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Can passion in paradise become a forever love? Sasha Winters has it all planned. She'll spend two days—exactly forty-eight hours—in the Bahamas for her sister's wedding. Then it's back to her hectic life as a lawyer on the fast track to partner. But when a storm strands her on an exotic island, Sasha's suddenly giving in to her sensual side and making moonlit magic with Vince Sullivan, a man she barely knows. The groom's best man, Vince, hasn't given up on finding that special someone. It could be Sasha—if she'd allow herself to feel the full force of their chemistry. Determined to liberate the passionate woman behind the workaholic Atlanta attorney, Vince storms every last one of Sasha's defenses. Yet can their growing love survive, even as a crisis forces Sasha to choose between her lifelong ambitions and a lifetime of love?
Anthropology has traditionally relied on a spatially localized society or culture as its object of study. The essays in Culture, Power, Place demonstrate how in recent years this anthropological convention and its attendant assumptions about identity and cultural difference have undergone a series of important challenges. In light of increasing mass migration and the transnational cultural flows of a late capitalist, postcolonial world, the contributors to this volume examine shifts in anthropological thought regarding issues of identity, place, power, and resistance. This collection of both new and well-known essays begins by critically exploring the concepts of locality and community; first, as they have had an impact on contemporary global understandings of displacement and mobility, and, second, as they have had a part in defining identity and subjectivity itself. With sites of discussion ranging from a democratic Spain to a Puerto Rican barrio in North Philadelphia, from Burundian Hutu refugees in Tanzania to Asian landscapes in rural California, from the silk factories of Hangzhou to the long-sought-after home of the Palestinians, these essays examine the interplay between changing schemes of categorization and the discourses of difference on which these concepts are based. The effect of the placeless mass media on our understanding of place—and the forces that make certain identities viable in the world and others not—are also discussed, as are the intertwining of place-making, identity, and resistance as they interact with the meaning and consumption of signs. Finally, this volume offers a self-reflective look at the social and political location of anthropologists in relation to the questions of culture, power, and place—the effect of their participation in what was once seen as their descriptions of these constructions. Contesting the classical idea of culture as the shared, the agreed upon, and the orderly, Culture, Power, Place is an important intervention in the disciplines of anthropology and cultural studies. Contributors. George E. Bisharat, John Borneman, Rosemary J. Coombe, Mary M. Crain, James Ferguson, Akhil Gupta, Kristin Koptiuch, Karen Leonard, Richard Maddox, Lisa H. Malkki, John Durham Peters, Lisa Rofel
This book offers a thorough examination of rumors and proposes strategies for organizations to use in combatting rumors that occur both internally and externally. Author Allan J. Kimmel explores the rumor phenomenon and distinguishes it as a distinct form of communication. He looks at psychological and social processes underlying rumor transmission to understand the circumstances under which people invent and circulate rumors. In addition, he examines how rumors are spread--both interpersonally and through mediated processes--and offers strategies for organizations to respond to rumors when they surface and methods for preventing their occurrence. Numerous examples are provided of actual rumor cases for which managers either successfully or unsuccessfully coped, including such companies as Procter & Gamble, McDonald's, Snapple, Pepsi-Cola, and Gerber. Intended to serve as a comprehensive compendium of strategies, this book was written with two objectives in mind. The first is to shed light on the often perplexing phenomenon of rumor by integrating disparate approaches from the behavioral sciences, marketing, and communication fields. The second is to offer a blueprint for going about the formidable tasks of attempting to prevent and neutralize rumors in business contexts. With these dual goals in mind--one theoretical, the other applied--this book will be of equal interest to both academics and managers in a wide range of professional contexts. In addition, it will guide organizational and marketing managers in their efforts to combat the potentially destructive consequences of rumors.
Explore the stories and themes that capture the imagination of young people today. A sampling of tales is organized into broad subject areas, such as contaminated food, threats to children, and satanic legends, and the tales are analyzed according to function, structure, and international variants. De Vos also discusses film and literary adaptions and offers suggestions for adapting tales for the junior high and high school curriculum. Explore the stories and themes that capture the imagination of young people today. After a fascinating overview and discussion of contemporary legends (commonly referred to as modern urban legends and often told as true), de Vos examines them in their relationship to rumors and gossip, ostension (acting out the legends), the role of the media in formulation and dissemination, and related tales (e.g., literary horror tales). A sampling of tales is organized into broad subject areas, such as contaminated food, threats to children, and satanic legends, and the legends are analyzed according to function, structure, and international variants. De Vos discusses some of the literary and visual adaptations in popular culture and offers suggestions for adapting tales for the junior high and high school curriculum. A fascinating professional book, this is a great resource to use with young adults.
