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Something borrowed... Through wit and sheer force of will, Ash Cohen raised himself and his younger brother Rafe out of the London slums and made them (in his unbiased opinion) the best confidence men in England. Ash is heartbroken when Rafe decides he wants an honest life, but he vows to give his beloved brother what he wants. When Ash hears of a small-town heiress scrambling to get her hands on the dowry held in trust for when she marries, he plans one last desperate scheme: con her and his brother into falling in love. After all, Rafe deserves the best, and Ash can see at once that captivating, lonely Lydia Reeve is the best. Lydia doesn't know why she instinctively trusts the humble stranger who talks his way through her front door and into her life. She just knows she's disappointed when he tries to set her up with his brother. When a terrible family secret comes to light and Rafe disappears, Lydia takes a big risk: she asks Ash to marry her instead. Did Ash choose the perfect wife for his brother...or for himself?
The ideal guide to choosing the right word. Entries go beyond the word lists of a thesaurus, explaining important differences between synonyms. Provides over 17,000 usage examples. Lists antonyms and related words.
This book provides a new philosophical fictionalism to solve traditional paradoxes and puzzles in the philosophy of language and metaphysics.
Since the 1990s we witness a rise in public apologies. Are we living in the ‘Age of Apology’? Interesting research questions can be raised about the opportunity, the form, the meaning, the effectiveness and the ethical implications of public apologies. Are they not merely a clever and easy device to escape real and tangible responsibility for mistakes or wrong done? Are they not at risk to become well-rehearsed rituals that claim to express regret but, in fact, avoid doing so? In a joint interdisciplinary effort, the contributors to this book, combining findings from their specific fields of research (legal, religious, political, linguistic, marketing and communication studies), attempt to articulate this tension between ritual and sincere regret, between the discourse and the content of apologies, between excuses that pretend and regret that seeks reconciliation.
This anthology of the very latest research on truth features the work of recognized luminaries in the field, put together following a rigorous refereeing process. Along with an introduction outlining the central issues in the field, it provides a unique and unrivaled view of contemporary work on the nature of truth, with papers selected from key conferences in 2011 such as Truth Be Told (Amsterdam), Truth at Work (Paris), Paradoxes of Truth and Denotation (Barcelona) and Axiomatic Theories of Truth (Oxford). Studying the nature of the concept of ‘truth’ has always been a core role of philosophy, but recent years have been a boom time in the topic. With a wealth of recent conferences examining the subject from various angles, this collection of essays recognizes the pressing need for a volume that brings scholars up to date on the arguments. Offering academics and graduate students alike a much-needed repository of today’s cutting-edge work in this vital topic of philosophy, the volume is required reading for anyone needing to keep abreast of developments, and is certain to act as a catalyst for further innovation and research.
Fictionalism is the view that a serious intellectual inquiry need not aim at truth. It came to prominence in philosophy in 1980, when Hartry Field argued that mathematics does not have to be true to be good, and Bas van Fraassen argued that the aim of science is not truth but empirical adequacy. Both suggested that the acceptance of a mathematical or scientific theory need not involve belief in its content. Thus the distinctive commitment of fictionalism is that acceptance in a given domain of inquiry need not be truth-normed, and that the acceptance of a sentence from the associated region of discourse need not involve belief in its content. In metaphysics fictionalism is now widely regarded as an option worthy of serious consideration. This volume represents a major benchmark in the debate: it brings together an impressive international team of contributors, whose essays (all but one of them appearing here for the first time) represent the state of the art in various areas of metaphysical controversy, relating to language, mathematics, modality, truth, belief, ontology, and morality.
In the context of debates about truth, nihilism is the view that nothing is true. This is a very striking and (at first) implausible thesis, which is perhaps why it is seldom discussed. Truth without Truths applies nihilism to the philosophical debates on truth and paradox, and explores how a nihilist approach to truth is a serious contender. David Liggins demonstrates that a strong case for nihilism about truth is available. The main grounds for taking nihilism on truth seriously are the solutions it provides to a wide range of paradoxes involving truth, and its epistemological superiority to theories that posit truths. The discussion considers a wider range of paradoxes than usual-including the truth-teller paradox and other paradoxes of underdetermination. Liggins shows how the debate over truth and paradox can be advanced by drawing on metaphysical debates about realism and anti-realism. Truth without Truths is also a challenge to deflationism. Deflationists provide an austere, metaphysically lightweight account of truth. But there is one posit that all contemporary deflationists make: they posit truths. By showing that we can well do without truths, Liggins argues that deflationism is actually too lavish a position. Liggins's preferred form of alethic nihilism includes a Ramseyan analysis of the concept of truth, which uses quantification into sentence position, conceived of as non-objectual and non-substitutional. This book is part of a wider movement exploring the implications of admitting forms of non-objectual, non-substitutional quantification-sometimes called 'higher-order metaphysics'.
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