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Julius's critically acclaimed study (looking both at the detail of Eliot's deployment of anti-Semitic discourse and at the role it played in his greater literary undertaking) has provoked a reassessment of Eliot's work among poets, scholars, critics and readers, which will invigorate debate for some time to come.
Best known for his works "The Waste Land", "Four Quartets", and "The Love Song of J Alfred Prufrock," T S Eliot is one of the most popular 20th-century poets studied in high school and college English classes. This work explores the life and works of this amazing Nobel Prize-winning writer, with analyses of Eliot's writing.
The centenary of Eliot's birth in 1988 has provided this occasion to review his life and work, and reassess him in the light of various critical developments in the new historicism, feminism, and reader-reception theory that have emerged since the "New Criticism".
Language Mysticism explores the place granted to language within metaphysical and theological hierarchies traditional to Western culture. Within these hierarchies, language represents embodiment, division, and historical differentiation; whereas silence points to an eternal unity beyond linguistic form and limitation. But this reflects a deeply embedded ambivalence in the Western tradition toward material and temporal conditions in general. The author uses the writings of T. S. Eliot, Samuel Beckett, and Paul Celan to show how far-reaching and immediate this history of ambivalence remains in its influence and consequences. In each of these writers, theological traditions inform and situate linguistic imagery and practices, albeit in quite different ways. The author argues that the stances toward language of these three writers register values not only fundamental to their work but general to our culture. Language is the sign of body, of history, of difference; and a negative attitude toward language therefore implies a displacement of value away from concrete, historical condition. The approach to language of Eliot, Beckett, and Celan therefore inscribes their struggle to define and locate the values that endow our lives with meaning, and the possibility of translating these values into historical reality.
The Poetry Of T.S. Eliot Is An Incisive Interpretation Of Eliot S Poetry In The Indian Context Vis-A-Vis The Views Of Western Critics In So Far As The Christian Coloration Of His Poetry Is Concerned. A Good Deal Of Light Is Thrown On The Early, Middle And Later Poetry Of Eliot. A Special Emphasis Has Been Laid On The Genesis And Culminating Experience Of Eliot As A Man And As An Artist.
'At last, we have a study that tackles these questions, and does so with a wealth of learning, a poet's sensibility and a thorough theological literacy...Murray has given us a superb study.' Rowan Williams, Doctrine and Life 'His point of view is always that of someone practised in meditation, and his book is in consequence one of the half-dozen really valuable guides to Eliot's poetry.' Stephen Medcalf, Times Literary Supplement The story of the composition of Four Quartets, in relation to mysticism, constitutes one of the most interesting pages in modern literary history. T.S. Eliot drew his inspiration not only from the literature of orthodox Christian mysticism and from a variety of Hindu and Buddhist sources, but also from the literature of the occult, and from several unexpected and so far unacknowledged sources such as the 'mystical' symbolism of Shakespeare's later plays and the visionary poetry of Rudyard Kipling. But the primary concern of this study is not with sources as such, nor with an area somewhere behind the work, but rather with that point in Four Quartets where Eliot's own mystical attitude and his poetry unite and intersect.
Praise for the earlier edition: "Students of modern American literature have for some years turned to Fifteen Modern American Authors (1969) as an indispensable guide to significant scholarship and criticism about twentieth-century American writers. In its new form--Sixteenth Modern American Authors--it will continue to be indispensable. If it is not a desk-book for all Americanists, it is a book to be kept in the forefront of the bibliographical compartment of their brains."--American Studies
Twentieth Century English Literature Was Shaped To A Great Extent By The Genius Of T.S. Eliot. His Towering Personality Illuminates The Major Genres Of English Literature. No Study Of The Early Twentieth Century British Canonical Literature Is Possible Without Encountering The Icon T.S. Eliot Poet, Critic, Dramatist.Images And Symbols Have Been Always Employed By Writers Of All Literatures Down The Ages. But, Movements Like Imagism And Symbolism Gave An Entirely New Focus To Images And Symbols. Archetypal Criticism Was A Parallel Emergence. In An Age Torn By The Anxiety Of Two World Wars, And Dissatisfied With Scientific And Materialistic Concept Of Man, The Archetypal Approach Sought To Restore To Man The Entire Humanity.The Present Volume Offers An Indepth Study Of The Major Archetypes And How They Are Interwoven In The Imagery And Symbolism In The Poetry Of T.S. Eliot. The Complexities Of The Modern Age And Their Expression In Eliot S Poetry Cannot Be Understood Without Archetypes, Myths And Legends. This Domain Had Not Been Explored So Far. Hence, This Volume Presents A Systematic Structuring And Evaluation Of Archetypal Imagery And Symbolism In Eliot S Major Poems As Well As Other Minor Poems. It Is Hoped That Teachers, Researchers And Students Of Literature Will Find The Volume To Be Of Considerable Interest And Use.