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Running more than 1,200 miles from headwaters in eastern New Mexico through the middle of Texas to the Gulf of Mexico, the Brazos River has frustrated developers for nearly two centuries. This environmental history of the Brazos traces the techniques that engineers and politicians have repeatedly used to try to manage its flow. The vast majority of projects proposed or constructed in this watershed were failures, undone by the geology of the river as much as the cost of improvement. When developers erected locks, the river changed course. When they built large-scale dams, floodwaters overflowed the concrete rims. When they constructed levees, the soils collapsed. Yet lawmakers and laypeople, boosters and engineers continued to work toward improving the river and harnessing it for various uses. Through the plight of the Brazos River Archer illuminates the broader commentary on the efforts to tame this nation’s rivers as well as its historical perspectives on development and technology. The struggle to overcome nature, Archer notes, reflects a quintessentially American faith in technology.
In no other region of the United States has the notion of authenticity played such an important yet elusive role as it has in the West. Though pervasive in literature,øpopular culture, and history, assumptions about western authenticity have not received adequate critical attention. Given the ongoing economic and social transformations in this vast region, the persistent nostalgia and desire for the ?real? authentic West suggest regional and national identities at odds with themselves. True West explores the concept of authenticity as it is used to invent, test, advertise, and read the West. The fifteen essays collected here apply contemporary critical and cultural theory to western literary history, Native American literature and identities, the visual West, and the imagining of place. Ranging geographically from the Canadian Prairies to Buena Park?s Entertainment Corridor in Southern California, and chronologically from early tourist narratives to contemporary environmental writing, True West challenges many assumptions we make about western writing and opens the door to an important new chapter in western literary history and cultural criticism.
This is not your grandfather’s history of Texas. Portraying nineteenth-century Texas as a cauldron of racist violence, Gary Clayton Anderson shows that the ethnic warfare dominating the Texas frontier can best be described as ethnic cleansing. The Conquest of Texas is the story of the struggle between Anglos and Indians for land. Anderson tells how Scotch-Irish settlers clashed with farming tribes and then challenged the Comanches and Kiowas for their hunting grounds. Next, the decade-long conflict with Mexico merged with war against Indians. For fifty years Texas remained in a virtual state of war. Piercing the very heart of Lone Star mythology, Anderson tells how the Texas government encouraged the Texas Rangers to annihilate Indian villages, including women and children. This policy of terror succeeded: by the 1870s, Indians had been driven from central and western Texas. By confronting head-on the romanticized version of Texas history that made heroes out of Houston, Lamar, and Baylor, Anderson helps us understand that the history of the Lone Star state is darker and more complex than the mythmakers allowed.
A narrative account of the evacuation of the Texians in 1836, which was redeemed by the defeat of the Mexican army and the creation of the Republic of Texas. Two events in Texas history shine so brightly that they can be almost blinding: the stand at the Alamo and the redemption at San Jacinto, where General Sam Houston’s volunteers won the decisive battle of the Texas Revolution. But these milestones came amid a less obviously heroic episode now studiously forgotten—the refugee crisis known as the Runaway Scrape. Propulsive, lyrical, and richly illustrated, Texian Exodus transports us to the frigid, sodden spring of 1836, when thousands of Texians—Anglo-American settlers—fled eastward for the United States in fear of Antonio López de Santa Anna’s advancing Mexican army. Leading Texas historian Stephen L. Hardin draws on the accounts of the Runaways themselves to relate a tale of high stakes and great sorrow. While Houston tried to build a force that could defeat Santa Anna, the evacuees suffered incalculable pain and suffering. Yet dignity and community were not among the losses. If many of the stories are indeed tragic, the experience as a whole was no tragedy; survivors regarded the Runaway Scrape as their finest hour, an ordeal met with cooperation and courage. For Hardin, such qualities still define the Texas character. That it was forged in retreat as well as in battle makes the Runaway Scrape essential Texas history.
A collection of illustrated black-and-white engravings depicting the history of Texas from 1554 to 1900 presented chronologically and featuring a brief introduction to the historical background of each era.
Bluebonnets and tumbleweeds, gunslingers and cattle barons all form part of the romanticized lore of the state of Texas. It has an image as a larger-than-life land of opportunity, represented by oil derricks pumping black gold from arid land and cattle grazing seemingly endless plains. In this historiography of eighteenth– and nineteenth–century chronologies of the state, Laura McLemore traces the roots of the enduring Texas myths and tries to understand both the purposes and the methods of early historians. Two central findings emerge: first, what is generally referred to as the Texas myth was a reality to earlier historians, and second, myth has always been an integral part of Texas history. Myth provided the impetus for some of the earliest European interest in the land that became Texas. Beyond these two important conclusions, McLemore’s careful survey of early Texas historians reveals that they were by and large painstaking and discriminating researchers whose legacy includes documentary sources that can no longer be found elsewhere. McLemore shows that these historians wrote general works in the spirit of their times and had agendas that had little to do with simply explaining a society to itself in cultural terms. From Juan Agustin Morfi’s Historia through Henderson Yoakum’s History of Texas to the works of Dudley Wooten, George Pierce Garrison, and Lester Bugbee, the portrayal of Texas history forms a pattern. In tracing the development of this pattern, McLemore provides not only a historiography but also an intellectual history that gives insight into the changing culture of Texas and America itself. Early Texas historians came from all walks of life, from priests to bartenders, and this book reveals the unique contributions of each to the fabric of state history . A must–read for lovers of Texas history, Inventing Texas illuminates the intricate blend of nostalgia and narrative that created the state’s most enduring iconography.