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The Bhil people of Central India are amongst the oldest indigenous communities in India. To them, the natural world of trees, creatures that inhabit them, and the forest of which they are a part is not out there, but rather exists in a seamless relationship to their home and the everyday. Gangubai, Bhil artist, explores this relationship through her memories of food, work, festivals, illness, medicine, and much more. Her tales center around trees, and so each of her memories has a tree as its focus. Illustrated in vivid and cheerful colors, the paintings in this book foreground a universe of brightly colored dots, and lines and shapes that encompass and hold all living creatures, including human beings."
History and current affairs show that words matter - and change - because they are woven into our social and political lives. Words are weapons wielded by the powerful; they are also powerful tools for social resistance and for reimagining and reconfiguring social relations. Illustrated with topical examples, from racial slurs and sexual insults to preferred gender pronouns, from ethnic/racial group labels to presidential tweets, this book examines the social contexts which imbue words with potency. Exploring the role of language in three broad categories - establishing social identities, navigating social landscapes, and debating social and linguistic change - Sally McConnell-Ginet invites readers to examine critically their own ideas about language and its complicated connections to social conflict and transformation. Concrete and timely examples vividly illustrate the feedback loop between words and the world, shedding light on how and why words can matter.
HOW NATURE MATTERS presents an original theory of nature's value based on part—whole relations. James argues that when natural things have cultural value, they do not always have it as means to valuable ends. In many cases, they have value as parts of valuable wholes — as parts of traditions, for instance, or cultural identities. James develops his theory by investigating twelve real-world cases, ranging from the veneration of sacred trees to the hunting of dugongs. He also analyses some key policy-related debates and explores various fundamental issues in environmental philosophy, including the question of whether anything on earth qualifies as natural. This accessible, engagingly written book will be essential reading for all those who wish to understand the moral and metaphysical dimensions of environmental issues.
Wooden Os is a study of the presence of trees and wood in the drama of Shakespeare and his contemporaries – in plays set within forests, in character dialogue, and in props and theatre constructions. Vin Nardizzi connects these themes to the dependence, and surprising ecological impact, of London's commercial theatre industry on England's woodlands, the primary resource required to build all structures in early modern England. Wooden Os situates the theatre within an environmental history that witnessed a perceived scarcity of wood and timber that drove up prices, as well as statute law prohibiting the devastation of English woodlands and urgent calls for the remedying of a resource shortage that was feared would result in eco-political collapse. By considering works including Friar Bacon and Friar Bungay, the revised Spanish Tragedy, and The Tempest, Nardizzi demonstrates how the “trees” within them were used in imaginative ways to mediate England's resource crisis.
The question of unintelligibility does not arise with regard to books of fiction, such as the stories and novels, irrespective of how they are written. Even if a story is not understood, there is no great harm done. The problem is with the theoretical essays. Even there, there is no problem with the essays related to the natural science, if the language is simple. The real problem is with the books of philosophy! When we find the word ‘philosophy’ on the face of the book, we feel that ‘this book is meant for the scholars, not for us,’ The very word ‘philosophy’ at the outset will scare us immensely. When we read the word ‘philosophy’ on the face of a book, it does not mean that it represents ‘a great truth’ or ‘a great science.' The contents of the book could be correct or useless or a blend of both. The logic of the book will be in accordance with the philosophy of the book. A correct one will have a correct logic, a wrong one will have a wrong logic, and a vacillating one will have a vacillating logic.
The Collection of Emotionful stories is a poetic exploration into the human emotions that we are all blessed to feel. Through tales of loss, love, tears and happiness, characters find what they need to by the end of each story.
NEW YORK TIMES BEST SELLER • From the world's leading forest ecologist who forever changed how people view trees and their connections to one another and to other living things in the forest—a moving, deeply personal journey of discovery Suzanne Simard is a pioneer on the frontier of plant communication and intelligence; her TED talks have been viewed by more than 10 million people worldwide. In this, her first book, now available in paperback, Simard brings us into her world, the intimate world of the trees, in which she brilliantly illuminates the fascinating and vital truths--that trees are not simply the source of timber or pulp, but are a complicated, interdependent circle of life; that forests are social, cooperative creatures connected through underground networks by which trees communicate their vitality and vulnerabilities with communal lives not that different from our own. Simard writes--in inspiring, illuminating, and accessible ways—how trees, living side by side for hundreds of years, have evolved, how they learn and adapt their behaviors, recognize neighbors, compete and cooperate with one another with sophistication, characteristics ascribed to human intelligence, traits that are the essence of civil societies--and at the center of it all, the Mother Trees: the mysterious, powerful forces that connect and sustain the others that surround them. And Simard writes of her own life, born and raised into a logging world in the rainforests of British Columbia, of her days as a child spent cataloging the trees from the forest and how she came to love and respect them. And as she writes of her scientific quest, she writes of her own journey, making us understand how deeply human scientific inquiry exists beyond data and technology, that it is about understanding who we are and our place in the world.
The dream is that you use this book to metabolize the trauma, step into your True Powerful Self and be a living demonstration of what is possible. Everyone can be a lighthouse, and everyone has a purpose. After working with hundreds of people, I know this to be a fact. If someone is just a tiny bit willing to grow, a tiny bit willing to be kind to themselves and tiny bit willing to face the hard stuff....the harmonizing principle, nature, grace, or (also known as the divine) will handle the details. A drop of willingness merges you with the ocean of Love, and ignites the organizing principle of the universe on your behalf. Trauma is any pain that you did not have the tools, safety, or support at the time to heal. This pain that got stuck in your body and psyche; is trauma. Trauma can be from childhood, ancestral, culturally or religious, medical, or systemic oppression. I believe those that are the most traumatized have even more fertilizer to become great healers and voices of change. As an incest, and cancer survivor and now thriver------------ I know this to be true. Re-connecting back to our innate worth, bodies and nature we reclaim our power back from the thousands of years of raping the Earth, women, people of color and torture to animals. There is personal trauma, collective trauma in agricultural practices, racism, and power-over oppressive systems. This is why self-love is a radical act.