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The author recounts his adventures traveling through Turkey in search of the history of the fez, using it as a key to understanding the country's history and culture.
Journey to the Heart by New York Times bestselling author of Codependent No More, Beyond Codependency, and Lessons of Love, contains 365 insightful daily meditations that inspire readers to unlock their personal creativity and discover their divine purposes in life. “Melody Beattie gives you the tools to discover the magnificence and splendor of your being.” –Deepak Chopra, author of Jesus and Buddha
Francis Younghusband was an explorer and soldier best known for leading the controversial British military mission to Lhasa, Tibet in 1903-4. In 1886 Younghusband was granted leave from his military post in British India to accompany the explorer H.E.M. James on a seven-month journey around Manchuria. After completing this expedition, Younghusband received permission in March 1887 to undertake an overland journey from Peking (Beijing) to India. Traveling alone with just hired guides, Younghusband crossed the Gobi Desert to reach Hami (China), and proceeded from there over the Himalayan Mountains via Kashgar (present-day Kashi, China) and the Muztagh Pass to Kashmir. He reached Srinagar on November 2 and his post at Rawalpindi on November 4, exactly seven months after his departure from Beijing. Younghusand recorded this journey in the first eight chapters of his The Heart of a Continent. In 1890-91 Younghusband undertook further travels to the Pamir Mountains (chiefly in present-day Tajikistan, with parts in Afghanistan, China, and Kyrgyzstan) and the Karakoram Range, the unclaimed corridor between Afghanistan and China. He and his superiors in the Indian government suspected that the Russians might be looking for an invasion route to India through these mountains, and one object of his travels was to search for signs of Russian activity. Younghusband recounted these expeditions in the remaining chapters of the book. The book provides descriptions of spectacular scenery and of the peoples - Chinese, Kalmak (Kalmyk), Kirghiz (Kyrgyz), Tajik, Hunza, and others - that he meets. It also recounts several meetings with Russian reconnoitering parties, including one in the Pamir Mountains in August 1891 with a Russian detachment of more than 30 Cossack soldiers that resulted in a diplomatic clash between Britain and Russia. After an initial friendly meeting, the Russian staff officer in command of the party, Colonel Yonoff, declared that Younghusband was on territory claimed by Russia and that he was under orders to escort the British intruder across the border to China. This encounter led to the lodging of a diplomatic protest by the British embassy in Saint Petersburg and a subsequent apology by the Russian government and an acknowledgement that Yonoff had been operating outside the Russian sphere of influence. The book contains illustrations and several maps, including a large foldout "Map of the Northern Frontier of India." Widely praised for his explorations, Younghusband was elected the youngest fellow of the Royal Geographical Society in 1890 and named Companion of the Indian Empire (CIE) in 1891.
As evidence emerged of the genocide in Rwanda in 1994, the outside world reeled in shock. What could have motivated these individual and collective acts of evil? In 1998, Véronique Tadjo traveled to Rwanda to try to find out. She started with the premise that what happened in Rwanda concerns us all: “We need to understand. Our humanity is in peril.” The Shadow of Imana is a reminder that humankind the world over is capable of genocide. Records of what the author saw—sites of massacres, corpses, weapons dumps—are combined with personal stories of traumatized returnees, bereaved survivors, rape victims, orphans, lawyers faced with the impossible task of doing justice, prisoners. But Tadjo’s story goes beyond mere reportage of death and cruelty. Her poetically wrought account incorporates traditional tales, explores the spiritual legacy of the genocide, and uncovers a healing vitality as well as a commitment to forgiveness. Véronique Tadjo was born in Paris and grew up in Côte d’Ivoire. The Shadow of Imana has been translated from the French by Véronique Wakerley.
What would happen if you took some of Britain's best writing talent, put them on a plane and flew them to one of the most extraordinary places on the planet? This collection of short stories and evocative travel writing in their response.
In this uproarious memoir and meticulously researched cultural journey, writer Michael Moran keeps company with a gallery of fantastic characters. In chronicling the resurrection of the nation from war and the Holocaust, he paints a portrait of the unknown Poland, one of monumental castles, primeval forests and, of course, the Poles themselves. This captivating journey into the heart of a country is a timely and brilliant celebration of a valiant and richly cultured people.
One of the perks of being an IT Consultant is that you get to travel to various client locations. So, what happens when you love to travel, and get posted in one of the most exotic locations in Europe on work? Of course, one would hardly like to be home, so, you pack your bags and visit a different country every weekend! The book takes one through these journeys and experiences through Europe as well as India, Philippines, and Australia. From the cafes of old town square Prague, to the Sydney Opera House; from the mountains of Ladakh, to Slovakia, this narrates a first-hand account of these different places through the eyes of a first-time traveller. These include journeys by car, bus, train, air and even at times some unorthodox and less comfortable modes of transport. The thrill of experiencing different countries and diverse cultures is a constantly enriching experience.
