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Poignant and provocative, Crossing the Frontier is the first major photographic exploration of human use, development, and abuse of the Western landscape. Published to accompany a San Francisco Museum of Modern Art exhibition, the photographs in Crossing the Frontier are powerful, vivid, and unsentimental, spanning almost 150 years and including both found images and works by major classic and contemporary photographers. Also featured are essays on the photography, geology, mythology, and architecture of the West by four distinguished authors. In stark contrast to photography books that carefully present nature at its most pristine, Crossing the Frontier finds beauty in the devastation of the terrain, and explores the complex social, political, and cultural ramifications of this transformation.
A novel interpretation of Roman frontier policy
Frontier Figures is a tour-de-force exploration of how the American West, both as physical space and inspiration, animated American music. Examining the work of such composers as Aaron Copland, Roy Harris, Virgil Thomson, Charles Wakefield Cadman, and Arthur Farwell, Beth E. Levy addresses questions of regionalism, race, and representation as well as changing relationships to the natural world to highlight the intersections between classical music and the diverse worlds of Indians, pioneers, and cowboys. Levy draws from an array of genres to show how different brands of western Americana were absorbed into American culture by way of sheet music, radio, lecture recitals, the concert hall, and film. Frontier Figures is a comprehensive illumination of what the West meant and still means to composers living and writing long after the close of the frontier.
In the shadows of the city waits an invisible frontier—a wilderness thriving in the deep places, woven through dead storm drains and live subway tunnels, coursing over third rails. This frontier waits in the walls of abandoned tenements, hides on the rooftops, infiltrates the bridges’ steel. It’s a no-man’s-land, fenced off with razor wire, marked by warning signs, persisting in shadow, hidden everywhere as a parallel dimension. Crowds hurry through the bright streets, insulated by pavement, never reflecting that beneath their feet or above their heads lurks a universe. Led by its two founding agents, L. B. Deyo and David “Lefty” Leibowitz, Jinx is a stylish urban adventure out?t known for its daring—if sometimes ridiculous—forays into the hidden wonders that lurk above and beneath America’s greatest city, New York. In Invisible Frontier L. B. and Lefty chronicle Jinx’s dramatic—if sometimes absurd—exploration of a Dante-esque New York, from the depths of the city’s underground Hell (abandoned aqueducts and subway tunnels) to the pinnacles of its Paradise (rooftops and bridges) and everything in between, capturing the genius of the city’s engineering, the vibrancy of its found art, and the elegiac beauty of its ruins. Here is a true series of wittily narrated adventures into the hidden world beneath a great civilization.
The culture of computer and network- mediated communication is growing both in size and sophistication. Cyberspace is the new frontier where new worlds, meanings and values are developed. CyberSociety focuses on the construction, maintenance and mediation of community in electronic networks and computer-mediated communication. Leading scholars representing the range of disciplines involved in the study of cyberculture lay out the definitions, boundaries and approaches to the field, as they focus on the social relations that computer-mediated communication engenders.
International peace parks—transnational conservation areas established and managed by two or more countries—have become a popular way of protecting biodiversity while promoting international cooperation and regional development. In Transforming the Frontier, Bram Büscher shows how cross-border conservation neatly reflects the neoliberal political economy in which it developed. Based on extensive research in southern Africa with the Maloti-Drakensberg Transfrontier Conservation and Development Project, Büscher explains how the successful promotion of transfrontier conservation as a "win-win" solution happens not only in spite of troubling contradictions and problems, but indeed because of them. This is what he refers to as the "politics of neoliberal conservation," which receives its strength from effectively combining strategies of consensus, antipolitics, and marketing. Drawing on long-term, multilevel ethnographic research, Büscher argues that transfrontier conservation projects are not as concerned with on-the-ground development as they are purported to be. Instead, they are reframing environmental protection and sustainable development to fit an increasingly contradictory world order.