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Troublesome Disguises examines psychiatric conditions which are not necessarily uncommon, rare or exotic but are challenging for the clinician who may struggle to reach a diagnosis and to set up management strategies. However, with familiarity, these conditions can and should be recognised. This new edition is an exercise in consciousness-raising as well as a warning to beware of diagnostic systems which, despite their many virtues, may become too influential and may perpetuate errors which are to the detriment of patients. For the clinician struggling to understand and treat patients who fail to fit the usual diagnostic categories, Troublesome Disguises provides wise instruction in the virtue of entertaining doubts, as well as practical advice for the assessment and management of atypical cases.
Several psychiatric disorders remain underdiagnosed in routine clinical practice. This is either because their presentations are fairly atypical and difficult to diagnose and classify, or simply because their rarity makes diagnosis and management problematic. Troublesome Disguises is unique in that it is the only current academic text focussing on this topic. Up-to-date, with detailed management and discussion, the text is international in its scope and readership. With its clinical focus, the book offers comprehensive coverage of such things as disorders of passion, culture-bound syndromes, factitious disorders, paraphilias, reactive psychoses, recurrent brief depression, and neurologic disorders. Containing contributions from a distinguished team of experts assembled from Europe, America and Australia, Troublesome Disguises covers the descriptive aspects, diagnosis and management of these puzzling disorders. This book will prove to be essential reading for a variety of mental-health professionals including psychiatrists, psychiatric trainees, social workers, nurses, psychologists and counsellors, as well as students in the field.
Cultural psychiatry deals with the impact of culture on causation, perpetuation and treatment of patients suffering with mental illness. The role of culture in mental illness is increasingly being recognised, and the misconceptions that can occur as a result of cultural differences can lead to misdiagnoses, under or over-diagnosis. This second edition of the Textbook of Cultural Psychiatry has been completely updated with additional new chapters on globalisation and mental health, social media and tele-psychiatry. Written by world-leading experts in the field, this new edition provides a framework for the provision of mental health care in an increasingly globalised world. The first edition of the Textbook of Cultural Psychiatry was commended in the BMA Book Awards in 2008 and was the recipient of the 2012 Creative Scholarship Award from the Society for the Study of Psychiatry and Culture.
Offenders, Deviants or Patients? provides a practical approach to understanding both the social context and treatment of mentally disordered offenders. Taking into account the current public concern, often heightened by media sensationalism; it addresses issues such as sex and ‘historic sex offending, ‘hate’ crime, homicide and other acts of serious bodily harm. This fifth edition is fully updated and incorporates the latest research and reflects recent changes in law, policy and practice, including: DSM-V criteria groundbreaking work on neuro-physiological aspects of psychopathy the Coroners and Justice Act Using new case examples, Herschel Prins draws on his own expertise and experience to examine the relationship between mental disorders and crime and looks at the ways in which it should be dealt with by the mental health care and criminal justice systems. Offenders, Deviants or Patients? is unique in its multidisciplinary approach and will be invaluable to all those who come into contact with serious offenders or those who study crime and criminal behaviour.
Breathing life into a Milton for the Twenty-first century, this cutting-edge collection shows students and scholars alike how Milton transforms and is transformed by popular literature and polemics, film and television, and other modern media.
In a reexamination of the allegorical dimensions of PARADISE LOST, Catherine Martin presents Milton's poem as a prophecy foretelling the end of one culture and its replacement by another. Maintaining a dialogue with a critical tradition that extends from Johnson and Coleridge to the best contemporary Milton scholarship, Martin sets PARADISE LOST in both the early modern and the postmodern worlds.