Download Free Trouble Country Book in PDF and EPUB Free Download. You can read online Trouble Country and write the review.

From an award-winning storyteller of the Old West: A successful prospector returns to his family’s ranch and walks into the middle of a bloody cattle war. When he learns of his parents’ death in a train crash, Sam Dana makes his way home to the Bar D ranch—not to claim it, but to settle the estate and move on. He has no need for the hard life of a cattleman after finally striking it big as a prospector. But what Sam finds is far from the home he remembers. The ranch has become an armed camp led by his cantankerous half-brother, Walt, who’s been hiring men more skilled with a six-gun than a lasso. In Sam’s absence, things have gone downhill in all ways possible. But worst of all is the rumor that Walt has been pilfering livestock and selling it as his own. Cattle thieves make a lot of enemies in the Old West, and Walt’s enemies want his land, his stock, and his head. Sam could cut and run. This problem wasn’t his making. But the Bar D is still half his—and no man is going to take that away without a fight . . . Luke Short helped transform the stories of the American West from dime-store pulp into a respected and immensely popular genre. Trouble Country is a classic western adventure rich in grit, authenticity, and intrigue.
The Trouble with America critiques the theory and practice of American government, focusing on the fatal flaws of America's core political arrangements. Institutionalized pluralism, the structural dispersal of power, generates government too weak to solve our public problems. American constitutionalism, the limitation of government power and authority, protects property rights far better than it defends our civil liberties, and it offers little or no protection for non-citizens. Capitalism is a hyper-competitive and grossly unfair economic system, which rewards pre-existing wealth far better than hard work or talent, and encourages petty materialist consumption of mostly low-quality goods, undermining taste as well as fairness. Taken together, pluralism, constitutionalism, and capitalism in America harm our society in a myriad of ways, leaving us with inadequate representation, poor leadership, social and political paralysis and irresponsibility, unrealistic self-images, and scandalously poor domestic and foreign policies. This book will prove a valuable supplement in American government courses, an alternative to the centrist material currently dominating textbooks on this subject.
Poet, critic, and hybrid-genre artist Johnson tracks the use of trouble in word, concept, and practice in this debut of brief, elliptical, lyric essays. He moves through a wide swath of 20th- and 21st-century music, always alert to a sense of melancholy shared among songwriters, their songs, and their listeners in the ever-growing web of popular music. "When we say 'trouble,' we refer to the history of trouble whether or not we have it in mind. When we sing trouble, we sing (with) history," Johnson writes. "A Trouble Song is a complaint, a grievance, an aside, a come-on, a confession, an admission, a resignation, a plea. It's an invitation-to sorrow." The effect of all this trouble is dizzying. Highly annotated-often to personal, humorous, and hidden effects-the book weaves among genres, chronologies, and various forms of trouble to ask "Where are we in song? Who are we in song?" Johnson suggests that an answer lies somewhere in the locus of singer, song, and listener-the "essential relations in the Trouble Song." Detouring into philosophy, cultural theory, and verse, Johnson works multilaterally to explore what trouble in popular music does to connect listeners, embolden them, and open a space from which trouble can be addressed across time.
Stress. Everyone is talking about it, suffering from it, trying desperately to manage it-now more than ever. From 1970 to 1980, 2,326 academic articles appeared with the word "stress" in the title. In the decade between 2000 and 2010 that number jumped to 21,750. Has life become ten times more stressful, or is it the stress concept itself that has grown exponentially over the past 40 years? In One Nation Under Stress, Dana Becker argues that our national infatuation with the therapeutic culture has created a middle-class moral imperative to manage the tensions of daily life by turning inward, ignoring the social and political realities that underlie those tensions. Becker shows that although stress is often associated with conditions over which people have little control-workplace policies unfavorable to family life, increasing economic inequality, war in the age of terrorism-the stress concept focuses most of our attention on how individuals react to stress. A proliferation of self-help books and dire medical warnings about the negative effects of stress on our physical and emotional health all place the responsibility for alleviating stress-though yoga, deep breathing, better diet, etc.-squarely on the individual. The stress concept has come of age in a period of tectonic social and political shifts. Nevertheless, we persist in the all-American belief that we can meet these changes by re-engineering ourselves rather than tackling the root causes of stress. Examining both research and popular representations of stress in cultural terms, Becker traces the evolution of the social uses of the stress concept as it has been transformed into an all-purpose vehicle for defining, expressing, and containing middle-class anxieties about upheavals in American society.
The true story of a triple murder that shocked a New York community and drew the interest of famed criminal defense attorney F. Lee Bailey. Twenty-seven-year-old Peter Egan, his wife Barbara Ann, and Peter’s younger brother Gerald were familiar to Watertown, New York, authorities long before December 31, 1964. The police suspected the brazen trio in a long string of burglaries and petty crimes. They were also under investigation by the FBI for grand theft auto. But on that New Year's night, the Egan family’s criminal career came to a violent end. All three were found with a bullet to the head at a rest stop off Interstate 81. The gruesome killings puzzled local and state police. Was it a random murder? A confrontation gone awry? Or a premeditated act of retribution by hardened criminals who feared the Egans would turn state's witness? Then, a surprise arrest was made. But when F. Lee Bailey, lawyer for the self-confessed Boston Strangler, entered the fray, the case took an unexpected twist that shrouded the murders in mystery to this day.
‘Fresh and authoritative, written with brio and precision.’ Thomas Plate, author of Yo-Yo Diplomacy ‘An important and timely guide to one of the most dangerous potential flashpoints for future conflict between the West and China.’James Griffiths, author of The Great Firewall of China ‘Brown and Wu Tzu-hui help situate a Taiwan whose “place” in the world is otherwise plagued by uncertainty.’ Benjamin Zawacki, author of Thailand
Nashville is filled with stars and lovers and writers and dreamers. Nashville is also teeming with lunatics and grifters and dip wads and moochers. Gerry House fits easily into at least half of those categories. Someone would probably have to be brain-damaged or really damn talented to try to entertain professional entertainers over a decades-long radio show in Music City, USA. Fortunately, House is little of both. Host of the nationally syndicated, top-rated morning show, “Gerry House & The Foundation" for more than 25 years, he has won virtually every broadcasting award there is including a place in the National Association of Broadcasters Hall of Fame. Gerry also spent that time deep inside the songwriting and recording world in Nashville. In Country Music Broke My Brain, Gerry tells his stories from the other side of the microphone. He reveals never-aired, never-before published conversations with country music's biggest names—Johnny Cash, Brad Paisley, and Reba McEntire to name a few—and leaves you with his own crazy antics that will either have you laughing or shaking your head in disbelief. With exclusive celebrity stories, humorous trivia and anecdotes, and broadcasting wisdom, this book is a treat for country music fans or for anyone who wants a good laugh.