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“A fantastic job of storytelling to the point that it literally sends shivers down the reader’s spine . . . entertaining and informative” (YES! Weekly). Don’t be fooled by the scenic beauty of North Carolina’s Piedmont Triad—the ghosts of the past haunt these rolling hills and unique cities. From the smallpox-stricken ghost that haunts Salem Tavern in Winston-Salem to the slain Revolutionary War soldiers who linger in the park surrounding Guilford Courthouse in Greensboro, these phantoms all have a tale to tell. Some ghosts even support education. Take Jane, the lonely spinster who haunts Aycock Auditorium at the UNC-Greensboro campus, or Herschel, High Point University’s ghost of the former Memorial Theater. And though Spookywoods Haunted Attraction in Kersey Valley often frightens and astounds, some of the resident ghosts aren’t just special effects. Join Camel City Spirit Seekers Michael Renegar and Amy Spease as they reveal the eerie and chilling stories from the heart of the Piedmont. Includes photos! “If you want some spooky ghost stories to get you in the mood for Halloween, Triad ghost-hunters/authors Michael Renegar and Amy Spease may have just what you’re looking for.” —The News & Record
Few people can claim the distinction of experiencing first-hand such occurrences as hauntings and the presence of poltergeists, but countless numbers of people are fascinated by these unexplainable events. Written by the world's most knowledgeable authorities in this field, the essays in this work promote a better understanding of the manifestations of and various reasons for hauntings and poltergeist phenomena. The experts come from such backgrounds as anthropology, history, philosophy, psychiatry, and sociology, and provide sober yet highly readable in-depth discussions of numerous ideas and rationalizations for hauntings and poltergeists, from a critical and scientific perspective. Divided into three major sections--sociocultural, physical and physiological, and psychological perspectives--this work provides an overview of each perspective and also addresses the general psychology of belief in the paranormal and how that belief relates to experiences with ghosts and poltergeists.
Stories and photos that reveal the paranormal history of this picturesque Winston-Salem district. Hidden behind the preserved eighteenth-century colonial buildings of the Old Salem Historic District in Winston-Salem is a haunted history of spine-tingling tales . . . Find the harrowing stories of Salem Cemetery and the anonymous headstones of the “Strangers’ Graveyard.” Learn the origins of the inexplicable sounds at Salem College. Meet the tavern traveler who refuses to check out. Follow the story of Andreas Kresmer’s tragic death and the subsequent appearance of the “Little Red Man.” In this book, author G.T. Montgomery takes you on a frightening and fascinating journey to discover the most notorious haunts to wander Salem’s streets.
"I met this book's co-authors Michael Renegar and Amy Greer in 2016, when assigned a news story about Jamestown's famous ghost named Lydia. What could be less "real news" than a ghost story? Nonetheless, I quickly validated what Michael and Amy knew all along - there is, indeed, a real-life tragedy buried within this famous tale. It just took the final puzzle piece - an ironic twist of fate - to prove it. The first few lines of this work will draw the reader into this captivating mystery and these authors' passionate 30-year research of the Lydia legend. Will giving fact to folklore spoil the story? That's up to the reader to decide. But perhaps connecting the dots, at last, in the quest for truth can bring Jamestown's famous ghost - and her loyal believers - some peace. " Meghann Mollerus, Journalist
In 1896, Maxim Gorky declared cinema "the Kingdom of Shadows." In its silent, ashen-grey world, he saw a land of spectral, and ever since then cinema has had a special relationship with the haunted and the ghostly. Cinematic Ghosts is the first collection devoted to this subject, including fourteen new essays, dedicated to exploring the many permutations of the movies' phantoms. Cinematic Ghosts contains essays revisiting some classic ghost films within the genres of horror (The Haunting, 1963), romance (Portrait of Jennie, 1948), comedy (Beetlejuice, 1988) and the art film (Uncle Boonmee Who Can Recall His Past Lives, 2010), as well as essays dealing with a number of films from around the world, from Sweden to China. Cinematic Ghosts traces the archetype of the cinematic ghost from the silent era until today, offering analyses from a range of historical, aesthetic and theoretical dimensions.
