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Offers a comprehensive description of the West African language of Yoruba as it has been used on the island of Trinidad, addressing the experience of Africans in Trinidad and examining the nature of their social and linguistic heritage as it was modified and discarded in the European-dominated island community. Explains linguistic structures, analyzing Trinidad Yoruba as a distinct dialect of African Yoruba, and discusses the creolization process. Includes a Yoruba lexicon. Annotation copyright by Book News, Inc., Portland, OR
A deeply informed Afrocentric view of language and cultural retention under slavery. Maureen Warner-Lewis offers a comprehensive description of the West African language of Yoruba as it has been used on the island of Trinidad in the southern Caribbean. The study breaks new ground in addressing the experience of Africans in one locale of the Africa Diaspora and examines the nature of their social and linguistic heritage as it was successively retained, modified, and discarded in a European-dominated island community.
A unique social and cultural history capturing the African experience in the Caribbean through the Yoruba language through songs, prayers, dirges, humour and philosophy.
In Spiritual Citizenship N. Fadeke Castor employs the titular concept to illuminate how Ifá/Orisha practices informed by Yoruba cosmology shape local, national, and transnational belonging in African diasporic communities in Trinidad and beyond. Drawing on almost two decades of fieldwork in Trinidad, Castor outlines how the political activism and social upheaval of the 1970s set the stage for African diasporic religions to enter mainstream Trinidadian society. She establishes how the postcolonial performance of Ifá/Orisha practices in Trinidad fosters a sense of belonging that invigorates its practitioners to work toward freedom, equality, and social justice. Demonstrating how spirituality is inextricable from the political project of black liberation, Castor illustrates the ways in which Ifá/Orisha beliefs and practices offer Trinidadians the means to strengthen belonging throughout the diaspora, access past generations, heal historical wounds, and envision a decolonial future.
An anthropologist demystifies a fascinating , eclectic Caribbean religion.
This innovative anthology focuses on the enslavement, middle passage, American experience, and return to Africa of a single cultural group, the Yoruba. Moving beyond descriptions of generic African experiences, this anthology will allow students to trace the experiences of one cultural group throughout the cycle of the slave experience in the Americas. The 19 essays, employing a variety of disciplinary perspectives, provide a detailed study of how the Yoruba were integrated into the Atlantic world through the slave trade and slavery, the transformations of Yoruba identities and culture, and the strategies for resistance employed by the Yoruba in the New World. The contributors are Augustine H. Agwuele, Christine Ayorinde, Matt D. Childs, Gibril R. Cole, David Eltis, Toyin Falola, C. Magbaily Fyle, Rosalyn Howard, Robin Law, Babatunde Lawal, Russell Lohse, Paul E. Lovejoy, Beatriz G. Mamigonian, Robin Moore, Ann O'Hear, Luis Nicolau Parés, Michele Reid, João José Reis, Kevin Roberts, and Mariza de Carvalho Soares. Blacks in the Diaspora -- Claude A. Clegg III, editor Darlene Clark Hine, David Barry Gaspar, and John McCluskey, founding editors
Trinidad Orisha: Spirit, Color and Drums Orisha is a colorful and misunderstood religion practiced in Trinidad and Tobago with ties to the Yoruba culture of Nigeria. A spiritual tradition with celebrations of food, drums, dance, and prayer, Orisha has millions of followers in the world. Orisha of Trinidad, by Monique Joiner Siedlak, explores this African-routed tradition starting with a look at the roots of this vibrant and colorful tradition and how it evolved to where it is today. This fascinating book covers topics such as the past persecution of Orisha followers, the religion’s deities, practices, ceremonies, and ties to aspects of the Catholic Church. Monique brings light to the fact that there are those who, in their ignorance, still demonize this religion. The truth is, there is nothing demonic about Orisha. While it is a non-Christian religion, it shares the ideas of baptism and one supreme God — Oludumare. Readers will love reading about the Orisha spirits, equated with Christian saints, and seen as messengers between man and Oludumare’s divine Kingdom. For example, Osain, the Yoruba god of herbal medicine, healing, and prophecy associated with St Francis, and Shakpana, a healer of children’s diseases related to St Jerome. Then there is Ogun, the warrior god of iron and steel, associated with St Michael. Order your copy of Orisha of Trinidad by Monique Joiner Siedlak today, and introduce yourself to a rich and fascinating African-rooted tradition called Orisha. You will enjoy reading about this extraordinary tradition.
In their search for personal identity, Trinidad’s Douglas, the offspring of Indo-African unions, find themselves in a complex social, cultural and linguistic situation. This is reflected as much in their unclear and uncertain social positioning in a society of competing ethnic groups as in the linguistic possibilities open to them in their quotidian social interactions as they negotiate between their parent communities. Trinidadian English Creole (TEC), the mother tongue or lingua franca of the majority of the population, exhibits a lexical amalgam of donor varieties brought to the island during the period of its colonization. The extent to which Trinidadians employ these lexical items is linked to their affinity to a particular donor group. As a consequence of this, Dougla ethnicity and identity are hypothesized as being expressed chiefly through the use of lexical items available to them via their upbringing in specific communities. This book describes and analyses specific lexical items in use by Douglas, who reside in mixed-race communities, as well as communities stereotypically marked Indic and Afric by Trinidadians, to determine the extent to which Douglas project a distinct identity, a subsumed identity linked to an ancestral ethnic group or a shifting identity based on accommodative strategies employed during interaction within their social networks.
Exploring various African religions as part of a cultural system, relevant to national identity in Trinidad, this text deals with the dynamic doctrinal and ideological changes that have occurred within the religions and documents the legislative and social acceptance of African religion.
Divining the Self weaves elements of personal narrative, myth, history, and interpretive analysis into a vibrant tapestry that reflects the textured, embodied, and performative nature of scripture and scripturalizing practices. Velma Love examines the Odu—the Yoruba sacred scriptures—along with the accompanying mythology, philosophy, and ritual technologies engaged by African Americans. Drawing from the personal narratives of African American Ifa practitioners along with additional ethnographic fieldwork conducted in Oyotunji African Village, South Carolina, and New York City, Love’s work explores the ways in which an ancient worldview survives in modern times. Divining the Self also takes up the challenge of determining what it means for the scholar of religion to study scripture as both text and performance. This work provides an excellent case study of the sociocultural phenomenon of scripturalizing practices.