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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
This is Volume II of nine in a collection on the Sociology of Culture. Originally published in 1969 this is an analysis of the relationship between the social dance and society in England from the Middle Ages to the 1960s.
The terms social engineering is now coined first time in the state elections. It gives a very big point to be thought over. What is social engineering and why it is being needed. As that of many of the big issues have been raised in today's life regarding social structure. As we all know that Indian society is very complex society in all the means. We have orthodoxical issues, labour issues, child and development issues, gender equality, mother worship issues at the same time.
Drid Williams explores dance and dance-related subjects ranging from Aboriginal and African dances to the Royal Ballet, and makes a compelling case for moving beyond the Western view of the dance as mere entertainment.
From a bestselling social commentator and cultural historian comes a fascinating exploration of one of humanity's oldest traditions: the celebration of communal joy expressed in ecstatic revels of feasting, costuming, and dancing.
In this second edition of The Repeating Island, Antonio Benítez-Rojo, a master of the historical novel, short story, and critical essay, continues to confront the legacy and myths of colonialism. This co-winner of the 1993 MLA Katherine Singer Kovacs Prize has been expanded to include three entirely new chapters that add a Lacanian perspective and a view of the carnivalesque to an already brilliant interpretive study of Caribbean culture. As he did in the first edition, Benítez-Rojo redefines the Caribbean by drawing on history, economics, sociology, cultural anthropology, psychoanalysis, literary theory, and nonlinear mathematics. His point of departure is chaos theory, which holds that order and disorder are not the antithesis of each other in nature but function as mutually generative phenomena. Benítez-Rojo argues that within the apparent disorder of the Caribbean—the area’s discontinuous landmasses, its different colonial histories, ethnic groups, languages, traditions, and politics—there emerges an “island” of paradoxes that repeats itself and gives shape to an unexpected and complex sociocultural archipelago. Benítez-Rojo illustrates this unique form of identity with powerful readings of texts by Las Casas, Guillén, Carpentier, García Márquez, Walcott, Harris, Buitrago, and Rodríguez Juliá.