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T. S. Eliot's Civilized Savage revisits this poet's drafts and canonical poetry in a sometimes dismissive critical arena . While contemporary readers emphasize Eliot's charged personal life, his anti-Semitism, his political conservatism, and his misogyny, Laurie MacDiarmid argues that although Eliot's poetics are shaped by private fears and fantasies, in many ways these are the ghosts of a culture that accepts and celebrates him. Comparing early versions with finished poems, this book explores the development and ramifications of Eliot's 'impersonal' poetic without losing sight of his influential, haunting work. Examining Eliot's neurotic relationship with women and his escape into women and his escape into spirituality, this book observes how Eliot conceived and eroticized poetry of worship and a poetic that dictated a sacrificial relationship to a savage God.
Over a dozen new volumes of T. S. Eliot's poetry, prose, and letters have been published in the past decade. This collection presents unabashedly fresh approaches to Eliot, while simultaneously guiding readers through the new materials that are available for the first time outside of restricted archives. Eliot, the figurehead of literary modernism, continues to be someone whom critics love to hate (Misogynist! Reactionary! Anti-Semite!) and readers love to devour (Profound! Revolutionary! Resonant!). Why does one artist elicit such different responses? Eliot Now collects new and established voices in Eliot studies, integrating contemporary critical approaches with careful attention to the newly published materials. Whether grappling with the controversial new two-volume Poems, narrating the experience of opening Eliot's letters in the Emily Hale papers (until 2020 the “most famous sealed archive in the world”), or rereading his works through ecocritical or trans studies lenses, Eliot Now shows how this most effusively celebrated and heatedly criticized 20th-century writer continues to change the way we read literature in the 21st century. The collection concludes with six award-winning contemporary poets considering the influence of The Waste Land on poetry today.
T. S. Eliot’s Ascetic Idealcharts an intellectual history of T. S. Eliot’s interaction with asceticism. Eliot’s early encounters with the ascetic ideal began a lifetime of interplay and reflection upon self-denial, purgation, and self-surrender.
Focusing on the literary works and career of British novelist E.M. Forster (1879-1970), this book argues that the writer adapted a much older literary form, the pastoral, to the purposes of writing about modern British experience. The publication points out that Forster's pastoral fiction challenged conventional parameters for the British novel, allowing for the emergence of his subsequent modernist classic, A Passage to India (including its critique of British imperialism). The monograph also provides a rationale for why Forster subsequently turned his artistic focus beyond Britain, embracing public radio under the direction of the British Broadcasting Corporation.
Presenting work from scholars of various ranks and locations—including Canada, Romania, Taiwan, Bosnia-Herzegovina, the UK, and the USA—this volume offers critical perspectives on what is often considered the most important poem of literary modernism: T. S. Eliot’s The Waste Land. The essays explore such topics as Eliot’s use of sources, his poem’s form, his influences, and his alleged misogyny. Building off contemporary work on Eliot and his poem, these essays illustrate the continued importance of The Waste Land in our understanding of the last century. This book should be of interest to students and scholars of modernism and modernist poetry.
Primitive and metropolitan life nourished T. S. Eliot's imagination and emerged as recurrent themes in his work. Examining these twin concerns, Robert Crawford sheds new light on the poet's achievement--particularly those works that culminated in The Waste Land and Sweeney Agonistes--and clarifies Eliot's relentless obsession with "savages" and sophisticates.
