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First Published in 2002.
Only daughter of Ireland's ruling queen, Isolde has always known that she will take over the rule of the sacred Island of the West when her time comes. Until then she practises her skills as a healer and struggles to hold back her mother, a passionate, headstrong woman under the sway of her champion, Sir Marhaus, who is determined to make war. Attacking Cornwall, Sir Marhaus wounds the king's nephew, Sir Tristan of Lyonesse, so badly that he can only be saved by Isolde, the most noted healer of the isles. And when the King of Cornwall decides to marry Isolde, unaware of the young couple's growing love, the stage is set for the mythic tale of star-crossed lovers that the world knows so well. Like Arthur's queen Guenevere, her friend from their girlhood days on Avalon, Isolde is fated to a lifelong struggle between duty and desire before finding peace. Tristan too relies on his dearest friend at the Round Table, Sir Lancelot of the Lake, as he strives to balance his loyalty to his king against the dictates of his heart. Set in Ireland, Cornwall and Camelot, ISOLDE offers a compelling new version of the familiar legend rich in Celtic magic and mythology, yet firmly grounded in the well-loved Arthurian world. Merlin, Arthur, Guenevere, and all their knights appear once again to delight those who enjoyed Rosalind Miles's previous forays into this enchanted terrain.
When two boys save an old man from robbers, they learn of a competition in Londinium to decide the next king of Britain. The elder, Kay, is determined to prove himself worthy as a knight or a king. The younger is Arthur, a farm boy through and through - until he sees the sword in the stone.
Rosemary Sutcliff's starkly simple retelling of the uniquely tragic and romantic story of the warrior Tristan and his love for the fair Iseult of Ireland, his uncle's chosen bride.
Isolde's day has come. In Ireland, her mother, the Queen, lies dying. The throne of the Emerald Isle, one of the last strongholds of the goddess, awaits her. But while Ireland is her destiny, Isolde is already Queen of Cornwall, trapped in a loveless marriage to its mean-spirited King Mark. Her true love is his nephew, Tristan of Lyonesse, who has never married, remaining faithful only to Isolde. Across the sea in France, a young princess who shares Isolde's name enters the story. King Hoel named his daughtor in honor of Isolde of Ireland, and young Isolde of France has always been determined to outdo her beautiful namesake. She is a physician, too, and is called "Blanche Mains," for her white hands and healing touch. Blanche is of an age to be married, and she has chosen her husband—Tristan of Lyonesse. Her father objects, but fate favors Blanche. King Mark has become suspicious of his wife and nephew, and when Tristan is wounded in battle, he sees a chance to separate them for good. Mark sends Tristan to France to be healed by Blanche, who makes the most of the opportunity. Tristan's letters to Isolde are intercepted, and he is told that she has given him up. Near death from his wounds, Tristan sends one last, desparate letter to Isolde by a trusted servant. He is dying, he tells her, and asks for one final sign of their love. If she can forgive him for betraying her, she must come to France in a ship set with white sails. If the ship's sails are black, however, he will know that she no longer loves him. Isolde immediately leaves for France, but when Blanche sees the white-sailed ship from the castle window, she pulls the curtains and tells Tristan that the sails are black. To her horror, he turns his face to the wall and dies. There ends the traditional medieval story of Tristan and Isolde—with betrayal, death, and grief. But the original Irish lengend ends differently, and so does this book, wth magic and drama as only Rosalind Miles could write it.
Seven leading international writers discuss the genesis, libretto and music, and performance and reception history of Wagner's Tristan.
The final thrilling chapter in the Tristan and Isolde trilogy . . . Isolde, heir to the throne of the queens, is now a sovereign in her own right. With the glories of the throne comes the responsibility of a queen, and Isolde knows she must return to her beloved Western Isle. She can no longer tolerate her marriage to King Mark of Cornwall, a marriage she has accepted for years in order to save her country from the threat of war and to be near her only love, Mark’s nephew Tristan of Lyonesse. King Mark, always cowardly and spiteful, is too heavily influenced by his monks and counselors, who loathe the powerful and independent Isolde. And so she leaves Cornwall for good and comes home to Ireland, where her lords face a growing threat from the warlike Picti, who live in the barren highlands to the north of England. The Picti have a bold new king, Darath, who is determined to take the riches of Ireland for his own people, whether by war or by marriage with Isolde. Isolde gathers her armies to confront the Picti and faces a violent conflict as well with King Mark, who vows he will not let a prize like Isolde, and Ireland, slip from his grasp. Isolde is last in a line of famous warrior queens who have guarded Ireland from time before memory, and now she—and her knight, Tristan—must play out their fate and face her enemies in a final battle, a war that could spell ruin for them both.
The legendary love story is presented in full orchestral score with complete instrumentation. Commentary by Felix Mottl, great Wagnerian conductor and scholar. Reprinted authoritative edition prepared by C. F. Peters, Leipzig, ca. 1910.
A tale of forbidden love and inevitable death, the medieval legend of Tristan and Isolde recounts the story of two lovers unknowingly drinking a magic potion and ultimately dying in one another's arms. While critics have lauded Wagner's Tristan and Isolde for the originality and subtlety of the music, they have denounced the drama as a "mere trifle"--a rendering of Wagner's forbidden love for Matilde Wesendonck, the wife of a banker who supported him during his exile in Switzerland. Death-Devoted Heart explodes this established interpretation, proving the drama to be more than just a sublimation of the composer's love for Wesendonck or a wistful romantic dream. Scruton boldly attests that Tristan and Isolde has profound religious meaning and remains as relevant today as it was to Wagner's contemporaries. He also offers keen insight into the nature of erotic love, the sacred qualities of human passion, and the peculiar place of the erotic in our culture. His argument touches on the nature of tragedy, the significance of ritual sacrifice, and the meaning of redemption, providing a fresh interpretation of Wagner's masterpiece. Roger Scruton has written an original and provocative account of Wagner's music drama, which blends philosophy, criticism, and musicology in order to show the work's importance in the twenty-first century.