Download Free Trouthe Lies And Basketball Book in PDF and EPUB Free Download. You can read online Trouthe Lies And Basketball and write the review.

Elliot Hersch is given a basketball on his tenth birthday and cuts a deal with his disapproving father: if he makes straight As, he is allowed to play. Modeling his game on the basketball heroes of his time--Clyde Frazier, Oscar Robertson, Magic Johnson, and especially Larry Bird--Elliot becomes one of the finest high school basketball players in New York. Trying to steer clear of the corruption and sleaze in the big college programs, Elliott signs with the seemingly clean-cut University of Southern Arizona (USA), partly to fulfill his promise to his father, whose one piece of advice about life is: Tell the truth, always. A quote from Chaucer, his father's favorite writer, guides both father and son "Trouthe is the hyest thing that man may kepe." What he finds at the USA and then the NBA is a far cry from untarnished "trouthe." Elliott is challenged at every turn, tangling at the end of the day with what is most true: the game. Can Elliott truly play basketball? And if not, what is left of his life? Trouthe, Lies, and Basketball is an epic comic tale--structured somewhat like a gripping basketball game, completely with literary "time-outs"--of a basketball player coming to terms with the world as it is, his talents as they are. Rosen's characters, even the mostly unseemly, are all heart, and by the end they leave those hearts on the hardwood.
In The Wizard of Odds, renowned and best-selling basketball writer Charley Rosen brings us for the first time the full life story of Jack Molinas, one of the greatest basketball players of his era, a man whose gambling addiction and hubris caused his ultimate demise. Drawing on numerous, previously unavailable first-person accounts, including Jack Molinas’s own journal and trial transcripts, Rosen presents the true saga of a man who perhaps better than anyone around him understood the weaknesses of the system in which he lived—so much so that he convinced himself that he could manipulate that system to his advantage with total impunity, in a life’s journey that took him from NBA play to the Mafia and the pornographic film industry, and to an ultimate tragic destiny.
Jason Lewis is a star college basketball player just back from World War II. He’s a hero, missing two fingers on his shooting hand. He can’t play any longer, so he makes the ultimate ballplayer’s sacrifice: he becomes a referee. Set in postwar New York during the founding of what will eventually be the NBA, No Blood, No Foul is the story of a man who must come to terms with a debilitating injury and chase after dreams of perfection in a decidedly imperfect world. Charley Rosen gives us not only a lovingly faithful insider’s look at the game of basketball, but a passionate story about what it meant to face life in an America that had lost its innocence.
A New York Times Notable Book Here is the story of an all-Jewish basketball team traveling in a hearse through Depression-era America in search of redemption and big money. A hilarious road novel, The House of Moses All-Stars is also a passionate portrayal of a young Jewish man struggling to realize his dreams in a country struggling to recover its ideals. Charley Rosen gives us basketball as a metaphor for life. Aaron Steiner, the protagonist of The House of Moses All-Stars, is a man very close to the edge. The former college basketball star has watched his dreams of being a successful player fall apart, his marriage disintegrate, and his baby die. In desperation he accepts his friend’s offer to join a Jewish professional basketball team—The House of Moses All-Stars—which is traveling on a cross-country tour in a renovated hearse. Aaron’s teammates—a Communist, a Zionist, a former bank robber, and a red-headed Irishman who passes for a Jew—are, like Aaron, trying to escape their own troubled pasts. As the members of this motley crew travel west to California through an anti-Semitic land that disdains and rebuffs them, they discover a nation grappling with social and economic collapse and fear of foreigners, in conflict with its own democratic ideals of tolerance and opportunity. Told with a rueful eye, The House of Moses All-Stars looks critically and lovingly at what it means to be an outsider in America.
More than a Game covers the years that follow the one featured in the ESPN documentary series "The Last Dance." After leaving the Bulls at the end of the 1997-1998 season—the year featured in the new ESPN documentary series "The Last Dance"—Phil Jackson had one year off and started to write this book—together with his old friend, fellow player and coach, the basketball novelist Charley Rosen. Then Phil took the LA Lakers coaching job, Rosen followed him there, and by the time they finished writing this book it was 2000 and Phil had won yet another NBA championship, the first of five he would win with his new team. In More than a Game, Jackson and Rosen look backward to their origins as players and coaches, forward to the future of the game of basketball, and linger in the moving target of the present—lavishing page after page on the Triangle Offense and all the ways it reveals the essence of the game of basketball they both love so much. This is Jackson in his prime, transitioning from the Bulls to the Lakers, a master of the art of winning, who would go on to claim more NBA championships, eleven, than any other coach in NBA history. As he writes in More than a Game of his newest championship team: "We won because our fundamentals were sound, because Shaq was so dominant and Kobe was so creative, but we also won because we developed a certain confidence in our ability to win."
A memoir of hard lessons learned in the racially segregated and sometimes outright racist NBA of the early ‘60s by celebrated NBA player and the first Black Coach of the Year, Ray Scott. Introduced by Earl "the Pearl" Monroe. “There’s a basic insecurity with Black guys my size,” Scott writes. “We can’t hide and everybody turns to stare when we walk down the street. … Whites believe that their culture is superior to African-American culture. ... We don’t accept many of [their] answers, but we have to live with them.” Ray Scott was part of the early wave of Black NBA players like Bill Russell, Wilt Chamberlain, and later Kareem Abdul-Jabbar, who literally changed how the game of professional basketball is played—leading to the tremendously popular financial blockbuster the NBA is today. Scott was a celebrated 6’9” forward/center after being chosen by the Detroit Pistons as the #4 pick of the 1961 NBA draft, and then again after he was named head coach of the Pistons in October 1972, winning Coach of the Year in the spring of 1974—the first black man ever to capture that honor. Scott’s is a story of quiet persistence, hard work, and, most of all, respect. He credits the mentorship of NBA player and coach Earl Lloyd, and talks about fellow Philly native Wilt Chamberlain and friends Muhammad Ali and Aretha Franklin, among many others. Ray has lived through one of the most turbulent times in our nation’s history, especially the time of assassinations of so many Black leaders at the end of the 1960s. Through it all, his voice remains quiet and measured, transcending all the sorrows with his steadiness and positive attitude. This is his story, told in collaboration with the great basketball writer, former college player and CBA coach Charley Rosen.
The first handbook to survey and expand the burgeoning field of corpus pragmatics, the intersection of pragmatics and corpus linguistics.
(Limelight). Departing from the approach of its Film Noir Reader predecessors, this third volume in the series assembles a collection of interviews with film noir directors and a cinematographer, few of whom are alive today. Interviewees include Billy Wilder ( Double Indemnity and Sunset Boulevard ), Otto Preminger ( Laura ), Joseph Lewis ( Gun Crazy and The Big Combo ), Curtis Bernhardt ( Possessed and A Stolen Life ), Edward Dmytryk ( Murder, My Sweet and Crossfire ), and Fritz Lang ( Scarlet Street and The Woman in the Window ).