language of Food.
Contemporary American landscape is wrought with ongoing processes and phenomena of technicization observable at the intersections of multiple layers of society. This book brings to attention their cultural and political aspects, emphasizing timeliness and necessity of academic intervention into, and evaluation of, their specificity and ramifications. Presenting critical and analytical account of cultural narratives which define, speak of, and use diverse technologies (of writing, sound, media representations, surveillance, war), the texts compiled in this volume investigate the coalescence between technological production on the one hand, and the textual on the other. The idea of the book responds to the current academic appeal – inspired by postmodern questioning of the foundations and realized, most importantly, by deconstruction – to dismantle one of the constitutive pillars of Western civilization, namely, between techne and episteme. In their interpretative mode, the texts proceed largely experimentally, bridging the gap between techne and episteme. In doing so, they endeavor to reformulate and complexify an experience of American culture. The book aims to clarify and exemplify that the junction of text and technology implies that meanings are embedded in a material. Consequently, the publication introduces and popularizes the assumption that American cultural experience emerges as a genuine experiment of an esthetic nature.
Revised and expanded, this best-selling study tool is better than ever! It features 700 color photos, 80 color maps, a pronounciation guide, the latest archaeological excavation information, time lines, extensive cross-referencing, unique scale drawings, and much more.