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Articles about trees that have appeared in Orion Magazine.
A unique anthology of poems--from around the world and through the ages--that celebrate trees. For thousands of years humans have variously worshipped trees, made use of them, admired them, and destroyed them--and poets have long chronicled the relationship. Poets from Homer and Virgil to Wordsworth, Whitman, and Thoreau, from Su Tung P'o and Basho to Czeslaw Milosz and W. S. Merwin have celebrated sacred groves, wild woodlands, and bountiful orchards, and the results include some of our most beloved poems. Robert Frost's "Birches," Marianne Moore's "The Camperdown Elm," Gerard Manley Hopkins's "Binsey Poplars," and Zbigniew Herbert's "Sequoia" stand tall beside Eugenio Montale's "The Lemon Trees," Yves Bonnefoy's "The Apples," Bertolt Brecht's "The Plum Tree," D. H. Lawrence's "The Almond Tree," and A. E. Housman's "Loveliest of Trees." Whether showing their subjects being planted or felled, cherished or lamented, towering in forests or flowering in backyards, the poems collected here pay lyrical tribute to these majestic beings with whom we share the earth.
2014 Button Poetry Prize Winner "These harrowing poems make montage, make mirrors, make elegiac biopic, make 'a dope ass trailer with a hundred black children / smiling into the camera & the last shot is the wide mouth of a pistol.' That's no spoiler alert, but rather, Smith's way–saying & laying it beautifully bare. A way of desensitizing the reader from his own defenses each time this long, black movie repeats."–Marcus Wicker "Danez Smith's BLACK MOVIE is a cinematic tour-de-force that lets poetry vie with film for the honor of which medium can most effectively articulate the experience of Black America."–Rain Taxi
Sexy, cool, and uncompromising--secures Myles' eminence as America's most fearless poet.
"Trees, and Other Poems" by Joyce Kilmer. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
As The Giving Tree turns fifty, this timeless classic is available for the first time ever in ebook format. This digital edition allows young readers and lifelong fans to continue the legacy and love of a classic that will now reach an even wider audience. "Once there was a tree...and she loved a little boy." So begins a story of unforgettable perception, beautifully written and illustrated by the gifted and versatile Shel Silverstein. This moving parable for all ages offers a touching interpretation of the gift of giving and a serene acceptance of another's capacity to love in return. Every day the boy would come to the tree to eat her apples, swing from her branches, or slide down her trunk...and the tree was happy. But as the boy grew older he began to want more from the tree, and the tree gave and gave and gave. This is a tender story, touched with sadness, aglow with consolation. Shel Silverstein's incomparable career as a bestselling children's book author and illustrator began with Lafcadio, the Lion Who Shot Back. He is also the creator of picture books including A Giraffe and a Half, Who Wants a Cheap Rhinoceros?, The Missing Piece, The Missing Piece Meets the Big O, and the perennial favorite The Giving Tree, and of classic poetry collections such as Where the Sidewalk Ends, A Light in the Attic, Falling Up, Every Thing On It, Don't Bump the Glump!, and Runny Babbit. And don't miss the other Shel Silverstein ebooks, Where the Sidewalk Ends and A Light in the Attic!
For poet Tiana Clark, trees will never be just trees. They will also and always be a row of gallows from which Black bodies once swung. This is an image that she cannot escape, but one that she has learned to lean into as she delves into personal and public histories, explicating memories and muses around race, elegy, family, and faith by making and breaking forms as well as probing mythology, literary history, her own ancestry, and, yes, even Rihanna. I Can’t Talk About the Trees without the Blood, because Tiana cannot engage with the physical and psychic landscape of the South without seeing the braided trauma of the broken past—she will always see blood on the leaves.
Trees were central to Henry David Thoreau’s creativity as a writer, his work as a naturalist, his thought, and his inner life. His portraits of them were so perfect, it was as if he could see the sap flowing beneath their bark. When Thoreau wrote that the poet loves the pine tree as his own shadow in the air, he was speaking about himself. In short, he spoke their language. In this original book, Richard Higgins explores Thoreau’s deep connections to trees: his keen perception of them, the joy they gave him, the poetry he saw in them, his philosophical view of them, and how they fed his soul. His lively essays show that trees were a thread connecting all parts of Thoreau’s being—heart, mind, and spirit. Included are one hundred excerpts from Thoreau’s writings about trees, paired with over sixty of the author’s photographs. Thoreau’s words are as vivid now as they were in 1890, when an English naturalist wrote that he was unusually able to “to preserve the flashing forest colors in unfading light.” Thoreau and the Language of Trees shows that Thoreau, with uncanny foresight, believed trees were essential to the preservation of the world.
A lover of strict form, best-selling poet Victoria Chang turns to compact Japanese waka, powerfully innovating on tradition while continuing her pursuit of one of life’s hardest questions: how to let go. In The Trees Witness Everything, Victoria Chang reinvigorates language by way of concentration, using constraint to illuminate and free the wild interior. Largely composed in various Japanese syllabic forms called “wakas,” each poem is shaped by pattern and count. This highly original work innovates inside the lineage of great poets including W.S. Merwin, whose poem titles are repurposed as frames and mirrors for the text, stitching past and present in complex dialogue. Chang depicts the smooth, melancholic isolation of the mind while reaching outward to name—with reverence, economy, and whimsy—the ache of wanting, the hawk and its shadow, our human urge to hide the minute beneath the light.
In the face of loss--past, present, and future--C.D. Wright's final work demonstrates the power of words to conserve, preserve, and witness.