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Nimrud (ancient Kalhu) in northern Iraq, was the capital of the Assyrian Empire during most of the 9th and 8th centuries BC, and remained a major centre until the destruction of the Empire in 612 BC. This authoritative account, written by two of the excavators of the site, traces its history and its gradual revelation through archaeological excavation, begun by Layard in the 19th century and continuing to the present day. The volume is abundantly illustrated and includes finds that have not previously been published, together with illustrations and the most complete account in English so far of the remarkable discoveries made in recent years by Iraqi archaeologists in the tombs of the Assyrian Queens. Contents: Introduction; Chapter 1: The Land of Assyria - Setting the Scene; Chapter 2: Major Palaces on the Citadel; Chapter 3: Tombs, Wells and Riches; Chapter 4: Temples, Minor Palaces and Private Houses; Chapter 4: Fort Shalmaneser: the ekal masarti; Chapter 6: The Written Evidence; Chapter 7: Types of Object and Materials from Nimrud; Chapter 8: Post-Assyrian Nimrud; Epilogue.
Urban history starts in ancient Mesopotamia. In this volume Marc Van De Mieroop examines the evolution of the very earliest cities which, for millennia, inspired the rest of the ancient world. The city determined every aspect of Mesopotamian civilization, and the political and social structure, economy, literature, and arts of Mesopotamian culture cannot be understood without acknowledging their urban background. - ;Urban history starts in ancient Mesopotamia: the earliest known cities developed there as the result of long indigenous processes, and, for millennia, the city determined every aspect of Mesopotamian civilization. Marc Van De Mieroop examines urban life in the historical period, investigating urban topography, the role of cities as centres of culture, their political and social structures, economy, literature, and the arts. He draws on material from the entirety of Mesopotamian history, from c. 3000 to 300 BC, and from both Babylonia and Assyria, arguing that the Mesopotamian city can be regarded as a prototype that inspired the rest of the ancient world and shared characteristics with the European cities of antiquity. -
The Conquest of Assyria tells what must surely be one of the most romantic tales of archaeological endeavour. The great cities and ancient palaces of Mesopotamia had lain buried for over two millenia, and were all but forgotten, half remembered in the Hebrew Bible and Classical texts. This volume records the dramatic finds, the decipherment of the cuneiform system of writing and the rediscovery of a lost civilisation.
The Metropolitan Museum of Art houses monumental, majestic, and important works of art from the ancient world. In particular, a group of Assyrian sculptures from the Northwest Palace at Nimrud, which was constructed during the reign of Assurnasirpal II (883-859 B.C.), is remarkable both for its artistic excellence and for its technical skill. Excavated at Nimrud in the mid-nineteenth century by Sir Austen Henry Layard, an English archaeologist, the majority of these impressive, larger-than-life-size reliefs and sculptures came to the Metropolitan Museum in 1932 as gifts of John D. Rockefeller, Jr., one of the Museum's most generous supporters. Other Assyrian pieces were gifts to the Museum in 1917 from J. Pierpont Morgan, another major figure in the Metropolitan's history. An earlier donor, Benjamin Brewster, began the Museum's collection of Assyrian reliefs with a gift in 1884. In 1968, prior to the beginning of construction on the Lila Acheson Wallace Galleries of Egyptian Art, most of the Ancient Near Eastern works were placed in storage. Now, as the first stage in the reinstallation of permanent galleries for the Department of Ancient Near Eastern Art, the Assyrian sculptures may again be enjoyed in a gallery setting that reflects their original placement in the Northwest Palace at Nimrud.
This large handsome volume, carefully reproduced from the original edition of 1849-53 and bound in deluxe Verona cloth, contains 170 drawings made by Layard of sculptures, bas-reliefs, and other objects discovered by him among the ruins of Nineveh.