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The instant Sunday Times bestseller from the UK's number one true crime podcast, RedHanded! What is it about killers, cults, and cannibals that capture our imaginations even as they terrify and disturb us? How do we carefully consume these cases and what can they teach us about what makes victims and their murderers our collective responsibility? RedHanded rejects the outdated narrative of killers as monsters and that a victim 'was just in the wrong place at the wrong time.' Instead, it dissects the stories of killers in a way that challenges perceptions and asks the hard questions about society, gender, poverty, culture, and even our politics. With Bala and Maguire's trademark humour, research on real-life cases, and unflinching analysis of what makes a criminal, the authors take you through the societal, behavioural, and cultural drivers of the most extreme of human behaviour to find out once and for all: what makes a killer tick?
The instant #1 New York Times and USA Today best seller by Karen Kilgariff and Georgia Hardstark, the voices behind the hit podcast My Favorite Murder! Sharing never-before-heard stories ranging from their struggles with depression, eating disorders, and addiction, Karen and Georgia irreverently recount their biggest mistakes and deepest fears, reflecting on the formative life events that shaped them into two of the most followed voices in the nation. In Stay Sexy & Don’t Get Murdered, Karen and Georgia focus on the importance of self-advocating and valuing personal safety over being ‘nice’ or ‘helpful.’ They delve into their own pasts, true crime stories, and beyond to discuss meaningful cultural and societal issues with fierce empathy and unapologetic frankness. “In many respects, Stay Sexy & Don’t Get Murdered distills the My Favorite Murder podcast into its most essential elements: Georgia and Karen. They lay themselves bare on the page, in all of their neuroses, triumphs, failures, and struggles. From eating disorders to substance abuse and kleptomania to the wonders of therapy, Kilgariff and Hardstark recount their lives with honesty, humor, and compassion, offering their best unqualified life-advice along the way.” —Entertainment Weekly “Like the podcast, the book offers funny, feminist advice for survival—both in the sense of not getting killed and just, like, getting a job and working through your personal shit so you can pay your bills and have friends.” —Rolling Stone At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This funny pun quote reads "True Crime Podcasts I Love Them to Death" and features blood red hand and white text. 6 x 9" blank lined journal is perfect for writing and drawing. Great gift for true crime fan murderinos who are obsessed with podcasts about serial killers, murder, and true crime, especially if they are celebrating a birthday, mother's day, father's day, or Christmas. Great inexpensive stocking stuffer.
For decades now, serial killers have taken center stage in the news and entertainment media. The coverage of real-life murderers such as Ted Bundy and Jeffrey Dahmer has transformed them into ghoulish celebrities. Similarly, the popularity of fictional characters such as Hannibal “The Cannibal” Lecter or Dexter demonstrates just how eager the public is to be frightened by these human predators. But why is this so? Could it be that some of us have a gruesome fascination with serial killers for the same reasons we might morbidly stare at a catastrophic automobile accident? Or it is something more? In Why We Love Serial Killers, criminology professor Dr. Scott Bonn explores our powerful appetite for the macabre, while also providing new and unique insights into the world of the serial killer, including those he has gained from his correspondence with two of the world’s most notorious examples, David Berkowitz (“Son of Sam”) and Dennis Rader (“Bind, Torture, Kill”). In addition, Bonn examines the criminal profiling techniques used by law enforcement professionals to identify and apprehend serial predators, he discusses the various behaviors—such as the charisma of the sociopath— that manifest themselves in serial killers, and he explains how and why these killers often become popular cultural figures. Groundbreaking in its approach, Why We Love Serial Killers is a compelling look at how the media, law enforcement agencies, and public perception itself shapes and feeds the “monsters” in our midst.
