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The 18 contributions to this volume deal with a variety of 'tropes', such as metaphor, metonymy, synecdoche, irony, euphemism, antonomasia and hyperbole. Using various approaches or paradigms the authors aim to find answers to the crucial epistemological questions, namely whether and to what extent utterances containing tropes can be said to be true or false.
Often described inadequately as the John Lennon or Bob Dylan of Brazil, Caetano Veloso is unquestionably one of the most influential and beloved of Brazilian artists and has developed a world-wide following. Now, in his long awaited memoir, he tells the heroic story of how, in the late 60s, he and a group of friends from the north-eastern state of Bahia created tropicalismo, the movement that shook Brazilian culture and civic order and pushed a nation then on the margins of world politics and economics into the pop avant-garde. Tropical Truth recounts the story of a country, its most subversive generation, and the odyssey of a brilliant constellation of artists. By turns erudite and playful, dreamlike and confessional, Tropical Truth is a revelation of Brazil's most famous artist, one of the greatest popular composers of the past century.
Tropes are not only rhetorical means, which are used as a creative and / or persuasive linguistic means in poetry and public speech. They are also a cognitive tool which helps people to understand the world and to express their world. As they are the basis on which our worldview and even our everyday speech is founded, the question must be posed as to whether utterances containing tropes can be said to be true. This has been an epistemological problem since Nietzsche expressed his doubts about the possibility that figurative language could give access to truth. However, since then research has paid little attention to this question. ‐18 papers by linguists, philosophers, psychologists and literary scholars have been collected in this volume. Their 21 authors use various approaches or paradigms in order to define metaphor, metonymy, synecdoche, irony, euphemism, antonomasia and hyperbole and find an answer to the crucial epistemological questions, namely whether and to what extent utterances containing tropes can be said to be true or false.
In the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropic¡lia. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, Tropic¡lia dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians. Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom Z© created this movement together with the musical and poetic vanguards of Sao Paulo, Brazil's most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation's idealized image as a peaceful tropical "garden" and the daily brutality visited upon its citizens.
Daniel has escaped Nazi Germany with nothing but a desperate dream that he might one day find his parents again. But that golden land called New York has turned away his ship full of refugees, and Daniel finds himself in Cuba. As the tropical island begins to work its magic on him, the young refugee befriends a local girl with some painful secrets of her own. Yet even in Cuba, the Nazi darkness is never far away . . .
Strippers, drugs, and headless corpses? All in a day’s work for Bubbles Marlowe, HoloCity’s only cyborg detective. Does she like her job? No. Is she good at it? Also no. She can’t afford to be too good. The last time she got curious it cost her a job, a limb, and almost her life. But when a seemingly simple case takes a gruesome turn, and Bubbles discovers a disturbing connection to the cold-case death of an old friend, she is driven to dig deeper. And deeper. Until what she uncovers can never be buried again… Blade Runner meets The Fifth Element in this eccentric cyber-noir thriller series about a bleak world ravaged by corrupt leaders, mega-corporations, and crime lords… and the washed-up detective who might be the only one crazy enough to take them on. Bubbles in Space is a darkly funny mashup series for fans of space opera, cyberpunk, and hard-boiled noir thrillers. Delve into the secrets of this gritty future world, and buckle up for an adventure full of unusual characters, dark humour, and non-stop action. Read Tropical Punch for free!
A New York Times Book Review Summer Reading Selection “Delves into not only what we eat around the world, but what we once ate and what we have lost since then.”—The New York Times Book Review Two centuries ago, nearly half the North American diet was foraged, hunted, or caught in the wild. Today, so-called “wild foods” are becoming expensive luxuries, served to the wealthy in top restaurants. Meanwhile, people who depend on wild foods for survival and sustenance find their lives forever changed as new markets and roads invade the world’s last untamed landscapes. In Feasting Wild, geographer and anthropologist Gina Rae La Cerva embarks on a global culinary adventure to trace our relationship to wild foods. Throughout her travels, La Cerva reflects on how colonialism and the extinction crisis have impacted wild spaces, and reveals what we sacrifice when we domesticate our foods —including biodiversity, Indigenous and women’s knowledge, a vital connection to nature, and delicious flavors. In the Democratic Republic of the Congo, La Cerva investigates the violent “bush meat” trade, tracking elicit delicacies from the rainforests of the Congo Basin to the dinner tables of Europe. In a Danish cemetery, she forages for wild onions with the esteemed staff of Noma. In Sweden––after saying goodbye to a man known only as The Hunter––La Cerva smuggles freshly-caught game meat home to New York in her suitcase, for a feast of “heartbreak moose.” Thoughtful, ambitious, and wide-ranging, Feasting Wild challenges us to take a closer look at the way we eat today, and introduces an exciting new voice in food journalism. “A memorable, genre-defying work that blends anthropology and adventure.”—Elizabeth Kolbert, New York Times-bestselling author of The Sixth Extinction “A food book with a truly original take.”—Mark Kurlansky, New York Times bestselling author of Salt: A World History “An intense and illuminating travelogue... offer[ing] a corrective to the patriarchal white gaze promoted by globetrotting eaters like Anthony Bourdain and Andrew Zimmern. La Cerva combines environmental history with feminist memoir to craft a narrative that's more in tune with recent works by Robin Wall Kimmerer, Helen Macdonald and Elizabeth Rush.”—The Wall Street Journal
In astonishing and unflinching detail, a noted science journalist explains how Earth's climate will be impacted with every degree of increase in global warming--and what can be done about it now.
(back cover) WHAT FISH? A GUIDE TO TROPICAL FISH Buying fish for your tropical freshwater aquarium can be an uncertain process. This book puts your mind at rest by providing vital information about a wide range of fish. The advice is accurate, up-to-date, and easy to access. As an added bonus, there is a star rating guide to the price you might expect to pay for each fish. Make the right buying decisions with confidence.
In Tropical Classical the author of Video Nights in Katmandu and The Lady and the Monk visits a holy city in Ethiopia, where hooded worshippers practice a Christianity that has remained unchanged since the Middle Ages. He follows the bewilderingly complex route of Bombay's dabbawallahs, who each day ferry 100,000 different lunches to 100,000 different workers. Iyer chats with the Dalai Lama and assesses the books of Salman Rushdie and Cormac McCarthy. And he brings his perceptive eye and unflappable wit to bear on the postmodern vogues for literary puffery, sexual gamesmanship, and frequent-flier miles. Glittering with aphorisms, overflowing with insight, and often hilarious, Tropical Classical represents some of Iyer's finest work.