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Under the Tudor monarchy, English law expanded to include the category of "treason by words." Rebecca Lemon investigates this remarkable phrase both as a legal charge and as a cultural event. English citizens, she shows, expressed competing notions of treason in opposition to the growing absolutism of the monarchy. Lemon explores the complex participation of texts by John Donne, Ben Jonson, and William Shakespeare in the legal and political controversies marking the Earl of Essex's 1601 rebellion and the 1605 Gunpowder Plot. Lemon suggests that the articulation of diverse ideas about treason within literary and polemical texts produced increasingly fractured conceptions of the crime of treason itself. Further, literary texts, in representing issues familiar from political polemic, helped to foster more free, less ideologically rigid, responses to the crisis of treason. As a result, such works of imagination bolstered an emerging discourse on subjects' rights. Treason by Words offers an original theory of the role of dissent and rebellion during a period of burgeoning sovereign power.
In 1728 a stranger handed a letter to Governor Yue calling on him to lead a rebellion against the Manchu rulers of China. Feigning agreement, he learnt the details of the plot and immediately informed the Emperor, Yongzheng. The ringleaders were captured with ease, forced to recant and, to the confusion and outrage of the public, spared. Drawing on an enormous wealth of documentary evidence - over a hundred and fifty secret documents between the Emperor and his agents are stored in Chinese archives - Jonathan Spence has recreated this revolt of the scholars in fascinating and chilling detail. It is a story of unwordly dreams of a better world and the facts of bureaucratic power, of the mind of an Emperor and of the uses of his mercy.
"The United States Code is the official codification of the general and permanent laws of the United States of America. The Code was first published in 1926, and a new edition of the code has been published every six years since 1934. The 2012 edition of the Code incorporates laws enacted through the One Hundred Twelfth Congress, Second Session, the last of which was signed by the President on January 15, 2013. It does not include laws of the One Hundred Thirteenth Congress, First Session, enacted between January 2, 2013, the date it convened, and January 15, 2013. By statutory authority this edition may be cited "U.S.C. 2012 ed." As adopted in 1926, the Code established prima facie the general and permanent laws of the United States. The underlying statutes reprinted in the Code remained in effect and controlled over the Code in case of any discrepancy. In 1947, Congress began enacting individual titles of the Code into positive law. When a title is enacted into positive law, the underlying statutes are repealed and the title then becomes legal evidence of the law. Currently, 26 of the 51 titles in the Code have been so enacted. These are identified in the table of titles near the beginning of each volume. The Law Revision Counsel of the House of Representatives continues to prepare legislation pursuant to 2 U.S.C. 285b to enact the remainder of the Code, on a title-by-title basis, into positive law. The 2012 edition of the Code was prepared and published under the supervision of Ralph V. Seep, Law Revision Counsel. Grateful acknowledgment is made of the contributions by all who helped in this work, particularly the staffs of the Office of the Law Revision Counsel and the Government Printing Office"--Preface.
Hédi Kaddour’s poetry arises from observation, from situations both ordinary and emblematic—of contemporary life, of human stubbornness, human invention, or human cruelty. With Treason, the award-winning poet and translator Marilyn Hacker presents an English-speaking audience with the first selected volume of his work. The poetries of several languages and literary traditions are lively and constant presences in the work of Hédi Kaddour, a Parisian as well as a Germanist and an Arabist. A walker’s, a watcher’s, and a listener’s poems, his sonnet-shaped vignettes often include a line or two of dialogue that turns his observations and each poem itself into a kind of miniature theater piece. Favoring compact, classical models over long verse forms, Kaddour questions the structures of syntax and the limits of poetic form, combining elements of both international modernism and postmodernism with great sophistication. Capturing Kaddour’s full range of diction, as well as his speed, momentum, and tone, Marilyn Hacker’s translations brilliantly bring these poems alive.
Gregory Rabassa's influence as a translator is incalculable. His translations of Gabriel Garcia Marquez's One Hundred Years of Solitude and Julio Cortazar's Hopscotch have helped make these some of the most widely read and respected works in world literature. (Garcia Marquez was known to say that the English translation of One Hundred Years was better than the Spanish original.) In If This Be Treason: Translation and Its Dyscontents Rabassa offers a cool-headed and humorous defense of translation, laying out his views on the art of the craft. Anecdotal, and always illuminating, If This Be Treason traces Rabassa's career, from his boyhood on a New Hampshire farm, his school days "collecting" languages, the two-and-a-half years he spent overseas during WWII, his travels, until one day "I signed a contract to do my first translation of a long work [Cortazar's Hopscotch] for a commercial publisher." Rabassa concludes with his "rap sheet," a consideration of the various authors and the over 40 works he has translated. This long-awaited memoir is a joy to read, an instrumental guide to translating, and a look at the life of one of its great practitioners.
Originally published in 1870, this essay by the American anarchist and political philosopher Lysander Spooner is here reproduced. Described by Murray Rothbard as "the greatest case for anarchist political philosophy ever written", Spooner's lengthy essay is still referenced by anarchists and philosophers today. In it, he argues that the American Civil War violated the US Constitution, thus rendering it null and void. An indispensable read for political historians both amateur and professional alike. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
The ancient crime of treason posed legal, political, and intellectual problems for the United States from its conception through the Civil War. Using an interdisciplinary approach, historian and lawyer Brian F. Carso, Jr., demonstrates that although treason law was conflicted and awkward, the broader idea of treason gave recognizable shape to abstract ideas of loyalty, betrayal, allegiance, and political obligation in a young democratic republic.
When the First Lady is kidnapped, a rescue specialist discovers her secrets—and a deadly conspiracy—in a thriller by the New York Times bestselling author. First Lady Anna Darmond’s penchant for late night parties in South East D.C. is a harmless open secret—until she’s kidnapped out from under the noses of her Secret Service agents in a bloody gunfight. It's an unthinkable crime that, if revealed, could cause public panic. That’s why hostage rescue specialist Jonathan Grave and his team must operate in absolute secrecy. But Grave soon realizes that, extraordinary as it is, the mission is not all it seems. There are shadows in Mrs. Darmond's past, cracks in the presidential marriage—and leaks in the country's critical shields of security. As Grave tracks the missing First Lady through a labyrinth of lies and murder, he confronts a traitor at the highest level of Washington power—and a devastating scheme to bring a nation to its knees.
Set against the framework of modern political concerns, Treason: Medieval and Early Modern Adultery, Betrayal, and Shame considers the various forms of treachery in a variety of sources, including literature, historical chronicles, and material culture creating a complex portrait of the development of this high crime.
Treason of the Heart is an account of British people who took up foreign causes. Not mercenaries, then, but ideologues. Almost all were what today we would call radicals or activists, who thought they knew better than whichever bunch of backward or oppressed people it was that they had come to save. Usually they were applying to others what they saw as the benefits of their culture, and so obviously meritorious was their culture that they were prepared to be violent in imposing it. Some genuinely hated their own country, however, and saw themselves promoting abroad the values their own retrograde government was blocking. The book deals with those like Thomas Paine who saw American independence as the surest means to hurt England; the many who hoped to spread the French revolution and then have Napoleon conquer England; historic characters like Lord Byron and Lawrence of Arabia who fought for the causes that brought them glory; finally those who took up Communism or Nazism. Treason of the Heart is nothing less than the tale of intellectuals deluded about the effect of what they are doing and therefore with immediate reference to today's world.