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This is a formal ball, and you'll be dancing with us all: your companion is a Soho New York zombie artist. The Prom King is the Vampire Dracula, dressed formally and very grim; music will be courtesy of an avante garde rock band as old as the stones upon the hills.
In a desolate part of Brooklyn, a retired history professor plots mass murder The withered old man speaks into a tape recorder. This is not a confession, he explains, but a presentation. He is Charles Witter Kirwan, a former academic who has lived his whole life in the same house and watched his childhood neighborhood turn from white to black. Now, stricken with terminal cancer, Kirwan has decided to fight back against his neighbors. His may be the ravings of a lunatic racist, but the dynamite in his basement is real. He is going to blow up the apartment building next door—and take some sixty African Americans with it. Private investigator John Milano is on the trail of a stolen painting when he catches wind of Kirwan’s mad plan. He has forty-eight hours to stop the bombing, and to keep those innocents from following this twisted, hateful man into death.
Every culture on Earth has music. Every culture that's ever existed has had it – but we don't exactly know why. Music is not like food, shelter, or having opposable thumbs. We don't need it to live and yet we can't seem to live without it. Glenn Dixon travels the globe exploring how, and why, people make music.
A combination murder and ghost story set in southern Indiana in the period just after the Civil war.
The Republic of Southern California was in serious trouble. The casually repressive rule of the junta was threatened, not only by the growing band of guerrillas in the south, but also by the sudden, inexplicable outbreak of riots in the Republic's wealthiest suburbs. Then word reached the Social Wing of the Police Corps that the daughter of the guerrillas' leader had information about the cause of the riots, and Sergeant James Xavier Hecker was sent to investigate. Hecker was an unlikely policeman: not only did he lack any overwhelming personal ambition, but he also retained a vestigial faith in the good will of the men and women around him. And his odyssey through the rubble of our consumption-oriented, gadget-filled, anything-for-kicks society-by turns surprising, appalling, and devilishly funny-makes an unusually entertaining and perceptive novel.
Brinkman is street-wise, moving with assurance down the mean streets of the future, through an America where life in the slums is an unrelenting grind of parsimonious welfare and petty thievery. He is determined to make a better life for himself; Brinkman is a young man who will go far . . . Too far, in fact. Fleeing the police, he sneaks into an off-limits complex seeking refuge and finds a secret enclave of wealth and privilege hidden carefully from the world of poverty outside. And he finds Beth, a girl he once loved in the slums . . . and who died there long before. Possessed of this puzzlinga and dangerousa bit of information, Brinkman sets out to discover more, and gradually a life begins to piece itself together . . . Brinkman's own. Ron Goulart's latest vision of America lives up to the reputation for zany, unforgettable novels that has won him the title of "the Woody Allen of Science Fiction.""
The World Fantasy Award-winning anthology series reaches its twelfth spectacular volume. Collecting around a quarter of a million words by some of the biggest names and rising stars of the genre, this latest annual showcase of all things dark and deadly includes stories and novellas by Ramsey Campbell, Dennis Etchison, Terry Lamsley, Tim Lebbon, Paul J. McAuley, Kim Newman, Michael Marshall Smith and Hollywood director Mick Garris. Also featuring the most comprehensive overview of the year, a fascinating necrology and a list of useful contacts, this is the one book that all lovers of the supematural and psychological terror will want on their shelves.
Chronicles Neil Gaimain's comic book series "The Sandman," examining the stories and the varying artistic styles while also providing previously unpublished illustrations and comments by Gaiman.