Most Australians live in cities and cling to the coastal fringe, yet our sense of what an Australian is – or should be – is drawn from the vast and varied inland called the bush. But what do we mean by 'the bush', and how has it shaped us? Starting with his forebears' battle to drive back nature and eke a living from the land, Don Watson explores the bush as it was and as it now is: the triumphs and the ruination, the commonplace and the bizarre, the stories we like to tell about ourselves and the national character, and those we don't. Via mountain ash and mallee, the birds and the beasts, slaughter, fire, flood and drought, swagmen, sheep and their shepherds, the strange and the familiar, the tragedies and the follies, the crimes and the myths and the hope – here is a journey that only our leading writer of non-fiction could take us on. At once magisterial in scope and alive with telling, wry detail, The Bush lets us see our landscape and its inhabitants afresh, examining what we have made, what we have destroyed, and what we have become in the process. No one who reads it will look at this country the same way again. 'Nothing he has written quite matches the wonders of The Bush . . . There is no dull page or even lifeless sentence between its covers and my urge is that if anyone wants a full blast of what Australia is, was, or might be, thrust The Bush into their hands. Watson seems to have been preparing to write it all his life, from when he was a small boy (born 1949) open to wonders on his family's Gippsland dairy farm . . . It's the unalloyed wonder of that small boy . . . that guides the reader most of all . . . a fountaining freshness of spirit that gives everything he sees and does the vivacity of being sighted for the first time.' Roger McDonald, The Age 'Flawlessly elegant writing . . . But this is excellent, hard-headed history, too . . . Utterly mesmerising and entrancing . . . A challenge to contemplate what it really is about this country that makes us who we think we are . . . A literary-historical odyssey.' Paul Daley, The Guardian (Australia) 'A loving rumination on Australia, the landmass, and those who live on it and from it . . . Watson refuses to be captured by easy categorisations or received opinion . . . The writing is crisp, witty and sardonic . . . Watson is an original, with an authentic, prophetic voice.' John Hirst, The Monthly 'An overwhelmingly affectionate portrait, one that's never sentimental or indulgently nostalgic, and one that defiantly resists lamentation . . . There is no doubt that The Bush stands with Bill Gammage's The Biggest Estate on Earth as one of the most important books published on the history of this country in recent years . . . The Bush is the crown in Watson's oeuvre, a magnificent, sprawling ode to the best in Australia, a challenge to us all to find new ways of loving the country.' The Saturday Paper 'Don Watson's magnificent, celebratory, contradictory study of the Australian bush will challenge the national imagination . . . An amiable, learned, playful and engrossing book . . . [A] great, succulent magic pudding of a book . . . Most of what we read is nothing like we would have expected . . . There is a sense that an amiable and eloquent uncle is telling us everything piquant he knows about theology and culture and land use and the beasts and flora and families of the bush.' Thomas Keneally, Weekend Australian 'The power of this book does come from the way Watson positions himself as both an insider and outsider to the Australian bush . . . A meditation on Australia itself through a reflection on the bush.' Frank Bongiorno, Australian Book Review 'A sprawling, fascinating book . . . Watson has pulled off a marvel, a book that educates and fascinates at the same time as it calls for action to preserve some things before they're lost. The best part, though, is his prose: bare and dry, with a dark sense of humour. A bit like the country he's describing.' Margot Lloyd, The Advertiser (Adelaide) 'Every now and again a book comes out that is so groundbreaking it causes you to think about a particular subject in a radically different light. Don Watson's The Bush: Travels in The Heart of Australia is one such work; a masterpiece of research, inquiry and poetry that challenges our basic assumptions of the Outback. Watson . . . has pulled off a dazzling achievement with The Bush, blending philosophy with science and storytelling . . . A beautifully written and thoughtful book.' Johanna Leggatt, Weekly Times 'Elegant, intricate, sprawling and sometimes harsh . . . [Watson] explores the bush with a mix of academic insight and campfire yarn . . . In a word: hypnotic.' Jeff Maynard, Herald Sun 'His romantic prose moves seamlessly through autobiographical tales to discuss the landscapes and histories that have shaped Australia.' National Geographic 'One of my favourite reads this year. What a writer he is . . . You find yourself sneaking off from others to be with it.' Kathleen Noonan, Courier-Mail 'Vast in scope, richly sourced, soaring and poetic, this journey to the heart of Australia has been rightly compared in significance to Bill Gammage's The Biggest Estate on Earth.' Barbara Farrelly, South Coast Register 'The Bush is his homage to Australia's mythic hinterland. Watson travels through the Mallee and the Murray-Darling, to WA's wheat belt and beyond, meeting people, talking, listening. Good writing that engages with Australia's past is a rare beast, too often bound up in the need for ''balance''. Watson has the freedom to ignore the rules; he allows himself to opine and he yarns at will. A delightful read.' Mark MacLean, Newcastle Herald