A “necessary and brilliant” (NPR) exploration of our cultural fascination with true crime told through four “enthralling” (The New York Times Book Review) narratives of obsession. In Savage Appetites, Rachel Monroe links four criminal roles—Detective, Victim, Defender, and Killer—to four true stories about women driven by obsession. From a frustrated and brilliant heiress crafting crime-scene dollhouses to a young woman who became part of a Manson victim’s family, from a landscape architect in love with a convicted murderer to a Columbine fangirl who planned her own mass shooting, these women are alternately mesmerizing, horrifying, and sympathetic. A revealing study of women’s complicated relationship with true crime and the fear and desire it can inspire, together these stories provide a window into why many women are drawn to crime narratives—even as they also recoil from them. Monroe uses these four cases to trace the history of American crime through the growth of forensic science, the evolving role of victims, the Satanic Panic, the rise of online detectives, and the long shadow of the Columbine shooting. Combining personal narrative, reportage, and a sociological examination of violence and media in the 20th and 21st centuries, Savage Appetites is a “corrective to the genre it interrogates” (The New Statesman), scrupulously exploring empathy, justice, and the persistent appeal of crime.
Describes how Jan Roseboro was savagely beaten and strangled before her body was tossed in her backyard pool and how her husband Michael was eventually convicted of the crime after his pregnant mistress came forward.
Two phone calls. One mysterious death. This is a true story. On July 4, 2020 Kory received two phone calls. One from her uncle, saying her mother was found dead in her bedroom from an overdose. A second from a homicide detective saying he believes it was murder—and her uncle is the suspect. Now Kory wants to find the truth about what happened to her mother. But sifting through the conflicting details and compelling evidence turns out to be a hell of a ride. Only after a fearless look into her mother's dark past, will she uncover a truth—one she never expected.
Murder Capital of Europe: that's Glasgow. A city more lethal than London, Paris, Rome, Amsterdam, Dublin or strife-torn Belfast. But what's the truth behind the headlines, the real story on the streets of Glasgow? And who has earned the city its shocking and brutal reputation? Murder Capital leads you to the city's darkest corners and to the most evil citizens of the past twenty years, introducing you to people you definitely don't want to meet on a dark night. There are assassins, poisoners, body burners, faked suicides, sex slayers, femmes fatales, grannies with blades, revenge murders, crimes of passion, killer kids, betrayals, sadistic womanisers, lethal lesbians, rough trade, drugged-up demons and more. Average citizens all - until they turned to murder and shocked the world. Then there's Worm, The Birdman, Dopey, The Equaliser, Little General and The Iceman, all up to their necks in the organised mobs until caught for their murderous ways - or until they meet with the business end of a bullet or a blade. Glasgow is a city of contradictions. People love the place and feel safe going about their daily lives. But they also know there's a dark side, places you don't go and people you'll do well to avoid. Now, Reg McKay reveals the truth about the killers, the victims and life and death on the streets of Glasgow, the Murder Capital of Europe.
A Chilling Casebook of Horrifying Hometown Crimes How well do you really know your friends? Neighbours, friends, doctors and colleagues. We see them every day. We trust them implicitly. But what about the British army sergeant who sabotaged his wife’s parachute? Or the lodger who took his landlady on a picnic from which she never returned? From dentists to PAs, these normal-seeming people were quietly wrecking lives, and nobody suspected a thing. In this first book from the addictive award-winning podcast They Walk Among Us, Benjamin and Rosanna serve up small-town stories in gripping detail. They’ve hooked millions of listeners with their intricate and disturbing cases, and now they dig into ten more tales, to provide an unforgettably sinister true-crime experience, scarily close to home. It could happen to you.
"From the prize-winning biographer--the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: can a novel kill? In May 1840, Lord William Russell, well known in London's highest social circles, was found with his throat cut. The brutal murder had the whole city talking. The police suspected Russell's valet, Courvoisier, but the evidence was weak. And the missing clue lay in the unlikeliest place: what Courvoisier had been reading. In the years just before the murder, new printing methods had made books cheap and abundant, the novel form was on the rise, and suddenly everyone was reading. The best-selling titles were the most sensational true-crime stories. Even Dickens and Thackeray, both at the beginning of their careers, fell under the spell of these tales--Dickens publicly admiring them, Thackeray rejecting them. One such phenomenon was William Harrison Ainsworth's Jack Sheppard, the story of an unrepentant criminal who escaped the gallows time and again. When Courvoisier finally confessed his guilt, he would cite this novel in his defense. Murder By the Book combines the thrilling true-crime story with a illuminating account of the rise of the novel form and the battle for its early soul between the most famous writers of the time. It is a superbly researched, vividly written, fascinating read from first to last"--