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This is the first comprehensive, scholarly history of Trinity College Library Dublin. It covers the whole 400 years of the Library's development, from its foundation by James Ussher in the seventeenth century to the electronic revolution of the twenty-first century. Particular attention is given to the buildings and to the politics involved in obtaining funding for them, as well as to the acquisition of the great treasures, such as the Book of Kells and the libraries of Ussher, Claudius Gilbert and Hendrik Fagel. An important aspect is the comprehensive coverage of legal deposit from the beginning of the nineteenth century, viewed for the first time from the Irish perspective. The book also draws parallels with the development of other libraries in Dublin and with those of the universities of Oxford and Cambridge, and features throughout the individuals who influenced the Library's development - librarians, politicians, readers, book collectors and book thieves.
"The 1641 Depositions are witness testimonies, mainly by Protestants, but also by some Catholics, from all social backgrounds, concerning their experiences of the 1641 Irish rebellion. The testimonies document the loss of goods, military activity, and the alleged crimes committed by the Irish insurgents. This body of material is unparalleled anywhere in early modern Europe. It provides a unique source of information for the causes and events surrounding the 1641 rebellion and for the social, economic, cultural, religious, and political history of seventeenth- century Ireland, England and Scotland. In total, 19,010 manuscript pages in 31 bound volumes held at Trinity College Dublin have been transcribed and are arranged for publication in 12 volumes from 2014 onwards. The depositions are available online at www.1641.tcd.ie ."--Provided by publisher.
The book of Psalms was at the core of devotional practice in western Christianity throughout the Middle Ages. The study of medieval Latin Psalters provides evidence for the owners, users, and makers of each of these unique books. This volume examines Psalter manuscripts as objects, exploring how they were designed and the changes that have been made to them over time. The choices made about text, decoration, size, and layout in these manuscripts reveal a diverse range of engagements with the Psalms, as they were sung, read, and scrutinized. The book thus sheds new light on some of the treasures of Trinity College Dublin and the Chester Beatty Library. *** Slim in format and heavy in insights, this book is a peculiar hybrid. It is not a robust academic catalogue or a glossy exhibition catalogue or a coffee-table book, but it manages to combine some of the most appealing features of all three. Elegantly designed and richly illustrated in (almost) full colour, it is a pleasure to hold, look at and leaf through. ...a publication that invites an intimate study of Dublin's treasures.Ã?Â?Ã?Â?-- Stella Panayotova, Times Literary Supplement, February 2016 [Subject: History, Irish Studies, Medieval Studies, Religious Studies]
The Library of Trinity College Dublin dates back to the establishment of the College in 1592 and is the largest library in Ireland. Its extensive collection of journals, manuscripts, maps and music reflects over 400 years of academic development and amounts to over 6 million volumes. A Legal Deposit Library since 1801, it receives copies of all material published in the United Kingdom and Ireland. The most famous of its treasures is the Book of Kells, whose rich illuminations are one of the finest examples of medieval art. Together with the Book of Durrow, also in the collection, they represent Ireland's greatest cultural treasure. The Library also bears testament to more recent history, counting letters from Irish WWI soldiers and various artefacts from the Easter Rising - including a bullet fired through the Library roof - among its collection. This selection of objects highlights the diversity of the holdings and illuminates their fascinating history.
This lavishly illustrated volume is published to celebrate the tercentenary of the laying of the foundation stone of the world-famous Old Library in May 1712. The stately building houses collections of international importance that are still being added to by gift and purchase. Almost fifty contributors explore the features of this remarkable building and its contents. There are essays dealing with specific books and manuscripts in the library (Book of Kells, Kelmscott Chaucer, Annals of Ulster, Brut chronicle, Fagel Missal), collections and archives (Beckett, Davitt, Pollard, 1641 Depositions, Cuala Press, Harry Clarke), individuals associated with the library (Claudius Gilbert, Jonathan Swift, James Stephens), maps, drawings, children’s books, music, exhibitions held in the library, the second-hand booksale, the printed catalogue and the conservation laboratory.
This book contains a history of the early buildings of Trinity College, from the Elizabethan Quadrangle up to the residential buildings of the early 18th century. Among all those red-brick buildings only the Rubrics remains, albeit much altered, to suggest what Trinity College looked like before the 1750s, when replacement of the early buildings began. Why and when were new buildings added to the College? How were they funded? Who designed them? Where were materials sourced? What can be said about the architecture of the buildings, all of which, apart from the Rubrics, were pulled down in the eighteenth and nineteenth centuries? Who managed their construction on the College's behalf, and who carried out the building work? How were essential services provided? The book answers all of these questions, and en route it explores an almost forgotten event, the disastrous fire of February 1726/7, in which at least one house in Library Square was destroyed and several more were damaged. The book also explores the community of residents of the early buildings up to the end of the 19th century. The book ends with a personal memoir of the Rubrics in recent times.
This volume addresses the most influential Victorian building in the city of Dublin and explores the new standard which it set in the use of Irish decorative stone, the employment of native craftsmen and the unprecedented eclecticism of its design. The geology, quarrying, building, carving and architectural design which created this spectacular structure are explored in a series of papers by established scholars and experts in the field. The book is richly illustrated in full colour to capture the sumptuous polychromy of the building and the profuse detail of its carved ornament.
TCD of the sixties was an unusual, even unique institution, where a motley collection of students from England, Ireland and many other parts of the world came together at a fascinating time in the post-war period. This book explores this sixties milieu through thirty-six different autobiographical lenses.
Keeper of Manuscripts Bernard Meehan takes us on a guided tour of The Book of Durrow, an early medieval Gospel book regarded as second only to the Book of Kells.