T.S. Eliot was arguably the most important poet of the twentieth century. Nonetheless, there remains much scope for reconsidering the content, form and expressive nature of Eliot’s religious poetry, and this edited collection pays particular attention to the multivalent spiritual dimensions of his popular poems, such as ‘The Lovesong of J. Alfred Prufrock’, ‘The Waste Land’, ‘Journey of the Magi’, ‘The Hollow Men’, and ‘Choruses’ from The Rock. Eliot’s sustained popularity is an intriguing cultural phenomenon, given that the religious voice of Eliot’s poetry is frequently antagonistic towards the ‘unchurched’ or secular reader: ‘You! Hypocrite lecteur!’ This said, Eliot’s spiritual development was not a logical matter and his devotional poetry is rarely didactic. The volume presents a rich and powerful range of essays by leading and emerging T.S. Eliot and literary modernist scholars, considering the doctrinal, religious, humanist, mythic and secular aspects of Eliot’s poetry: Anglo-Catholic belief (Barry Spurr), the integration of doctrine and poetry (Tony Sharpe), the modernist mythopoeia of Four Quartets (Michael Bell), the ‘felt significance’ of religious poetry (Andy Mousley), ennui as a modern evil (Scott Freer), Eliot’s pre-conversion encounter with ‘modernist theology’ (Joanna Rzepa), Eliot’s ‘religious agrarianism’ (Jeremy Diaper), the maternal allegory of Ash Wednesday (Matthew Geary), and an autobiographical reading of religious conversion inspired by Eliot in a secular age (Lynda Kong). This book is a timely addition to the ‘return of religion’ in modernist studies in the light of renewed interest in T.S. Eliot scholarship.
T. S. Eliot's mind encompasses just about every important avant-garde intellectual movement of his time. His thought, as well as his poetry, represents an essential and original achievement within Modernism. This study presents Eliot's unique synthesis of contemporary philosophy, psychology, anthropology, and studies in mysticism, and demonstrates how it is responsible for the nature of his religious belief, the basic tenets of his literary theory, and the figurative, structural, and dramatic aspects of his verse, pervading virtually everything he wrote throughout his life. The chapters are Skepticism, Mysticism, The Unconscious, Primitive Experience, Mythic Consciousness, and A Surrealist Poetic.
The Image of Modern Man in T. S. Eliot's Poetry The book , presents an original understanding of The Image of Modern Man in T. S. Eliots complex and difficult poems in an easy and understandable way. Eliots vision of the Modern Man and the modern world is depicted throughout Eliots most well-known poems. Eliot was criticized by some critics for the quality of his work. The aim of this book is to show what an excellent and successful writer he is, to reveal the value and the contemporaneity of his work. His poetry is highly evaluated for its unique way of depicting the Modern humanity by realizing their problems as well as finding solutions for them. The book is a great help not only for students, but also for researchers as the writer has spent much time in reading Eliots Poems. He has also written an ample introduction about modernism, modernity, modern literature and modern poetry, which might be enough to understand the rise of modern poetry. ... All of Eliots poems especially The Waste Land has presented readers with all the aspects of the modern life. Life is depicted as a mirror, broken and shattered into pieces as it is clear in the different parts of the poem. Eliot unlike many poets did not leave the modern man lost in despair but he finds them, their peace of mind by having a true and stable faith as well as their turning to God. The only solution for the entire problems of modern man is to turn to God and neglect the world that completely occupied them spiritually. ...Modern man has lost his values especially women by only looking after children, many of them turned to prostitution because they did not have any source of income; therefore, they used that as a way to earn money to maintain life. These are the characteristics of the modern city, which are shared by all the countries, especially Europe. Eliot insists on the necessity of turning from world to God. He believed that God can solve their problems, because man or any other earthly power could not change that gloomy and aimless life, which modern man complained against.
Tracing the movement of literary decadence from the writers of the fin de siècle - Oscar Wilde, Aubrey Beardsley, Ernest Dowson, and Lionel Johnson - to the modernist writers of the following generation, this book charts the legacy of decadent Catholicism in the fiction and poetry of British and Irish modernists. Linking the later writers with their literary predecessors, Martin Lockerd examines the shifts in representation of Catholic decadence in the works of W. B. Yeats through Ezra Pound to T.S. Eliot; the adoption and transformation of anti-Catholicism in Irish writers George Moore and James Joyce; the Catholic literary revival as portrayed in Evelyn Waugh's Brideshead Revisited; and the attraction to decadent Catholicism still felt by postmodernist writers D.B.C. Pierre and Alan Hollinghurst. Drawing on new archival research, this study revisits some of the central works of modernist literature and undermines existing myths of modernist newness and secularism to supplant them with a record of spiritual turmoil, metaphysical uncertainty, and a project of cultural subversion that paradoxically relied upon the institutional bulwark of European Christianity. Lockerd explores the aesthetic, sexual, and political implications of the relationship between decadent art and Catholicism as it found a new voice in the works of iconoclastic modernist writers.