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In a prequel to the upcoming 'Trinity War' crossover event, can Pandora save the DCU—and redeem herself in the process?
A FOREVER EVIL TIE-IN! Pandora seeks answers from the one man who seems to have themÉEarth-3's the Outsider! But first she must make it past a rabid Vandal Savage, who wants revenge for what Pandora has done to him! All this, and an unexpected visit from the Hellblazer himself, John Constantine!
Cursed for a betrayal that affected the very course of history, the Stranger walks the Earth attempting to atone for his sins.
Who has been sacrificed? Who is guilty? Who can save us? And who...is The Phantom Stranger? Cursed for a betrayal that affected the very course of history, the Stranger walks the Earth attempting to atone for his sins. His actions have consequences, and as he fulfils his duty, the people he encounters will never be the same. This series re-introduces a number of DC Comics characters into the New 52, including the Spectre, Raven, and Dr. 13.
The Justice League is the greatest force for good the world has ever seen. But not everyone sees them that way. Their never-ending battle against evil results in casualties beyond its super-powered, costumed combatants. The League's attempts to safeguard innocent lives cannot save everybody. Unbeknownst to Earth's greatest champions, their greatest triumph may contain the seeds of their greatest defeat. For heroes are not the only people who face tragedy and are reborn as something greater than they were before. Villains can take this journey, too. And once they start out on this dark path, the road could lead straight to the destruction of the Justice League.... The New York Times bestselling team of Geoff Johns (Green Lantern) and Jim Lee (Batman: Hush) are joined by artists Gene Ha (Top 10) and Carlos D'Anda (Deathblow) for JUSTICE LEAGUE VOL. 2: THE VILLAIN'S JOURNEY, collecting issues #7-12 of the series. Can the world's greatest super heroes survive a voyage deep into the heart of darkness? It all ends with one of the most shocking ... and surprising moments in DC history!
#1 NEW YORK TIMES best-selling writer Geoff Johns (GREEN LANTERN, BATMAN: EARTH ONE) brings together almost two years of plot threads here in JUSTICE LEAGUE: TRINITY WAR. When the three Justice Leagues go to war with one another, whose side will everyone be on? Allies will be born, friends will become enemies, and the DC Universe will never be the same. This graphic novel features stunning art from some of the best talents in the industry, including Ivan Reis (AQUMAN VOL. 1: THE TRENCH), David Finch (BATMAN: THE DARK KNIGHT VOL. 1: KNIGHT TERRORS) and Mikel Janin (JUSTICE LEAGUE DARK VOL. 1: IN THE DARK). Collects: FREE COMIC BOOK DAY 2012, TRINITYOF SIN: PANDORA 1-3, TRINITY OF SIN: PHANTOM STRANGER 11, JUSTICE LEAGUE 22-23, JUSTICE LEAGUE DARK 22-23, JUSTICE LEAGUE OF AMERICA 6-7 and CONSTANTINE 5.
Spinning out of the events of the massive crossover event, FOREVER EVIL, comes FOREVER EVIL: BLIGHT! After a battle between the three Justice Leagues, the heroes of the DC Universe--including Superman, Batman and Wonder Woman--have all gone missing. With an unspeakable evil called Blight unleashed on the world, it's up to the Justice League Dark, Swamp Thing, Pandora and the Phantom Stranger to try and stop them from destroying everything around them. Collects JUSTICE LEAGUE DARK #24-29, TRINITY OF SIN: PHANTOM STRANGER #14-17, CONSTANTINE #9-12 and TRINITY OF SIN: PANDORA #6-9.
The most mysterious character of the New 52 finally stars in her own series! Pandora has spent a millenia lamenting. But the time for tears is over. She will exact her revenge on heroes and villains alike as she makes her way across the DC Universe. She will kill and kill and kill on this blood soaked, action packed prequel to Trinity War! This volume collectd Trinity of Sin: Pandora #1-5, back ups from Justice League #0 and #6 and Free Comic Book Day 2012.
The pioneering and hugely influential work of Mikhail Bakhtin has led scholars in recent decades to see all discourse and social life as inherently "dialogical." No speaker speaks alone, because our words are always partly shaped by our interactions with others, past and future. Moreover, we never fashion ourselves entirely by ourselves, but always do so in concert with others. Bakhtin thus decisively reshaped modern understandings of language and subjectivity. And yet, the contributors to this volume argue that something is potentially overlooked with too close a focus on dialogism: many speakers, especially in charged political and religious contexts, work energetically at crafting monologues, single-voiced statements to which the only expected response is agreement or faithful replication. Drawing on ethnographic case studies from the United States, Iran, Cuba, Indonesia, Algeria, and Papua New Guinea, the authors argue that a focus on "the monologic imagination" gives us new insights into languages' political design and religious force, and deepens our understandings of the necessary interplay between monological and dialogical tendencies.
Hannah Bacon draws on qualitative research conducted inside one UK secular commercial weight loss group to show how Christian religious forms and theological discourses inform contemporary weight-loss narratives. Bacon argues that notions of sin and salvation resurface in secular guise in ways that repeat well-established theological meanings. The slimming organization recycles the Christian terminology of sin – spelt 'Syn' – and encourages members to frame weight loss in salvific terms. These theological tropes lurk in the background helping to align food once more with guilt and moral weakness, but they also mirror to an extent the way body policing techniques in Christianity have historically helped to cultivate self-care. The self-breaking and self-making aspects of women's Syn-watching practices in the group continue certain features of historical Christianity, serving in similar ways to conform women's bodies to patriarchal norms while providing opportunities for women's self-development. Taking into account these tensions, Bacon asks what a specifically feminist theological response to weight loss might look like. If ideas about sin and salvation service hegemonic discourses about fat while also empowering women to shape their own lives, how might they be rethought to challenge fat phobia and the frenetic pursuit of thinness? As well as naming as 'sin' principles and practices which diminish women's appetites and bodies, this book forwards a number of proposals about how salvation might be performed in our everyday eating habits and through the cultivation of fat pride. It takes seriously the conviction of many women in the group that food and the body can be important sites of power, wisdom and transformation, but channels this insight into the construction of theologies that resist rather than reproduce thin privilege and size-ist norms.