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This collection of oral narratives from the Tsimshian Indians of the west coast of British Columbia around Prince Rupert, is illustrated with early photographs and maps, and reflects the close relationship of these people with their environment.
This collection of oral narratives from the Tsimshian Indians of the west coast of British Columbia around Prince Rupert, is illustrated with early photographs and maps, and reflects the close relationship of these people with their environment.
These oral histories, collected by Marius Barbeau and William Beynon from the Pacific Northwest reflect the Tsimshian relationship with the environment, their understanding of the spiritual universe and their interpretation of the physical world.
First-hand accounts of indigenous people’s encounters with colonialism are rare. A daily diary that extends over fifty years is unparalleled. Drawing on her painstaking transcription of Arthur Wellington Clah’s diaries, Peggy Brock pieces together the many voyages – physical, cultural, and spiritual – of a Tsimshian man who moved in both colonial and Aboriginal worlds. From his birth in 1831 to his death in 1916, Clah witnessed profound change. His diaries reveal the complexities of personal interactions between colonizers and the colonized and the inevitable tensions that arose. They also show how Clah’s hopes for his people were gradually eroded by the realities of land dispossession, interference by the colonial state in cultural and political matters, and diminishing economic opportunities. Clah’s personal journey reflects Tsimshian responses to these changes, including modifications to potlatching and the chiefly system that had evolved during the fur trade era. Taken together, his many voyages offer an unprecedented Aboriginal perspective on colonial relationships as they played out on the Pacific Northwest Coast.
The Tsimshians are a Northwest Coast Native people known for their dazzling works of art and rich array of social, religious, and oral traditions that have captured the attention of scholars for over a century. Jay Miller brings together for the first time a wealth of material about the Tsimshians, presenting an unforgettable picture of their cultural universe. That universe is built around the metaphor of light, which was brought into the world by Raven; its refraction forms the chief social, religious, and symbolic institutions of Tsimshian culture. Family heraldic crests express light in one way, masks in another. Miller argues convincingly that the genius of Tsimshian culture, and one of the main reasons for its continuing vitality, is that its people are sensitive to different, and often creative, ways of capturing and embodying light.
These oral histories, collected by Marius Barbeau and William Beynon from the Pacific Northwest reflect the Tsimshian relationship with the environment, their understanding of the spiritual universe and their interpretation of the physical world.
"I listened to my mum, my dad, my gramma, that is why I am still here. That is how you stay alive." —Mida Donnessey Wisdom Engaged demonstrates how traditional knowledge, Indigenous approaches to healing, and the insights of Western bio-medicine can complement each other when all voices are heard in a collaborative effort to address changes to Indigenous communities' well-being. In this collection, voices of Elders, healers, physicians, and scholars are gathered in an attempt to find viable ways to move forward while facing new challenges. Bringing these varied voices together provides a critical conversation about the nature of medicine; a demonstration of ethical commitment; and an example of building successful community relationships. Contributors: Alestine Andre, Janelle Marie Baker, Robert Beaulieu, Della M. Cheney, Stakawas, Katsawa, Mida Donnessey, Mabel English, Christopher Fletcher, Fort McKay Berry Group, Annie B. Gordon, Celina Harpe-Cooper, Inuvialuit Regional Corporation, Leslie Main Johnson, Thea Luig, Art Mathews, Sim'oogit T'enim Gyet, Linda G. McDonald, Ruby E. Morgan, Bernice Neyelle, Morris Neyelle, Keiichi Omura, Mary Teya, Nancy J. Turner, Walter Vanast, Darlene Vegh.
In Faces in the Forest Michael Blackstock, a forester and an artist, takes us into the sacred forest, revealing the mysteries of carvings, paintings, and writings done on living trees by First Nations people. Blackstock details this rare art form through oral histories related by the Elders, blending spiritual and academic perspectives on Native art, cultural geography, and traditional ecological knowledge. Faces in the Forest begins with a review of First Nations cosmology and the historical references to tree art. Blackstock then takes us on a metaphorical journey along the remnants of trading and trapping trails to tree art sites in the Gitxsan, Nisga'a, Tlingit, Carrier, and Dene traditional territories, before concluding with reflections on the function and meaning of tree art, its role within First Nations cosmology, and the need for greater respect for all of our natural resources. This fascinating study of a haunting and little-known cultural phenomenon helps us to see our forests with new eyes.
Popular Hopi kachina dolls and awesome totem poles are but two of the aspects of the sophisticated, seldom-examined network of mythologies explored in this fascinating volume. This revealing work introduces readers to the mythologies of Native Americans from the United States to the Arctic Circle—a rich, complex, and diverse body of lore, which remains less widely known than mythologies of other peoples and places. In thematic chapters and encyclopedia-style entries, Handbook of Native American Mythology examines the characters and deities, rituals, sacred locations and objects, concepts, and stories that define and distinguish mythological cultures of various indigenous peoples. By tracing the traditions as far back as possible and following their evolution from generation to generation, Handbook of Native American Mythology offers a unique perspective on Native American history, culture, and values. It also shows how central these traditions are to contemporary Native American life, including the continuing struggle for land rights, economic parity, and repatriation of cultural property.
William Beynon was born in 1888 in Victoria to a Welsh father and a Tsimshian mother. He was an accomplished ethnographer and had a long career documenting the traditions of the Tsimshian, Nisga'a, and Gitksan. In 1945 he attended and actively participated in five days of potlatches and totem pole raisings at Gitksan village of Gitsegukla. There he compiled four notebooks containing detailed and often verbatim information about the events he witnessed. For over 50 years these notebooks have seen limited circulation among specialists, who have long recognized them as the most perceptive and complete account of potlatching ever recorded.