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The lives of these men relied on two legs, the first was work, so intensive that Capote was at times seen to concentrate to the point that it was feared he would rupture a temple vein, visibly swollen, and Williams, Isherwood and Vidal were no less impassioned. The second leg was feverish sex, Williams so wild that his partners in love had to leave the apartment in order to get rest. As for Vidal, he himself said he had had 1,000 different boys by age 25, and Isherwood claimed he had had 500 in Berlin alone. The role of Denham Fouts was to enliven these men, his body scent of vanilla and the scorpion tattoo at his groin that each kissed before moving on. Vidal featured Denham in his The Judgment of Paris, Isherwood invoked his American years with Denham in Down There on a Visit, and Capote in his ''Spoiled Monsters''. This book will concentrate on both aspects, their creative genius and their need for a second form of beauty, that of the boys their art attracted--followed, later, by boys drawn to the money it engendered. Their incessant work allowed them to buy the objects of their lust, especially in the Europe of Paris and Rome and Venice, of Taormina, Capri and Ischia, and, back home in the States, during the war when the blackout made California beaches a jungle of bodies--as Isherwood put it--there were soldiers and sailors innumerable. Capote, for me, was the greatest American writer to have lived, and Tennessee was America's never-equaled playwright; Vidal was a chronicler of an America gone forever; Denham a source of inspiration who played his role to the hilt, beginning with his startling lifestyle and his absolute determination to be the world's best-kept male whore, to turn day into never-ending night, sighs into memories his men would never forget. Of them all, only Isherwood came away with the world's greatest prize, a boy who loved him even beyond his last breath.
The Best-Kept Boy in the World is the first book ever written about Denham (Denny) Fouts (1914-1948), the twentieth century's most famous male prostitute. He was a socialite and muse whose extraordinary life started off humbly in Jacksonville, Florida. But in short order he befriend (and bedded) the rich and celebrated and in the process conquered the world.No less an august figure than the young Gore Vidal was enchanted by Denny's special charms. He twice modeled characters on Denny in his fiction, saying it was a pity that Denny never wrote a memoir. To Vidal he was "un homme fatal."Truman Capote, who devoted a third of Answered Prayers to Denny's life story, found that "to watch him walk into a room was an experience. He was beyond being good-looking; he was the single most charming-looking person I've ever seen."Writer Christopher Isherwood, who Denny considered his best friend, was more to the point: he called him "the most expensive male prostitute in the world." He thus served as the source for the character Paul in Isherwood's novel Down There on a Visit and appears as himself frequently in his published diaries.But Denny's conquests were not limited to the US alone.Somerset Maugham in England has Denny in his celebrated novel The Razor's Edge.To King Paul of Greece he was "my dear Denham" or "Darling Denham," and the King's telegrams to Denny from the Royal Palace always were signed "love, Paul."Peter Watson, the wealthy financial backer of the popular British literary magazine Horizon, had an erection whenever he was in the same room with Denny.The artist Michael Wishart met Denny for the first time at a party in Paris and realized instantly he was in love and that "the only place in the world I wanted to be was in Denham's bedroom."And Lord Tredegar, one of the largest landowners in Great Britain, saw Denny being led by the police through the lobby of an expensive hotel in Capri, convinced the police to let him pay the bills Denny owed, and then took Denny to accompany him and his wife as they continued on their tour of the world.It was because of lofty connections such as these that Capote echoed Isherwood's remark by quipping that Denny was the "best-kept boy in the world," thereby coming up with the title of the chapter in Answered Prayers about Denny.In his short life, Denny achieved a mythic status, and this book follows him into his rarified world of barons and shipping tycoons, lords, princes, heirs of great fortunes, artists, and authors. Here is the story of an American original, a story with an amazing cast of unforgettable characters and extraordinary settings, the book Gore Vidal wished Denny had written.
Language "Appealing As Sunlight After a Storm." A sentence should read as if its author, had he held a plough instead of a pen, could have drawn a furrow deep and straight to the end. —Henry David Thoreau Prose consists of ... phrases tacked together like the sections of a prefabricated hen-house. —George Orwell Whether it invokes hard work or merely a hen-house, a good simile is like a good picture—it's worth a thousand words. Packed with more than 16,000 imaginative, colorful phrases—from “abandoned as a used Kleenex” to “quiet as an eel swimming in oil”—the Similes Dictionary will help any politician, writer, or lover of language find just the right saying, be it original or banal, verbose or succinct. Your thoughts will never be "as tedious as a twice-told tale" or "dry as the Congressional Record." Choose from elegant turns of phrases “as useful as a Swiss army knife” and “varied as expressions of the human face”. Citing more than 2,000 sources—from the Bible, Socrates, Shakespeare, Mark Twain, and H. L. Mencken to popular movies, music, and television shows—the Similes Dictionary covers hundreds of subjects broken into thematic categories that include topics such as virtue, anger, age, ambition, importance, and youth, helping you find the fitting phrase quickly and easily. Perfect for setting the atmosphere, making a point, or helping spin a tale with economy, intelligence, and ingenuity, the vivid comparisons found in this collection will inspire anyone. Love comforteth like sunshine after rain. —William Shakespeare A face like a bucket —Raymond Chandler A man with little learning is like the frog who thinks its puddle a great sea. —Burmese proverb Peace, like charity, begins at home —Franklin Delano Roosevelt You know a dream is like a river ever changing as it flows. —Garth Brooks Fit as a fiddle —John Ray’s Proverbs He's not to be allowed to fall into his grave like an old dog. —Arthur Miller Ring true, like good china. —Sylvia Plath Music yearning like a God in pain —John Keats Busy as a one-legged man in an ass-kicking contest. —Pat Conroy Enduring as mother love —Anonymous
Tennesse Williams in Provincetown is the story of Tennesse Williams' four summer seasons in Provincetown, Massachusetts: 1940, '41, '44 and '47. During that time he wrote plays, short stories, and jewel-like poems. In Provincetown Williams fell in love unguardedly for perhaps the only time in his life. He had his heart broken there, perhaps irraparably. The man he thought might replace his first lover tried to kill him there, or at least Williams thought so. Williams drank in Provincetown, he swam there, and he took conga lessons there. He was poor and then rich there; he was photographed naked and clothed there. He was unknown and then famous--and throughout it all Williams wrote every morning. The list of plays Williams worked on in Provincetown include The Glass Menagerie, A Streetcar Named Desire, Summer and Smoke, the beginnings of The Night of the Iguana and Suddenly Last Summer, and an abandoned autobiographical play set in Provincetown, The Parade. Tennessee Williams in Provincetown collects original interviews, journals, letters, photographs, accounts from previous biographies, newspapers from the period, and Williams' own writing to establish how the time Williams spent in Provincetown shaped him for the rest of his life. The book identifies major themes in Williams' work that derive from his experience in Provincetown, in particular the necessity of recollection given the short season of love. The book also connects Williams mature theatrical experiments to his early friendships with Jackson Pollack, Lee Krasner and the German performance artist Valeska Gert. Tennessee Williams in Provincetown, based on several years of extensive research and interviews, includes previously unpublished photographs, previously unpublished poetry, and anecdotes by those who were there.
