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Indian Folk and Tribal Paintings introduces you to one of India s most glorious living traditions its tribal and folk painting. Vibrant and full of colour, it is said of tribal and folk painting that it has no beginning and no end. The rich red earth of river deltas, the fine white paste of crushed rice, the juice of fruits and berries, the wine from the mahua tree, the milk and even the dung, continue to provide the artist in the forest and village with his raw materials, while the floors and walls of his dwelling places, the bark of trees, leaves and, latterly, paper, are his surfaces. Whatever the surface or the medium, these paintings are intrinsically linked with the regional historico-cultural settings from which they arise.
Talk About Tribal Art presents the broad range of art from diverse cultures around the world via illustrations and concise texts. Bérénice Schneiter takes us through the history, geography, and techniques of tribal art, from prehistoric cave paintings to aboriginal body art via the Klein-blue-before-Klein statues of the Solomon Islands and the abstract feather art-work of pre-Colombian pre-abstract communities. What is tribal art, what does it look like, when did it start? The author refutes common preconceptions and outdated myths, demonstrating that tribal art comprises far more than masks, erotic figures, and sacred totems. The text is richly illustrated, providing a deeper understanding of art forms such as animal art, portraits, design, and graphics. Moving beyond the purely historical, the book also demonstrates the innovation, lasting impact, and current trends of this art form in a section devoted to artists and artistic movements that have been inspired by tribal art. A chapter of key dates allows the reader to situate the historic moments that have contributed to our understanding of tribal art: from travel writing to great expeditions via ethnological quests and important exhibitions. One chapter is devoted to the artists, writers, poets, dealers, and collectors who informed our modern perception of tribal art. A glossary of terms clarifies the jargon that charts the evolution in the discovery of these artifacts, as well as changes in styles and tastes. The volume is completed by a list of the thirty most important works of tribal art from around the world and a directory of international addresses where tribal art can be viewed.
"Waterlife features Mithila art, a vibrant delicate art form of folk painting from Bihar in eastern India. The artist Rambharos Jha grew up on the banks of the legendary river Ganga and developed a fascination for water and water life. In this book he creates an unusual artist's journal, adapting the motifs of the Mithila style to express his own vision. He frames his art with a playful text that evokes both childhood memory and folk legend."--Back cover.
This publication traces the movements of hundreds of thousands of masks, statues, amulets, shields etc. from overseas tribul cultures to and within North Atlantic societies, in colonial and post-colonial times. While the focus is on the Low Countries and their overseas territories, the Belgian Congo and the Netherlands East Indies, related developments in three adjacent colonial powers, Germany, France and the United Kingdom, are also covered, as are links to the United States. The milieus and locales through which tribal objects circulated and circulate are charted, like colonial trading posts, auction houses and museums, and dealers, collectors and curators relate their more recent experiences with objects-in-motion.
Based on the exhibition Africa: 100 Stm̃me, 100 Meisterwerke, sponsored by the Congress for Cultural Freedom at the Berlin Festival, 1964./ Includes bibliography.
Travelers & scholars have long been puzzled by similarities in the arts of diverse ancient & tribal cultures. It remained for the American art historian Carl Schuster (1904-1969) to discover a set of patterns designed by ancient peoples to illustrate their ideas about kinship. Schuster succeeded in decoding this iconography, which lasted over ten thousand years, crossed continents, & outlived most of the cultures that sheltered it.