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The eight people charged with conspiring to assassinate President Abraham Lincoln were tried by a military commission under military law. The author contends that this was illegal, since the civilian legal system was fully functioning. The many ways in which the defendants' rights were violated are described, as are the ways in which the trial testimony was either not accurate or not legally obtained. The trial is also compared with other incidents in which the U.S. military was used in police and judicial functions, with questionable results. The book is a warning against unchecked power by the executive branch of the government.
Blood on the Moon examines the evidence, myths, and lies surrounding the political assassination that dramatically altered the course of American history. Was John Wilkes Booth a crazed loner acting out of revenge, or was he the key player in a wide conspiracy aimed at removing the one man who had crushed the Confederacy's dream of independence? Edward Steers Jr. crafts an intimate, engaging narrative of the events leading to Lincoln's death and the political, judicial, and cultural aftermaths of his assassination.
For the 150th anniversary, Harold Holzer (The Civil War in 150 Objects) presents an unprecedented firsthand chronicle of one of the most pivotal moments in American history. On April 14, 1865, Good Friday, the Civil War claimed its ultimate sacrifice. President Lincoln Assassinated!! recaptures the dramatic immediacy of Lincoln’s assassination, the hunt for the conspirators and their military trial, and the nation’s mourning for the martyred president. The fateful story is told in more than eighty original documents—eyewitness reports, medical records, trial transcripts, newspaper articles, speeches, letters, diary entries, and poems—by more than seventy-five participants and observers, including the assassin John Wilkes Booth and Boston Corbett, the soldier who shot him. Courtroom testimony exposes the intricacies of the plot to kill the president; eulogies by Ralph Waldo Emerson, Wendell Phillips, and Benjamin Disraeli and poetry by Walt Whitman, Herman Melville and Julia Ward Howe give eloquent voice to grief; two emotional speeches by Frederick Douglass—one of them never before published—reveal his evolving perspective on Lincoln’s legacy. Together these voices combine to reveal the full panorama of one the most shocking and tragic events in our history.
On April 22, 1865, Brevet Colonel H. L. Burnett was assigned to head the investigation into the murder of President Abraham Lincoln and the attempted murder of Secretary of State William H. Seward. Burnett orchestrated the collection of thousands of documents for the Military Commission’s trial of the conspirators. This deep archive of documentary evidence--consisting of letters, depositions, eyewitness accounts, investigative reports, and other documents--provides invaluable insight into the historical, cultural, and judicial context of the investigation. Only a fraction of the information presented in these documents ever made its way into the trial, and most of it has never been readily accessible. By presenting an annotated and indexed transcription of these documents, this volume offers significant new access to information on the events surrounding the assassination and a vast new store of social and political history of the Civil War era. “With tears in my eyes I think it your duty to hang every rebel caught. I feel as bad as if was my own mother or father & will be one to volunteer to try & shoot every Southern man. May God have mercy on the man’s soul that done such a deed. With much Respect for our Country, I remain Weeping” --Anonymous letter, New York, April 15, 1865 “I know Booth. He was in the habit of coming to my place to shoot. . . . He shot well, and practiced to shoot with accuracy in every possible position. . . . He was a quick shot; always silent, reticent.” --Deposition of Benjamin Barker, Pistol Gallery proprietor
It is a tale as familiar as our history primers: A deranged actor, John Wilkes Booth, killed Abraham Lincoln in Ford’s Theatre, escaped on foot, and eluded capture for twelve days until he met his fiery end in a Virginia tobacco barn. In the national hysteria that followed, eight others were arrested and tried; four of those were executed, four imprisoned. Therein lie all the classic elements of a great thriller. But the untold tale is even more fascinating. Now, in American Brutus, Michael W. Kauffman, one of the foremost Lincoln assassination authorities, takes familiar history to a deeper level, offering an unprecedented, authoritative account of the Lincoln murder conspiracy. Working from a staggering array of archival sources and new research, Kauffman sheds new light on the background and motives of John Wilkes Booth, the mechanics of his plot to topple the Union government, and the trials and fates of the conspirators. Piece by piece, Kauffman explains and corrects common misperceptions and analyzes the political motivation behind Booth’s plan to unseat Lincoln, in whom the assassin saw a treacherous autocrat, “an American Caesar.” In preparing his study, Kauffman spared no effort getting at the truth: He even lived in Booth’s house, and re-created key parts of Booth’s escape. Thanks to Kauffman’s discoveries, readers will have a new understanding of this defining event in our nation’s history, and they will come to see how public sentiment about Booth at the time of the assassination and ever since has made an accurate account of his actions and motives next to impossible–until now. In nearly 140 years there has been an overwhelming body of literature on the Lincoln assassination, much of it incomplete and oftentimes contradictory. In American Brutus, Kauffman finally makes sense of an incident whose causes and effects reverberate to this day. Provocative, absorbing, utterly cogent, at times controversial, this will become the definitive text on a watershed event in American history.
Despite all that has been written about the April 1865 assassination of President Abraham Lincoln, the story of John Surratt—the only conspirator who got away—remains untold and largely unknown. The capture and shooting of John Wilkes Booth twelve days after he shot Lincoln is a well-known and well-covered story. The fate of the eight other accomplices of Booth has also been widely written about. Four, including Surratt’s mother, Mary, were convicted and hanged, and four were jailed. John Surratt alone managed to evade capture for twenty months and escape punishment once he was put on trial. In this tale of adventure and mystery, Andrew Jampoler tells what happened to that last conspirator, who after Booth’s death became the most wanted man in America.
"Of the crucial men close to President Lincoln, Secretary of War Edwin Stanton (1814-1869) was the most powerful and controversial. Stanton raised, armed, and supervised the army of a million men who won the Civil War. He organized the war effort. He directed military movements from his telegraph office, where Lincoln literally hung out with him ... Now with this worthy complement to the enduring library of biographical accounts of those who helped Lincoln preserve the Union, Stanton honors the indispensable partner of the sixteenth president"--
On April 14, 1965, President Abraham Lincoln was assassinated while attending a play at Ford's Theatre. Historical accounts tell us the murder was committed by a crazed actor named John Wilkes Booth, and no one else. Now, after more than a century, startling new answers are uncovered.
Our American Cousin is a three-act play written by English playwright Tom Taylor. The play opened in London in 1858 but quickly made its way to the U.S. and premiered at Laura Keene’s Theatre in New York City later that year. It remained popular in the U.S. and England for the next several decades. Its most notable claim to fame, however, is that it was the play U.S. President Abraham Lincoln was watching on April 14, 1865 when he was assassinated by John Wilkes Booth, who used his knowledge of the script to shoot Lincoln during a more raucous scene. The play is a classic Victorian farce with a whole range of stereotyped characters, business, and many entrances and exits. The plot features a boorish but honest American cousin who travels to the aristocratic English countryside to claim his inheritance, and then quickly becomes swept up in the family’s affairs. An inevitable rescue of the family’s fortunes and of the various damsels in distress ensues. Our American Cousin was originally written as a farce for an English audience, with the laughs coming mostly at the expense of the naive American character. But after it moved to the U.S. it was eventually recast as a comedy where English caricatures like the pompous Lord Dundreary soon became the primary source of hilarity. This early version, published in 1869, contains fewer of that character’s nonsensical adages, which soon came to be known as “Dundrearyisms,” and for which the play eventually gained much of its popular appeal.