Which authors were contemporaries of Charles Dickens? Which books, plays, and poems were published during World War II? Who won the Pulitzer Prize in the year you were born? Timetables of World Literature is a chronicle of literature from ancient times through the 20th century. It answers the question "Who wrote what when?" and allows readers to place authors and their works in the context of their times. A chronology of the best in global writing, this valuable resource lists more than 12,000 titles and 9,800 authors, includes all genres of literature from more than 58 countries, and covers 41 languages. It is divided into seven sections, spanning the Classical Age (to 100 CE), the Middle Ages (100–1500 CE), and the 16th through the 20th centuries. Comprehensive in scope, Timetables of World Literature provides students, researchers, and browsers with basic facts and a worldwide perspective on literature through time. Four extensive indexes by author, title, language/nationality, and genre make research quick and easy. Features include: Birth and death dates as well as nationalities of authors and other literary figures Winners of major literary prizes and awards, such as the Nobel Prize in Literature and the Pulitzer Prizes, for each year Brief discussions of literary developments in each period or century, and the relationship of literature to the social and political climate Timelines of key historical events in each century.
The enfants terribles of America at mid-20th Century challenged the sexual censors of their day while indulging in "bitchfests" for love, glory, and boyfriends. For the first time along comes a book that exposes their literary slugfests and offers an intimate look at their relationships with the glitterati everyone from Marilyn Monroe to Jacqueline
As hard as marble, upright like a spur, a sword, a dagger, the giver of infinite pleasure and unique procreator, a source of immense comfort at boyhood, perhaps even a boy's very first true happiness, free, disinterested and supremely loyal. In dark moments, who better to turn to for solace? Stress vanishes, the body is wracked by a wondrous sensation, and the visible proof of manhood, the lakes and rivers covering the still-shuddering abdomen, glisten amidst the sweat. It is a boy's first and only true mate, one the boy will share with glee, but even after an evening of wild debauch, it'll return home with the guy that brought him. Always. The fixation on the male member, the answer to the ''Whys'' of our obsession concerning it, and that throughout the ages, is the basis of this book. We'll examine it through historical figures, Alcibiades for the Greeks, Priapus for the Romans, François I for France, Casanova for Venice, Byron will guide us through English Romanticism and Howard Hughes will represent America. We'll learn how to lengthen it, to really lengthen it, and how to restore the foreskin of those mutilated in infancy. We'll discover the benefits of that purest of elixirs, semen. Male nudity throughout time will be developed--how boys displayed their assets in Greek gymnasiums and Roman baths, baths in which men generously endowed were applauded, to the Renaissance where boys were the most brazen in their public eroticism, followed by pre-Elizabethan codpieces, and today's jocks and briefs. Phallic worship begins at birth, when the child in ancient times was laid at the father's feet and the tiny blanket opened. At the sight of the scepter the father would gratefully raise the boy above his head, to the full approval of those attending, for the scepter was the incontestable emblem that the child would grow into an oak, tall, strong and virile, who would be the power over the household were he born in a village, over a domain were his parents noble, or over the world itself, as was the destiny of Cyrus, Alexander and Caesar. He had the potential of becoming the intellectual Nietzsche had been, an artist like da Vinci and Michelangelo, an historian as was Herodotus, a writer like Homer and Shakespeare, a mathematician, an explorer, the first man to step foot on Mars. The father would now live eternally--a man's single and only true promise of an afterlife--through the thighs of the son in his arms, a boy who will perpetuate his name and his place in the universe, until the universe no longer exists. It is this, the covenant of the boy and his scepter, in times barbarous and in times enlightened. It is this the immutable promise of the phallus. This book is written about men and is for men, especially omnisexual men.
This book explores how alarmist social discourses about 'cruel' young people fail to recognize the complexity of cruelty and the role it plays in child agency. Examining representations of cruel young people in popular texts and popular culture, the collected essays demonstrate how gender, race, and class influence who gets labeled 'cruel' and which actions are viewed as negative, aggressive, and disruptive. It shows how representations of cruel young people negotiate the violence that shadows polite society, and how narratives of cruelty and aggression are used to affirm, or to deny, young people’s agency.