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This set of new interpretations to the tarot is the essential guidebook to the meanings and mysteries of Nicholas Kahn and Richard Selesnick's Carnival at the End of the World Tarot deck.
A magisterial history of the artists and writers who left Weimar when the Nazis came to power In 1933 thousands of intellectuals, artists, writers, militants and other opponents of the Nazi regime fled Germany. They were, in the words of Heinrich Mann, “the best of Germany,” refusing to remain citizens in this new state that legalized terror and brutality. Exiled across the world, they continued the fight against Nazism in prose, poetry, painting, architecture, film and theater. Weimar in Exile follows these lives, from the rise of national socialism to their return to a ruined homeland, retracing their stories, struggles, setbacks and rare victories. The dignity in exile of Walter Benjamin, Ernst Bloch, Bertolt Brecht, Alfred Döblin, Hanns Eisler, Heinrich Mann, Thomas Mann, Anna Seghers, Ernst Toller, Stefan Zweig and many others provides a counterpoint to the story of Germany under the Nazis.
When you look through the porthole of your berth aboard the ship, what do you see? The raging ocean? A lone iceberg? The world as it once was, now receding into the distance? Likewise, when you peer through your telescope at the distant boat, what do you see? An approaching storm? A drowning man? The future, drifting forever out of reach? In their latest book, Doctor Falke's Oraculum, Kahn & Selesnick invite you to look through the peep hole where you shall find scenes of people trying to parse that which is to come, speak with those departed, or just finding their pleasure amid the florid decay of a world in decline. For when personal and societal mythologies supersede facts, when the promise of virtual realities threaten to supersede the real thing, what better way to approach an uncertain future than through the arcane method of augury-after all, is not prophecy the original fake news?The Oraculum continues the adventures of the Truppe Fledermaus, a cabaret troupe of anxious mummers and would-be mystics who catalogue their absurdist attempts to augur a future that seems increasingly in peril due to environmental pressures and global turmoil. Presented as an unbound collection of photographs and text, the Oraculum is by turns a travelogue, an oracle, an art book, a box of prints, a meditation on the future, and an instruction manual of interpretative dance moves. The loose nature of the pages allow the viewer to treat this volume as a bibliomancy oracle where pages can be shuffled and selected at random to receive messages and prophecy, much as one uses the tarot and other cartomancy decks.The artists also examine the notion of the carnivalesque-traditionally the carnival was a time when the normal order of society was upended and reversed, so that at least for a day the fool might become king, men and women might cross dress, and sacred ceremonies and normal mores were spoofed. The Truppe ask you to consider: is it the carnival that is upside-down, or perhaps the real world that it purports to burlesque?
In Scotlandfuturebog, photographers Nicholas Kahn and Richard Selesnick construct a strange world that they describe as being of infinite promise that cannot possibly be described or communicated except by direct experience. The characters we meet are bogdwellers, inhabitants of a planet emptied by an apocalyptic event. Left to perform obscure ceremonies in an intriguing but uninviting terrain, the bogdwellers exist in a historical vacuum. This is a first-edition slip-cased book, signed and numbered by the artists. Nicholas Kahn and Richard Selesnick have been collaborating for more than a decade. They have exhibited worldwide and their work is held in galleries, museums and private collections. Scotlandfuturebog features a short story by Ben Marcus whose second novel, Notable American Women, was published in 2002 by Vintage.
This set of new interpretations to the tarot is the essential guidebook to the meanings and mysteries of Nicholas Kahn and Richard Selesnick's Drowning World Tarot deck.
Essays by Erez Lieberman and Sarah Falkner.
Uni-Verse Poetry - Art - Proofs by Visionary Humans is devoted to the work of contemporary poets and visual artists. The unifying principle organizing the book is Relational Order Theory, which presents a context for all existing systems to be considered as a relational whole. The poets chosen for this book create an intersectional, multi-generational poesis, from David Ferry, who is 96, to Grace Macnair, 31. These unique voices, honed at very different times, all speak to us of the complexity, beauty, and struggles intrinsic to our human condition. Similarly, art through its aesthetic and existential power, helps us to better understand the meaning of our existence. In times of crisis art provides philosophical and spiritual insights, catharsis, and healing. Historically artists are the visionaries whose work possesses the power to capture the full range of human experience, from the horrors of war to the ecstasy of transcendent love. Our vision behind this collection of superlative poets and artists is to present work as both deeply enmeshed in the specificity of history and at the same time, an enduring, crucial human constant.
In the early 1900s, artist Paul Thulin's great-grandfather settled on an island off the coast of Maine because it resembled his homeland of Sweden. As a result, his family has returned to Gray's Point each summer for over a century. Throughout his life, his great-grandfather shared exquisitely detailed accounts of the early settlers of the New England apple orchard that included such characters as a one-legged ship cook, a widowed schoolteacher, and an ingenious Native American blacksmith. The tales were an intricate mix of facts and lore that fueled imagination and often had the power to transform daily floorboard creaks and shadows into enduring ancestral spirits. "Pine Tree Ballads" is a poetic memoir that embraces this spirit of magic realism. This deeply personal photographic sequence is a family generated folktale of place and origins; a story infused with both imagination and reality which, in most instances, are the true ingredients of history.This book adopts a unique"docu-literary" structure that celebrates and fully exploits the duplicitous nature of photography/text to be simultaneously interpreted as both fact and fiction. The project explores the emotive, contextual, and material constructs of history, culture, personal identity, memory, and folklore. The images are made with a variety of photo-based processes including both large format b/w and color film, and hi-resolution digital capture. An "aura aesthetic" purposely exposes the formal beauty and conceptual profundity of analog-based photographic material disruptions, such as film light leaks, dust and scratches, lens distortion, chemical stains, loss of color integrity, film grain, mold, and the multitude of ways paper stains, rips, and deteriorates over time.