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Shares insights into the iconic rock-and-roll performer's life, from his substance abuse challenges and his bisexual history to his connections to the British royal family and the secret attempt on his life.
The Day Lincoln Was Shot is a gripping, minute-by-minute account of April 14, 1865: the day President Abraham Lincoln was tragically assassinated. It chronicles the movements of Lincoln and his assassin John Wilkes Booth during every movement of that fateful day. Author and journalist Jim Bishop has fashioned an unforgettable tale of tragedy, more gripping than fiction, more alive than any newspaper account. First published in 1955, The Day Lincoln Was Shot was a huge bestseller, and in 1998 it was made into a TNT movie, with Rob Morrow as Booth.
WHERE HOPE BEGINS is the inspiring true story of a reporter who adopts a family of abuse victims, risking her job and possibly her life.
Art of indigenous peoples.
An unfiltered, unapologetic, hilarious, and sometimes obscene assemblage of tales from the down-and-dirty traveling comedy circuit Doug Stanhope has been drunkenly stumbling down the back roads and dark alleys of stand-up comedy for over a quarter of a century, roads laden with dank bars, prostitutes, cheap drugs, farm animals, evil dwarfs, public nudity, menacing third-world police, psychotic breaks, sex offenders, and some understandable suicides. You know, just for levity. While other comedians were seeking fame, Stanhope was seeking immediate gratification, dark spectacle, or sometimes just his pants. Not to say he hasn't rubbed elbows with fame. He's crashed its party, snorted its coke, and jumped into its pool naked, literally and often repeatedly -- all while artfully dodging fame himself. Doug spares no legally permissible detail, and his stories couldn't be told any other way. They're weird, uncomfortable, gross, disturbing, and fucking funny. This Is Not Fame is by no means a story of overcoming a life of excess, immorality, and reckless buffoonery. It's an outright celebration of it. For Stanhope, the party goes on.
A bona fide “instant classic” (Doug Stanhope) novel that tells the story of a road comic crashing and burning by acclaimed comedian Sam Tallent Billy Ray Schafer stepped off the plane in Amarillo, Texas, with twenty-six hundred dollars tucked down the leg of his black ostrich-skin cowboy boot. He walked to baggage claim slowly, jelly-legged and nearing lucidity, coming out from under the Xanax he snorted before the flight. Debauched, divorced, and courting death, Billy Ray Schafer is a comedian who has forgotten how to laugh. Over the course of seven spun-out days across the American Southwest, he travels from hell gig to hell gig in search of a reason to keep living in this bleak and violent glimpse into the psyche of a thoroughly ruined man. Ex-inmate, ex-husband, ex-father—comedian is the only title Schafer has left. Trapped in the wreckage of his wasted career, Billy Ray knows the answer to the question: What happens when opportunity doesn't come—or worse—it comes and goes? “In vivid, electric sentences that read like cinematic tracking shots,” (Denver Post) Tallent hurls you into an absolute mess of a man’s life as we search for the mercy he does not want.
"Every Tuesday night at midnight in a dark corner of the Comedy Store, a beautiful and hilarious fight breaks out. Starving comedians drown their prejudice in comedy. It's scary. It's hilarious. It's completely punk rock. Burgeoning comics and cast-aside performers have moments of heroism, and we all get the rare chance to cleanse our sins in humor." - director Jason Reitman Accidentally conceived in July 2013 at a small, sweaty Comedy Store open mic to avoid a comedian fistfight, insult-joke competition Roast Battle has since become a global phenomenon. Taking cues from two seemingly divergent insider traditions - Friars Club roasts and urban rap battles - the show melded both into a mainstream format accessible to anyone who dared take the stage. The rules were simple: No subject was off limits, original material only, and at the end of the battle, competitors hugged. Equal parts blood sport and personal catharsis, the show instantly caught on with performers, industry members scouting the next big thing, and audiences who preferred their punchlines off-color. As host and referee, Brian Moses assembled a zany cast of supporting characters including revered Roastmaster General Jeff Ross, who was hooked from his first night. Ross gave the show instant legitimacy. He also brought his celebrity friends along to judge. Tastemakers like Judd Apatow, Jim Carrey, Jason Reitman, Dave Chappelle, Jimmy Kimmel, Snoop Dogg, Sarah Silverman, Seth Rogen, and John Mayer counted themselves among Roast Battle's devotees. The show caught early breaks at the New York Comedy Festival and South by Southwest. Just as a TV deal seemed inevitable, tensions rose and egos flared. Founders squabbled over ownership rights. Factions formed. Friendships were irrevocably broken. But for the creators and competitors who believed Roast Battle's potential was bigger than the sum of its (often raunchy) parts, freedom of speech was more than a political talking point. It was everything comedy's most enduring legends fought for since the advent of brick-wall backdrops. Five years since its inception, Roast Battle remains the most adventurous, influential comedy show in the world. Imitators exist in every city with a local comedy scene. In addition to three stateside seasons on Comedy Central, the TV brand has expanded to South Africa, Mexico, and the U.K...the latter of which became Comedy Central U.K.'s most-watched series of all time. Yet despite the growing pains, the L.A. original stubbornly retains its gritty, underground spirit, reaching capacity weekly without a lick of advertising. With on-the-scene photos by Troy Conrad showcasing the venues, competitors, riotous cast of characters, and celebrity judges this "Verbal Boxing" and "Fight Club for Comedians" has welcomed along the way, longtime comedy journalist Julie Seabaugh's Ringside at Roast Battle chronicles the emergence of a new fourth pillar of live comedy. From the coming-together of the principal players to the continuing influence the show will wield in years to come, the book explores the organic diversity, DIY nature, and politically-charged atmosphere encouraging a new generation of comedians to laugh in the face of tragedy.
You are holding a collection of stories, the aim of this collection is to equip and inspire you to make a positive impact in your own community, through relationships and creative initiatives. In this material, you will read about Dave and Will who developed gardens on wasteland in inner city London council estates, encouraging residents to be part of the process of renewal and creativity by growing plants and vegetables. Will hosts community harvest feasts, bringing together local residents to eat their own locally-grown produce. Andy in his 20s, started a lunch club for isolated elderly people, rallying his student friends to help serve homemade meals in a borrowed church hall. Pauline responded to a news bulletin about the lack of housing for refugees and asylum seekers, by setting up homes across North London to provide safe housing. Annie set up regular meals in her church building for homeless people and rough sleepers. Mark started a football club for local lads from an estate in London, most of whom were from extremely difficult backgrounds and not in education or employment. Countless others have weeded gardens for families referred by social services, mentored children in foster care and painted a wall in a refuge. Abroad, Mick and Ruby moved into an inner city slum community in the heart of Manilla for 9 years with their young children. At the heart of City Lights are stories and friendships. Find out more about City Lights. regenerateuk.co.uk