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Sixteen scholars from Russia, Vienna, and the United States explore the fate of Russian art collections and libraries following the Russian Revolution in 1917, the institutions and individuals responsible for their sale, and the prominent collectors, libraries, and museums that acquired them. Unlike the widely publicized controversy surrounding Soviet-Nazi war loot and its restitution, the sales of the interwar period are not well known outside a small scholarly community. This volume reveals the extent of the Soviet government's voluntary ?realization? of Russia's cultural patrimony between 1918 and 1938 and its consequences for both the international art market and the perception of Russian art. The imperial Easter eggs by Fabergé and Old-Master paintings purchased by Andrew Mellon from the State Hermitage and now in the National Gallery of Art in Washington, D.C. are the most celebrated works that changed hands. Equally significant are the bibliographic rarities from imperial libraries, icons and liturgical art from churches and monasteries, and antiques, furnishings and fine art from estates, palaces, and private homes. See the review in the New York Times: http://www.nytimes.com/gift-guide/holiday-2009/ggantiques/list.html
Join Tom and friends as they prepare for the bonfire party and get a few surprises! As the farm prepares for the bonfire party, Fi finds a mysterious box! A story adventure featuring Farmer Fi, Farmhand Matt and of course the adorable little red Tractor Tom. With bright computer generated imagery straight from the hit TV series and lively entertaining text full of fun and mischief, this fantastic new paperback will be a firm favourite with Tractor Tom fans everywhere! 1 yrs+
This book examines the history of American exhibitions of Russian art in the twentieth century in the context of the Cold War. Because this history reflects changes in museological theory and the role of governments in facilitating or preventing intercultural cooperation, it uncovers a story that is far more complex than a chronological listing of exhibition names and art works. Roann Barris considers questions of stylistic appropriations and influences and the role of museum exhibitions in promoting international and artistic exchanges. Barris reveals that Soviet and American exchanges in the world of art were extensive and persistent despite political disagreements before, during, and after the Cold War. It also reveals that these early exhibitions communicated contradictory and historically invalid pictures of the Russian or Soviet avant-garde. The book will be of interest to scholars working in art history, museum studies, and Russian studies.
Selling Russia's Treasures documents one of the great cultural dramas of the twentieth century: the sale, by a cash-hungry Soviet government, of the artistic treasures accumulated by the Russian aristocracy over the centuries and nationalized after the October 1917 revolution. An astonishing variety of objects, from icons and illuminated manuscripts to Fabergé eggs and Old Master paintings, entered the collections of wealthy Westerners like Andrew Mellon and Armand Hammer in the 1920s and 30s. Written by the leading experts in the field and long regarded as the definitive book on the subject, the original Russian edition of Selling Russia's Treasures is sought after scholars and laymen alike. Now, for the first time, it is made available in English, in a revised and expanded edition that includes a new chapter on the secret files of the Hermitage, previously considered lost, as well as new research on the sale of religious art, and of twentieth-century French masterworks from the Museum of New Western Art. Numerous color plates reunite long-dispersed works in a virtual museum that illustrates the powerful blow inflicted on Russia's cultural heritage by these secretive sales, and rare photographs and archival documents help bring this buried history to light.
All the classic farm tractors you remember, plus new ones to discover, are all here in this complete photo-packed collection. A classic farm tractor is a conversation starter and a comforting reminder of childhoods on the farm and adulthoods twisting a wrench in the driveshaft. Tractors are cultural touchstones of another era, as familiar as the smell of apple pie baking in a farmhouse kitchen. All of that nostalgia is here in Field Guide to Classic Farm Tractors. In this photo-saturated guidebook, you'll recognize the big brands of classic farm tractors, such as Allis-Chalmers, J. I. Case, Caterpillar, John Deere, Ford, and International Harvester (including Farmall). Also well-represented are small and no-longer-existing brands like Advance-Rumely, Cockshutt, Eagle, Fate-Root-Heath, Harry Ferguson, Friday Tractor, Hart-Parr, and Minneapolis-Moline. There are tractors from the United States, Canada, and Europe. Field Guide to Classic Farm Tractors includes more than just handsome color photos of these powerful machines. Each model description includes all the pertinent details: engine rpms, type of fuel, maximum speed, wheel configurations, weight, number of plows the tractor can handle, and variations. With more than five hundred tractor models and an array of color photographs depicting the most iconic ones, Field Guide to Classic Farm Tractors is a valued addition to any tractor lover's bookshelf.
