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The Caribbean provides no shelter from the delicious terror of the Akashic Noir Series.
“To travel through the 19 works of poetry and prose in this remarkable anthology is to experience Trinidad and Tobago through a kaleidoscopic lens.” —Publishers Weekly, starred review Two of Trinidad’s top writers masterfully curate this literary retrospective of the nation’s best writing over the past century from authors who were largely part of the literary wave that swept in with Trinidadian Independence in 1962. Though Trinidad Noir: The Classics encompasses a variety of moods and themes, it winds up capturing the uniquely Trinidadian character. Influenced by the waning days of the colonial world—an era rife with crime, violence, enslavement, and indentureship—the selections highlight the often heroic individuals of the underclass. In this anthology, you’ll find reprints of classic stories and poems by C.L.R. James, Derek Walcott, Samuel Selvon, Eric Roach, V.S. Naipaul, Harold Sonny Ladoo, Michael Anthony, Willi Chen, Earl Lovelace, Robert Antoni, Elizabeth Nunez, Ismith Khan, Lawrence Scott, Wayne Brown, Jennifer Rahim, Elizabeth Walcott-Hackshaw, Sharon Millar, Barbara Jenkins, and Shani Mootoo. “Lovelace and Antoni offer a ‘subversive’ take on island culture . . . Whether history repeats itself or progress is stalled by people’s infinite capacity to get in their own ways, these 19 reprinted tales offer a bittersweet perspective on the cussedness of human nature.” —Kirkus Reviews “Holds strong appeal for fans of noir and literary writing.” —Library Journal
Two of Trinidad's top literary writers masterfully curate this retrospective of the nation's best writing over the past century.
In West Jerusalem Noir—published simultaneously with East Jerusalem Noir—the Akashic Noir Series visits one of the world's most complex locales, in this volume from the perspective of Israeli writers From the editor's introduction: "This anthology offers a fictional tour of Jerusalem, this time through the lens of the noir genre. Not all the stories in this book include a detective, a femme fatale, or a dead body. In fact, a significant number of the writers chose to avoid these genre staples. And yet the stories—each taking place in a different part of the city—sketch a dark imagined map of the city, where religious mystery dwells alongside the quotidian, claustrophobic hubbub of the Central Bus Station . . . The stories included in West Jerusalem Noir could not have taken place anywhere else. They reflect national, religious, and socioeconomic tensions inherent to the city and sketch an image of a concrete, contemporary, and complicated Jerusalem." Featuring brand-new stories by: Yiftach Ashkenazi, Ilana Bernstein, Emanuel Yitzhak Levi and Guli Dolev-Hashiloni, Liat Elkayam, Asaf Schurr, Yardenne Greenspan, Ilai Rowner, Zohar Elmakias, Ilan Rubin Fields, Nano Shabtai, Yaara Shehori, Tafat Hacohen-Bick, Nadav Lapid, Tehila Hakimi, and Oded Wolkstein. West Jerusalem Noir is being published simultaneously with East Jerusalem Noir, edited by Rawya Jarjoura Burbara. The companion volume explores the city with brand-new stories by Palestinian authors.