The emerging field of psychosocial studies signifies a confluence of disciplines for whom the fantasies, repressions and cultural practices underlying national identity represents a crucial research focus. This book presents a psychosocial portrayal of Brazil’s arrival on the international stage in the economic boom of the run-up to its hosting of the 2014 World Cup and the 2016 Olympic Games. This former Portuguese colony is a country of contradictions in need of a new image; a nation that needs to be able to both love and sell itself in today’s neo-liberal reality. It argues that a contemporary representation of Brazilian subjectivity is best enabled through an interdisciplinary perspective. Five key themes – to be explored in all their contradictions and ambivalence – structure the book: fantasies of the nation; xenophobia and denial; Brazilian cultural practice; transnational mobility; and gender, race and Brazilian identity.
"The energy. The clarity. The beauty. Elisabet Velasquez brings it all. . . . Her voice is FIRE!"—NYT bestselling and award-winning author Jacqueline Woodson An unforgettable, torrential, and hopeful debut young adult novel-in-verse that redefines what it means to "make it,” for readers of Nicholasa Mohr and Elizabeth Acevedo. Sarai is a first-generation Puerto Rican question asker who can see with clarity the truth, pain, and beauty of the world both inside and outside her Bushwick apartment. Together with her older sister, Estrella, she navigates the strain of family traumas and the systemic pressures of toxic masculinity and housing insecurity in a rapidly gentrifying Brooklyn. Sarai questions the society around her, her Boricua identity, and the life she lives with determination and an open heart, learning to celebrate herself in a way that she has long been denied. When We Make It is a love letter to anyone who was taught to believe that they would not make it. To those who feel their emotions before they can name them. To those who still may not have all the language but they have their story. Velasquez’ debut novel is sure to leave an indelible mark on all who read it.
New York's urban neighborhoods are full of young would-be emcees who aspire to "keep it real" and restaurants like Sylvia's famous soul food eatery that offer a taste of "authentic" black culture. In these and other venues, authenticity is considered the best way to distinguish the real from the phony, the genuine from the fake. But in Real Black, John L. Jackson Jr. proposes a new model for thinking about these issues--racial sincerity. Jackson argues that authenticity caricatures identity as something imposed on people, imprisoning them within stereotypes--turning them into racial objects and inanimate things, instead of living, breathing human beings. Contending that such assumptions deny people agency--not to mention humanity--in their search for identity, Jackson counterposes sincerity, an internal and more productive analytical model for thinking about race. Moving in and around Harlem and Brooklyn, Jackson offers a kaleidoscope of subjects and stories that directly and indirectly address how race is negotiated in today's world--including tales of name-changing hip-hop emcees, book-vending numerologists, urban conspiracy theorists, corrupt police officers, mixed-race neo-Nazis, and high-school gospel choirs forbidden to catch the Holy Ghost. Enlisting "Anthroman," his cape-crusading critical alter ego, Jackson records and retells these interconnected sagas in virtuosic detail and, in the process, shows us how race is defined and debated, imposed and confounded every single day.
Seminar paper from the year 2011 in the subject American Studies - Culture and Applied Geography, grade: 1,3, LMU Munich (Amerika-Institut), course: Trust No One? Conspiracy Theories in American Political Culture, language: English, abstract: African-American conspiracies are very unusual in comparison to other conspiracies. African-American conspiracy theories are unlike 'classical' conspiracy theories, which one could describe as bewilderingly real or even regard as fact. There are no written documents in existence, no elaborate theories on black conspiracies, hence there are no serious conspiracy theorists working in this conspiracy-niche. African-American conspiracies could be seen as plain rumors and gossip. Those rumors are easily spread within black communities and the most popular ones manage it to circulate those communities for years and eventually become legends. If one asked a member of a particular community for any further details concerning a specific theory, nobody would be able to explain or qualify them, as it is the case with rumors. One could even claim that there is no such thing as African-American conspiracy theory, because mostly there is only gossip and rumor about conspiracies, which is spread in public and private places. Those gossips and rumors are told, heard and retold in schools, bars, groceries, prisons, senior citizen centers, beauty salons, on parties and miscellaneous places, which eventually leads to a whisper down the lane effect. The book I Heard It Through The Grapevine by Patricia A. Turner, a study on African-American conspiracies, explains this effect very well and already implicates this usual and more or less natural process within its title. African-American rumors are mostly "unverified orally transmitted stories circulating in African-American communities" and their topics are "not in-group discord, but rather conflict between the races" (Turner 1). There is actually an existence of strong conspiratorial motifs and mot
Artwork by Nari Ward.