Stories of the runaway slaves who left their spirits behind. “An easy read and an odd collection of tales of murders, mayhem, madness, and sadness.” —Folklore Before the Civil War, a network of secret routes and safe houses crisscrossed the Midwest to help African Americans travel north to escape slavery. Although many slaves were able to escape to the safety of Canada, others met untimely deaths on the treacherous journey—and some of these unfortunates still linger, unable to rest in peace. In Hauntings of the Underground Railroad: Ghosts of the Midwest, Jane Simon Ammeson investigates unforgettable and chilling tales of these restless ghosts that still walk the night. This unique collection includes true and gruesome stories, like the story of a lost toddler who wanders the woods near the Story Inn, eternally searching for the mother torn from him by slave hunters, or the tale of the Hannah House, where an overturned oil lamp sparked a fire that trapped slaves hiding in the basement and burned them alive. Brave visitors who visit the house, which is now a bed and breakfast, claim they can still hear voices moaning and crying from the basement. Ammeson also includes incredible true stories of daring escapes and close calls on the Underground Railroad. A fascinating and spine-tingling glimpse into our past, Hauntings of the Underground Railroad will keep you up all night.
A trick of magic, a twist of fate. As the orphaned nephew of the king, trusted companion to his cousin, and second heir to the throne of Skala, Prince Tobin’s future is clear. But not as clear as the spring in which a hill witch shows him his true face--and his secret destiny.... Now Tobin carries a burden he cannot share with even his closest friend, Ki, his squire. He is to rule--not as he is but as he was born: a woman. Given the shape of a boy by dark magic, Tobin is the last hope of the people of Illior--those who desperately seek a return to the old ways, when Skala was ruled by a line of warrior queens. They still believe that only a woman can lift the war, famine, and pestilence that have run rampant through the land since the king usurped his half sister’s throne. It is these outlaw wizards and witches who protect Tobin--and it is for them that Tobin must accept his fate. With the unsuspecting yet fiercely loyal Ki at his side, Tobin must turn traitor against the only blood ties he has left. He must lift the masks of Skala’s rulers to show their true colors--before he can reveal the power of the woman within himself.
The disturbing experience of psychological infanticide reflects the darkest aspect of the wounding of the Sacred Feminine - the Death Mother archetype that annihilates rather than nurtures life. Through myth, story, classic literature, biography, poems, art and dreams, Dr. Violet Sherwood weaves together symbolic aspects of psychological infanticide with psychoanalytic theory of traumatic attachment and the literal truth of a centuries-old history of infanticide. She illuminates the Death Mother archetype in the dynamic between the unwilling (or unsupported) mother and the unwelcome child. Her personal and archetypal journey into, through, and beyond the underworld, offers hope and guidance for the restoration of the relationship between the Sacred Feminine and the Divine Child. She draws on her professional experience as a psychotherapist and her lived experience of psychological infanticide as a result of closed stranger adoption to explore the intimate connection between life and death, revealing the life task of the infanticided psyche is to embrace death and discover the life that lies beyond the realm of the underworld.
This study sees the nineteenth century supernatural as a significant context for cinema’s first years. The book takes up the familiar notion of cinema as a “ghostly,” “spectral” or “haunted” medium and asks what made such association possible. Examining the history of the projected image and supernatural displays, psychical research and telepathy, spirit photography and X-rays, the skeletons of the danse macabre and the ghostly spaces of the mind, it uncovers many lost and fascinating connections. The Modern Supernatural and the Beginnings of Cinema locates film’s spectral affinities within a history stretching back to the beginning of screen practice and forward to the digital era. In addition to examining the use of supernatural themes by pioneering filmmakers like Georges Méliès and George Albert Smith, it also engages with the representations of cinema’s ghostly past in Guy Maddin’s recent online project Seances (2016). It is ideal for those interested in the history of cinema, the study of the supernatural and the pre-history of the horror film.