Following the success of Paris Noir, the Akashic Noir Series has expanded to include the famously diverse and sometimes controversial suburbs of this legendary city. "A treasure chest of resources for any noir author seeking a more gruesome approach or a more relentless destruction of the soul. One might hope the real Paris suburbs are not so dark and blood drenched. But by the end of the collection, that hope seems almost foolish, and the body found on the quay seems to be the lucky guy in the story." —New York Journal of Books "The short stories center on the suburbs of Paris, fertile soil for all sorts of resentment and violence. . . .For lovers of crime noir short fiction, these are 12 stories of life lived in the raw." —Library Journal "Dark tales shine a bright light on some little-seen parts of greater Paris." —Kirkus Reviews "Paris’s suburbs—a mix of slums, posh neighborhoods, fading industrial centers, and the city’s notorious housing projects that lie out of the sight of most tourists—provide the setting for [these] 13 tales." —Publishers Weekly Featuring brand-new stories by: Cloé Mehdi, Karim Madani, Insa Sané, Christian Roux, Marc Villard, Jean-Pierre Rumeau, Timothée Demeillers, Rachid Santaki, Marc Fernandez, Guillaume Balsamo, Anne Secret, Anne-Sylvie Salzman, and Patrick Pécherot. (All stories were written in French and translated into English by Katie Shireen Assef, David Ball, Nicole Ball, and Paul Curtis Daw.) From the introduction by Hervé Delouche: The term Greater Paris is in vogue today, for it has an administrative cachet and seems to denote a simple extension of the capital—as if a ravenous Paris need only extend her web. However, it was not our goal to embrace the tenets of the metro area’s comprehensive plan, aka the Grand Projet, envisioned as a future El Dorado by the planners and developers. Rather, our aim was to depict the Parisian suburbs in all their plurality and diversity. Without pretending to encompass every spot on the map, we instead opted to give voice and exposure to the localities chosen by the writers who have been part of this adventure. Thus, we decided to adopt the word “suburbs”— in the plural, obviously, for the periphery of the capital is not a homogeneous bloc, nor is it reducible to a cliché like “the suburban ring” . . . Here are thirteen stories, decidedly noir, to be savored without sugar or sweetener.
The Akashic Noir Series moves fearlessly to the city hosting the European/Asian divide.
Takes readers on a ride into the old medieval quarter of Paris with its winding streets, ghosts and secrets buried in history. Not only an homage to the crime fiction genre, Paris Noir is also an invitation to some of the best French fiction and offers readers an explosive and poetic cocktail of crime, gunfights and twisted love stories.
“A collection of stories celebrating the underbelly of the city, its ghosts, and the characters that give Memphis its rich patina of blues.” —Memphis Flyer The Home of the Blues knows how darkness can permeate a person’s soul—and what it can drive you to do. It’s the soundtrack to a city that’s made up of equal parts hope and despair, past and present, death and rebirth. On the streets of Memphis, noir hits the right note. Memphis Noir features stories by city standouts Richard J. Alley, David Wesley Williams, Dwight Fryer, Jamey Hatley, Adam Shaw, Penny Register-Shaw, Kaye George, Arthur Flowers, Suzanne Berube Rorhus, Ehi Ike, Lee Martin, Stephen Clements, Cary Holladay, John Bensko, Sheree Renée Thomas, and Troy L. Wiggins. “A remarkable picture of contemporary Memphis emerges in this Akashic noir volume . . . Something for everyone.” —Publishers Weekly “Covers train cars and Beale Street, hoodoo and segregation, Nathan Bedford Forrest and, of course, Graceland, and even includes a graphic novella.” —Memphis Flyer “Captures the subtlety of the Memphis ethos, where blacks and whites, rich and poor, are intimately entwined. The collection—fifteen stories by some of the city’s finest writers—bleeds the blues and calls down the dark powers that permeate this capital of the Delta.” —The Commercial Appeal (Memphis) “The new anthology Memphis Noir is replete with murders, ghosts, gangsters, a sharp-toothed baby, Boss Crump, and high water on the bluff.” —Memphis Magazine
