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This collection of oral narratives from the Tsimshian Indians of the west coast of British Columbia around Prince Rupert, is illustrated with early photographs and maps, and reflects the close relationship of these people with their environment.
These oral histories, collected by Marius Barbeau and William Beynon from the Pacific Northwest reflect the Tsimshian relationship with the environment, their understanding of the spiritual universe and their interpretation of the physical world.
This collection of oral narratives from the Tsimshian Indians of the west coast of British Columbia around Prince Rupert, is illustrated with early photographs and maps, and reflects the close relationship of these people with their environment.
This collection of oral narratives from the Tsimshian Indians of the west coast of British Columbia around Prince Rupert, is illustrated with early photographs and maps, and reflects the close relationship of these people with their environment.
These oral histories, collected by Marius Barbeau and William Beynon from the Pacific Northwest reflect the Tsimshian relationship with the environment, their understanding of the spiritual universe and their interpretation of the physical world.
The Handbook of Native American Literature is a unique, comprehensive, and authoritative guide to the oral and written literatures of Native Americans. It lays the perfect foundation for understanding the works of Native American writers. Divided into three major sections, Native American Oral Literatures, The Historical Emergence of Native American Writing, and A Native American Renaissance: 1967 to the Present, it includes 22 lengthy essays, written by scholars of the Association for the Study of American Indian Literatures. The book features reports on the oral traditions of various tribes and topics such as the relation of the Bible, dreams, oratory, humor, autobiography, and federal land policies to Native American literature. Eight additional essays cover teaching Native American literature, new fiction, new theater, and other important topics, and there are bio-critical essays on more than 40 writers ranging from William Apes (who in the early 19th century denounced white society's treatment of his people) to contemporary poet Ray Young Bear. Packed with information that was once scattered and scarce, the Handbook of NativeAmerican Literature -a valuable one-volume resource-is sure to appeal to everyone interested in Native American history, culture, and literature. Previously published in cloth as The Dictionary of Native American Literature
First-hand accounts of Indigenous people's encounters with colonialism are rare. A daily diary that extends over fifty years is unparalleled. Based on a transcription of Arthur Wellington Clah's diaries, this book offers a riveting account of a Tsimshian man who moved in both colonial and Aboriginal worlds. From his birth in 1831 to his death in 1916, Clah witnessed profound change: the arrival of traders, missionaries, and miners, and the establishment of industrial fisheries, wage labour, and reserves. His many voyages � physical, cultural, and spiritual � provide an unprecedented Aboriginal perspective on colonial relationships on the Pacific Northwest Coast.
William Beynon was born in 1888 in Victoria to a Welsh father and a Tsimshian mother. He was an accomplished ethnographer and had a long career documenting the traditions of the Tsimshian, Nisga'a, and Gitksan. In 1945 he attended and actively participated in five days of potlatches and totem pole raisings at Gitksan village of Gitsegukla. There he compiled four notebooks containing detailed and often verbatim information about the events he witnessed. For over 50 years these notebooks have seen limited circulation among specialists, who have long recognized them as the most perceptive and complete account of potlatching ever recorded.