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Charles Montagu Doughty's Travels in Arabia Deserta (1888) is remarkable for its scientific evelations and brilliantly unique style—an artful combination of Arabic and English syntax and diction that rendered a foreign way of life and thought and depicted a distant landscape of stark, barren beauty. The ten original essays in this book examine many aspects of Arabia Deserta, including its Victorian characteristics and aesthetics; its blend of fact and fantasy; its portrayal of Arab society and of Doughty himself; and the accuracy of its geographical, geological, archaeological, historical, and ethnographical observations. Additionally, the book's introduction and two bibliographies probe Arabia Deserta's reception, unique position in the genre of travel literature, and bibliographical history. During the grueling twenty-one-month journey narrated in Arabia Deserta, Doughty endured periods of sickness and near-famine, a series of treacherous guides, attack by a mob, and virtual imprisonment by a corrupt Turkish commandant. Celebrating this epic of scholarship and survival, Explorations in Doughty's "Arabia Deserta" maps the contours of a work that T. E. Lawrence, who had followed Doughty's path to Arabia, called "a book not like other books, but something particular, a bible of its kind."
Many a nation has walked God’s earth, has long enjoyed its good things, has come into being and passed away, without our knowing anything of its history, or even whether it had a history at all. For no nation has a history except one that makes history, that is to say, that influences the course of human development. It is with races as with individuals; none is kept in mind by posterity save those who have distinguished themselves by ideas that have modified the life of mankind, or (which comes to the same thing) have been pioneers in fresh fields of action. The greater the spiritual gain a nation has brought to the rest of the world, the longer and more steadily its life has flowed in the channels it was the first to make, the longer is its history told among them. The nations of history are those which have put forward, in one fashion or another, their claim to the dominion of the world. Thus we may fitly ask what claim it is that is made upon our interest by the history of the Jewish nation. And the answer will be, that nothing which excites our attention, or stirs us to admiration or imitation in the history of other nations, is here present in any large measure. Israel was always a small, nay, a petty nation, settled in a narrow space, never of any considerable importance in the political history of the East; it never brought forth a Ramses II, a Sargon, an Esarhaddon, an Asshurbanapal, a Nebuchadrezzar, or a Cyrus to bear its banner into distant lands. Yet, for all this, the history of Israel has, for us, an interest quite different from that of those other nations of antiquity. And if, as we see, Israel is far surpassed in martial glory by the peoples of the great empires, and by the Romans in their influence on the development of law, there are yet other points in which it must yield unquestioned precedence to other nations of antiquity. We do not find in Israel the same feeling for beauty as among the Greeks, who, like no nation before them or after, showed forth the laws of beauty in every sphere of intellectual life, and to this day, in such matters, stand forth in a perfection which has never again been attained, far less excelled. Among the Hebrews there is nothing analogous, nothing comparable to what we admire in the Hellenic people. It has no epic, nothing that can be compared with the Iliad and the Odyssey, against which the Germans set the Nibelungen Lied, and the Finns the Kalewala; it has not the slightest rudiments of a drama—the Song of Songs and Job are not dramas. There is a school of lyrical poetry unsurpassed for all time, and the music that corresponds to it. But the bent towards science, which actuates the Greeks, is wholly lacking—wholly lacking the bent towards[2] philosophy. Nor was it ever eminent in ancient days, in the walks of commerce, enterprise and invention, by which, also, a nation may conquer the world; its intellectual life is absolutely one-sided, a one-sidedness that produces on us the effect of extreme singularity. But the attraction it has for us does not lie in this singularity. It is due, rather, to the circumstance that this small nation has exerted a far greater influence over the course of the history of the whole human race than the Greeks or Romans, that to us it has become typical in many more respects than they. Our present modes of thought and feeling, our lives and actions, are far more profoundly influenced by the world of thought and feeling which Israel brought to the birth, than by that of Greece or Rome. Our whole civilisation to-day is saturated with tendencies and impulses which have their origin in Israel. To be continue in this ebook...
This volume (1863) documents the travels of Ludovico di Varthema to Egypt, Syria, Persia and India in 1502-1508.
Broadly this book is about the Arabian desert as the locus of exploration by a long tradition of British travellers that includes T. E. Lawrence and Wilfred Thesiger; more specifically, it is about those who, since 1950, have followed in their literary footsteps. In analysing modern works covering a land greater than the sum of its geographical parts, the discussion identifies outmoded tropes that continue to impinge upon the perception of the Middle East today while recognising that the laboured binaries of “East and West”, “desert and sown”, “noble and savage” have outrun their course. Where, however, only a barren legacy of latent Orientalism may have been expected, the author finds instead a rich seam of writing that exhibits diversity of purpose and insight contributing to contemporary discussions on travel and tourism, intercultural representation, and environmental awareness. By addressing a lack of scholarly attention towards recent additions to the genre, this study illustrates for the benefit of students of travel literature, or indeed anyone interested in “Arabia”, how desert writing, under the emerging configurations of globalisation, postcolonialism, and ecocriticism, acts as a microcosm of the kinds of ethical and emotional dilemmas confronting today’s travel writers in the world’s most extreme regions.
As the first full-length study of conspiracy theories in the Middle East, The Hidden Hand reveals how such theories play a powerful role in the political life of the region. Placing conspiracy theories in their historical context, Daniel Pipes shows how the idea of the conspiracy has come to suffuse life in the Middle East, from the most private family conversations to the highest and most public levels of politics. Pipes then looks at conspiracies and their strength as a partial explanation for much of the region's problems, including its record of political extremism, its culture of violence, and its lack of modernization. Concluding with speculations about the future of conspiracy theories, Pipes provides a key to understanding the often complicated political culture of the Middle East.
First Published in 1982. Routledge is an imprint of Taylor & Francis, an informa company.