A German princess who married a decadent and lazy Russian prince, Catherine mobilized support amongst the Russian nobles, playing off of her husband's increasing corruption and abuse of power. She then staged a coup that ended with him being strangled with his own scarf in the halls of the palace, and herself crowned the Empress of Russia. Intelligent and determined, Catherine modeled herself off of her grandfather in-law, Peter the Great, and sought to further modernize and westernize Russia. She believed that the best way to do this was through a ravenous acquisition of art, which Catherine often used as a form of diplomacy with other powers throughout Europe. She was a self-proclaimed "glutton for art" and she would be responsible for the creation of the Hermitage, one of the largest museums in the world, second only to the Louvre. Catherine also spearheaded the further expansion of St. Petersburg, and the magnificent architectural wonder the city became is largely her doing. There are few women in history more fascinating than Catherine the Great, and for the first time, Susan Jaques brings her to life through the prism of art.
Limited Edition Holiday Book Duo! Celebrate a joyous and heartwarming holiday season with two enchanting, full-length holiday novels from the USA Today bestselling author of the Summer Beach and Coral Cottage series. Families and friends come together in the seaside community of Summer Beach, where a unique discovery awaits in an old beach house inn, and a summer holiday musical production brings the community together at a new amphitheater. Seabreeze Christmas - When sisters Ivy and Shelly Bay discover crates of vintage Christmas decorations at the Seabreeze Inn, they decide to open their historic beach house to the village of Summer Beach. From a Gingerbread Bake-off and a Santa Sprint on the beach to a mysterious guest who has an unusual effect on those around him, the Seabreeze Inn is the place to be this holiday season. Families and friends come together, and love is in the air—until a priceless discovery at the beachside inn complicates matters. Coral Holiday - Marina Moore's new Coral Cafe is a Summer Beach favorite of locals and visitors alike. When her sister Kai throws her energy into helping create a Summer Beach performing arts theater, the entire family gets involved. Soon they are in a race to open by the holiday season. Join residents and guests in this small beach village for the warmest of holiday gatherings as sleigh bells ring across the beach in a delightful holiday novel. Celebrate Christmas and a season of joy in the small town of Summer Beach. This delightful duo is available for a limited time this holiday season! Read these as stand-alone novels or, even better, as part of the Summer Beach and Coral Cottage series. (For the Summer Beach series, begin with Seabreeze Inn. For the Coral Cottage series, begin with Coral Cottage. Seabreeze Inn is the recommended entry into the Summer Beach world.)
"Property rights" and "Russia" do not usually belong in the same sentence. Rather, our general image of the nation is of insecurity of private ownership and defenselessness in the face of the state. Many scholars have attributed Russia's long-term development problems to a failure to advance property rights for the modern age and blamed Russian intellectuals for their indifference to the issues of ownership. A Public Empire refutes this widely shared conventional wisdom and analyzes the emergence of Russian property regimes from the time of Catherine the Great through World War I and the revolutions of 1917. Most importantly, A Public Empire shows the emergence of the new practices of owning "public things" in imperial Russia and the attempts of Russian intellectuals to reconcile the security of property with the ideals of the common good. The book analyzes how the belief that certain objects—rivers, forests, minerals, historical monuments, icons, and Russian literary classics—should accede to some kind of public status developed in Russia in the mid-nineteenth century. Professional experts and liberal politicians advocated for a property reform that aimed at exempting public things from private ownership, while the tsars and the imperial government employed the rhetoric of protecting the sanctity of private property and resisted attempts at its limitation. Exploring the Russian ways of thinking about property, A Public Empire looks at problems of state reform and the formation of civil society, which, as the book argues, should be rethought as a process of constructing "the public" through the reform of property rights.