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Chronicles the adventures of a naughty boy and his pals.
This sadistic classic includes Sarita Vendetta's macabre illustrations to Heinrich Hoffmann's verse, and the entire original edition in color.
A recent upsurge in interest in Der Struwwelpeter, written by Heinrich Hoffman has initiated a new wave of spin-offs, parodies, and retellings of these immensely popular stories. Hoffman's style, which is instructive and moralistic, coupled with the sadistic content of his works lend a unique quality to the stories that we don't see in contemporary children's literature. Struwwelpeter: Humor or Horror? is a critical analysis of the now infamous Struwwelpeter stories. While Hoffman intended his depictions of amputated limbs and burning children to be humorous and to warn children against misbehavior, some find the punishments can be excessively vicious. Looking beyond the history of child rearing practices and children's literature, Barbara Smith Chalou considers the socio-historic context in which the book was written and makes comparisons to contemporary children's fare that is similarly violent, but intended to be humorous.
Drawing on recently discovered unpublished documents from Nixon's 1950 campaign for the Senate, this rousing narrative--featuring such luminaries as Earl Warren, Cecil B. DeMille, Eleanor Roosevelt, Dwight Eisenhower, and Ronald Reagan--exposes the Red-baiting strategy used against Nixon's opponent, Helen Gahagan Douglas, and shows what it was like to be a female politician long before the "Year of the Woman". of photos.
The Watergate scandal was a horror show. What better way to satirize it than with a horror movie? Tobe Hooper's The Texas Chain Saw Massacre premiered in October 1974, mere weeks after the resignation and pardon of Richard Nixon brought an uncertain end to the most corrupt and criminal presidency in American history. The film had been conceived, written, shot, edited, and produced precisely as Watergate was playing out, and those responsible for Chain Saw unhesitatingly spoke of the horrors of contemporary politics as having directly inspired the ones they created for the film. Leatherface vs. Tricky Dick presents a fascinating minute-by-minute exploration of the many uncanny connections between The Texas Chain Saw Massacre and Watergate, as well as other ways the film comments on contemporary politics via satire and (very) dark humor. Read and discover Chain Saw’s response to the White House horrors, the Saturday Night Massacre, and more, as well as how Leatherface’s masks relate to all those Nixon masks worn throughout “our long national nightmare.”
The Offensive Art is an arch and sometimes caustic look at the art of political satire as practiced in democratic, monarchical, and authoritarian societies around the world over the past century-together with the efforts by governmental, religious, and corporate authorities to suppress it by censorship, intimidation, policy, and fatwa. Examples are drawn from the full spectrum of satiric genres, including novels, plays, verse, songs, essays, cartoons, cabarets and revues, movies, television, and the Internet. The multicultural and multimedia breadth and historical depth of Freedman's comparative approach frames his novel assessment of the role of political satire in today's post-9/11 world, and in particular the cross-cultural controversies it generates, such as the global protests against the Jyllands-Posten cartoons. In a tongue-in-cheek style peppered with the world's best one-liners from the last century, The Offensive Art recounts the acrimonious and often perilous cat-and-mouse games between political satirists and their censors and inhibitors through the last century in America (especially FDR, LBJ, Nixon, Reagan, Clinton, and Bush II and in wartime), Britain (especially Churchill, Thatcher, Blair and the Royals), Germany (Hitler to the present), Russia (Stalin to the present), China (Mao to the present), India (from the Raj on), and the Middle East (from 1920s Egypt to today). Freedman focuses on the role and transformation of satire during shifts from authoritarian to democratic systems in such places as South Africa, Argentina, and Eastern Europe. He surveys the state of satire throughout the world today, identifying the most dangerous countries for practitioners of the offensive art, and presents his findings as to the political efficacy of satire in provoking change.
Children's literature isn't just for children anymore. This original study explores the varied forms and roles of children's literature—when it's written for adults. What do Adam Mansbach's Go the F**k to Sleep and Barbara Park's MA! There's Nothing to Do Here! have in common? These large-format picture books are decidedly intended for parents rather than children. In No Kids Allowed, Michelle Ann Abate examines a constellation of books that form a paradoxical new genre: children's literature for adults. Distinguishing these books from YA and middle-grade fiction that appeals to adult readers, Abate argues that there is something unique about this phenomenon. Principally defined by its form and audience, children's literature, Abate demonstrates, engages with more than mere nostalgia when recast for grown-up readers. Abate examines how board books, coloring books, bedtime stories, and series detective fiction written and published specifically for adults question the boundaries of genre and challenge the assumption that adulthood and childhood are mutually exclusive.
What happens when, on a trip to discover yourself, you end up discovering a plot to destabilize a peaceful island population, hatched by the CIA, a renegade surfer, and a Bonobo?The only reason Jennifer has for agreeing to go on a graduation vacation with three almost-friends was to find out if that kiss her and her roommate shared a year and a half earlier meant anything. Instead, they meet a shady salesman in a shifty bar in Key West and end up on the island of Dondesta, a place so mysterious the conquistadors refused to put it on a map four hundred years earlier.There, among a native population almost completely untouched by modern civilization, she meets The Surfpirate, an enigmatic expatriate who seems to hold a revered spot in the island's culture. It is only as a hurricane threatens the island that Jennifer learns the secrets of the island, how it all began, and how much responsibility The Surfpirate has for what the future might hold.First introduced in book four of The Tricky Dick Key West Mystery series, "Red Skies At Midnight," The Surfpirate is seemingly a contract player for hire to the highest bidder, working throughout the Caribbean. "Cargo'd" is as much an origin story as it is an adventure through the world he has come to inhabit, and how he was in a position to become part of the Tricky Dick legend."Cargo'd" reads as both a comedic (and possibly romantic) romp through the tropics as well as holding up a fun-house shaped mirror to the world of American colonialism, the consumer culture, and white privilege.
"Wherever politics has been happening in the past half-century, Jules Witcover has been on the scene -- watching, interviewing, reporting." -- David S. Broder, The Washington Post