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"Reveals the history of botanical painting, its beauty and science, with works from two renowned collections and over one hundred significant artists, dating from the late 1400s through to today. Paintings featured from the Kew collection include works by well-known artists the Bauer brothers, Redoute, Ehret, Fitch, Lilian Snelling and Margaret Mee as well as many lesser known artists. Contemporary works are featured from the Sherwood collection by a host of international artists. Over 200 stunning botanical paintings are showcased in this gift book, accompanied with informative text on the origins, history and relevance of botanical art, as well as information on the plants themselves. Biographies of over 120 artists are provided at the end of the book, revealing the historical and international background of this genre."--
This major exhibition brings together the greatest treasures of botanical art including over 80 botanical illustrations, both ancient and modern, spanning 1000 years.
This book brings together striking botanical art of Indian origin spanning a period of 300 years, focussing on the 18th and 19th centuries. Drawn mostly from original works held in the collections of the Royal Botanic Gardens, Kew, some of the paintings have never been published before. They showcase the richness and variety of art commissioned from talented, mostly unknown, Indian artists who made a substantial contribution to the documentation of the flora of the Indian subcontinent. A foreword written by Sita Reddy places the collections in contemporary context. The book concludes with works from a new generation of botanical artists in India, who excite interest today.
Presents a collection of botanical paintings along with descriptions of the artists' techniques and backgrounds.
A compact edition of Joseph Banks’ extraordinary botanical engravings of flora discovered on Captain Cook’s first voyage. Joseph Banks accompanied Captain Cook on his first voyage around the world from 1768 to 1771. A gifted and wealthy young naturalist, Banks collected exotic flora from Madeira, Brazil, Tierra del Fuego, the Society Islands, New Zealand, Australia, and Java, bringing back over 1,300 species that had never been seen or studied by Europeans. On his return, Banks commissioned over 700 engravings. Known collectively as Banks’ Florilegium, they are some of the most precise and exquisite examples of botanical illustration ever created. The Florilegium was never published in Banks’ lifetime, and it was not until 1990 that a complete set in color was issued under the direction of the British Museum. It is from these prints that the new compact edition of Joseph Banks’ Florilegium is selected, as directed by David Mabberley, who has provided expert botanical commentaries. Art historian Mel Gooding sets the works in context while an afterword by Joe Studholme describes the history of modern printing. Joseph Banks’ Florilegium is not only a great work of science, but also a major achievement in collaborative Enlightenment art and a volume of outstanding beauty.
Presents the history and significance of some of the most important works held by the renowned New York City library, including handwritten manuscripts, botanical artworks, herbals, explorer's notebooks, and nineteenth-century media.
As the golden face of Tutankhamun was found garlanded with fresh flowers exquisitely preserved for 3,000 years, the plants of ancient Egypt are brought back to life in this botanical exploration of the Pharaoh's tomb. Usually ignored by grave robbers intent on gold, the baskets, fabrics, papyri, timber, unguent vases, and model granaries filled to the brim with seeds that were buried with Tutankhamun have survived, completely intact, and each chapter of the book carries detailed descriptions of the plant species found or represented in the tomb, including emmer, fenugreek, chickpea, and types of reed and grass. F. Nigel Hepper groups the plants according to their uses, with categories such as Flowers and Leaves; Oils, Resins, and Perfumes; and Papyrus, Flax, and Other Fibrous Plants. This new edition of the fascinating book that was first published in 1990 has been fully updated to take into account recent finds and interpretations, and it features a revised and annotated further reading section, now with a guide to websites; a glossary of botanical terms; a new diagram of the tomb; additional illustrations; and a Bible references section, keyed to the main text and with quotations from the Old Testament that illuminate ancient botanical knowledge and practices.
This book presents a cross-section of recent Royal Horticultural Society gold medalists from around the world. The RHS awards its gold medal only to the most outstanding exhibitions, encouraging the international artistic community to perform to the highest standard. The illustrations gathered in these pages demonstrate great attention to detail, masterful color work, and outstanding technical skill.
This book is a celebration of the Shirley Sherwood Collection of contemporary botanical art, made over a period of 30 years by Dr Shirley Sherwood and considered the most important private collection of its kind in the world. In 2018 the 1000th painting was added to the collection, a pocket handkerchief by Coral Guest.