"In this superior entry in Akashic's noir series, Meno offers nearly a century of Chicago crime fiction....Familiar bylines abound: Max Allan Collins, Richard Wright, Nelson Algren, Sherwood Anderson, Fredric Brown, Patricia Highsmith (with an excerpt from her novel The Price of Salt), Stewart M. Kaminsky, Sara Paretsky. Others may be less familiar to mystery specialists, but all turn in impressive performances." --Publishers Weekly, Starred review "Richard Wright, Nelson Algren, and Sandra Cisneros are not crime-fiction writers, and yet their Chicago certainly embodies the individual-crushing ethos endemic to noir. Meno also includes stories from writers who could easily have been overlooked (Percy Spurlark Parker, Hugh Holton) to ensure that diverse voices, and neighborhoods, are represented. Add in smart and essential choices from Fredric Brown, Sara Paretsky, and Stuart Kaminsky, and you have not an anthology not for crime-fiction purists, perhaps, but a thought-provoking document all the same." --Booklist "The fifteen short stories comprising Chicago Noir: The Classics, which are knowledgeably compiled and deftly edited by Joe Meno, are true gems of the noir literary tradition....Chicago Noir: The Classics is a consistently entertaining and will prove to be an enduringly popular addition to community library Mystery/Suspense collections." --Midwest Book Review "I've always enjoyed reading noir. Dark, ironic mysteries are a good read to me. Since this collection includes old classics as well as some new stories, I knew it would be good....I wasn't disappointed." --Journey of a Bookseller "Chicago Noir The Classics does everything anthologies and noir are supposed to, but this title achieves an unheralded goal that deserves notice....This is wonderful diversity, coming both unexpected and unhearalded. Anthologies are supposed to convey a sense of having covered the territory, Joe Meno has. Ethnically diverse city, ethnically diverse plots. Better, Chicago Noir The Classics showcases diversity as normal, everyday. This adds inescapable satisfaction to a sense of the editor's having covered the territory." --La Bloga "A worthy addition to the Akashic Books noir series." --Book Chase Although Los Angeles may be considered the most quintessentially "noir" American city, this volume reveals that pound-for-pound, Chicago has historically been able to stand up to any other metropolis in the noir arena. Classic reprints from: Harry Stephen Keeler, Sherwood Anderson, Max Allan Collins, Richard Wright, Nelson Algren, Fredric Brown, Patricia Highsmith, Barry Gifford, Stuart M. Kaminsky, Libby Fischer Hellmann, Sara Paretsky, Percy Spurlark Parker, Sandra Cisneros, Hugh Holton, and Stuart Dybek. From the introduction by Joe Meno "More corrupt than New York, less glamorous than LA, Chicago has more murders per capita than any other city its size. With its sleek skyscrapers bisecting the fading sky like an unspoken threat, Chicago is the closest metropolis to the mythical city of shadows as first described in the work of Chandler, Hammett, and Cain. Only in Chicago do instituted color lines offer generation after generation of poverty and violence, only in Chicago do the majority of governors do prison time, only in Chicago do the dead actually vote twice. "Chicago--more than the metropolis that gave the world Al Capone, the Saint Valentine's Day Massacre, the death of John Dillinger, the crimes of Leopold and Loeb, the horrors of John Wayne Gacy, the unprecedented institutional corruption of so many recent public officials, more than the birthplace of Raymond Chandler--is a city of darkness. This darkness is not an act of over-imagination. It's the unadulterated truth. It's a pointed though necessary reminder of the grave tragedies of the past and the failed possibilities
Atmospheric, all-new crime fiction set in this Northern Ireland city—from Lee Child, Arlene Hunt, Steve Cavanagh, Gerard Brennan, and more. During the decades of the Troubles, Belfast was plagued with riots, bombings, and other violence, and armored vehicles patrolled the streets—a daily darkness that is reflected in the personality of the city. New York Times–bestselling author Lee Child calls it “the most noir place on earth.” This collection of short stories in the “acclaimed noir series” provides not only a compelling read for fans of mystery and suspense and an opportunity to discover some new must-read authors, but a portrait of the moody, murderous history of Belfast (Publishers Weekly). Featuring brand-new stories by Glenn Patterson, Eoin McNamee, Garbhan Downey, Lee Child, Alex Barclay, Brian McGilloway, Ian McDonald, Arlene Hunt, Ruth Dudley Edwards, Claire McGowan, Steve Cavanagh, Lucy Caldwell, Sam Millar, and Gerard Brennan “The works are short, allowing readers to savor each snippet or devour the entire compelling book in a day, depending on just how deliciously gloomy they’re feeling.” —Shelf Awareness (starred review) “All the stories are compelling and well executed . . . Great writing for fans of noir and short stories, with some tales close to perfection.” —Library Journal (starred review) “The choices made by editors McKinty and Neville celebrate lowlifes, convicts, hookers, private eyes, cops and reporters, and, above all, the gray city at the heart of each story.” —Kirkus Reviews