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Travels in Western Africa in 1845 & 1846, Volume 1 comprising a journey from Whydah through the Kingdom of Dahomey to Adofoodia in the interior, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
A uniquely detailed account of the dynamics of Afro-European trade in two states on the western Slave Coast over three centuries and the transition from slave trade to legitimate commerce.
This innovative anthology focuses on the enslavement, middle passage, American experience, and return to Africa of a single cultural group, the Yoruba. Moving beyond descriptions of generic African experiences, this anthology will allow students to trace the experiences of one cultural group throughout the cycle of the slave experience in the Americas. The 19 essays, employing a variety of disciplinary perspectives, provide a detailed study of how the Yoruba were integrated into the Atlantic world through the slave trade and slavery, the transformations of Yoruba identities and culture, and the strategies for resistance employed by the Yoruba in the New World. The contributors are Augustine H. Agwuele, Christine Ayorinde, Matt D. Childs, Gibril R. Cole, David Eltis, Toyin Falola, C. Magbaily Fyle, Rosalyn Howard, Robin Law, Babatunde Lawal, Russell Lohse, Paul E. Lovejoy, Beatriz G. Mamigonian, Robin Moore, Ann O'Hear, Luis Nicolau Parés, Michele Reid, João José Reis, Kevin Roberts, and Mariza de Carvalho Soares. Blacks in the Diaspora -- Claude A. Clegg III, editor Darlene Clark Hine, David Barry Gaspar, and John McCluskey, founding editors
This volume incorporates historical, ethnographic, art historical, and archaeological sources to examine the relationship between the production of space and political order in the West African Kingdom of Dahomey during the tumultuous Atlantic Era. Dahomey, situated in the modern Republic of Bénin, emerged in this period as one of the principal agents in the trans-Atlantic slave trade and an exemplar of West African state formation. Drawing from eight years of ethnohistorical and archaeological fieldwork in the Republic of Bénin, the central thesis of this volume is that Dahomean kings used spatial tactics to project power and mitigate dissent across their territories. J. Cameron Monroe argues that these tactics enabled kings to economically exploit their subjects and to promote a sense of the historical and natural inevitability of royal power.
Dahomey’s Royal Architecture examines the West African kingdom of Dahomey, located in present-day Republic of Benin. The book explores the Royal Palace of Dahomey’s relationship to the religious, cultural, and national identity of the pre-colonial Kingdom of Dahomey (c. 1625–1892), colonial Dahomey (1892–1960) and post-colonial Benin (1960–present). The Royal Palace of Dahomey covers more than 108 acres and was surrounded by a wall over two miles long. When the French colonial army arrived in Abomey in 1892, the ruling king set fire to the palace to keep it from falling into enemy hands. Though much of the palace structure was subsequently left to ruin, a portion of it was restored from which the French ruled for a short period. In 1945, the colonial administration transformed part of the palace into a museum, and in 1985 the entire palace was added to UNESCO’s World Heritage list. This book documents the palace’s physical transformations in relation to its changing purposes and explores how the space maintained religious significance despite change. The palace’s construction, destruction, and restorations demonstrate how architecture can be manipulated and transformed according to the agendas of governments or according to the religious and cultural needs of a populace. The palace functions as a historic record by discussing aspects of documentation, revision, language, and interpretation. Covering almost four centuries of Dahomey’s history, this book will be of interest to researchers and students of African art and architecture, religious studies, west African history, and post-colonial studies.