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Carl Thompson explores the romance that can attach to the notion of suffering in travel, and the importance of the persona of 'suffering traveller' in the Romantic self-fashionings of figures such as Wordsworth and Byron. Situating such self-fashionings in the context of the upsurge of tourism in the late eighteenth century, he shows how the Romantics sought to differentiate themselves from mere tourists by following alternative models, and alternative travel 'scripts', in both their travelling and their travel writing. In a rejection of the more conventional roles of picturesque tourist and Grand Tourist, Romantic travellers often preferred to style themselves as heroic explorers, oppressed and endangered mariners, even shipwreck victims. The Suffering Traveller and the Romantic Imagination accordingly returns to the sub-genres of Romantic-era travel writing - the shipwreck narrative, the exploration narrative, the captivity narrative, and the like - that first kindled the Romantic fascination with these figures, to consider the travel scripts seemingly enabled by this source material. Paying particular attention to the narratives of shipwreck and maritime suffering that were a hugely popular part of Romantic-era print culture, and to the equally popular narrative of exploration, the book considers firstly the examples, traditions, and conventions that trained Romantic travellers to think that misadventure as much as adventure could be a route to visionary experience and literary authority. It then explores the political resonance that the figure of the suffering traveller could possess in this Revolutionary era, before treating Wordsworth and Byron as especially influential examples of the 'misadventurous' tendency in Romanticism. In so doing, The Suffering Traveller and the Romantic Imagination offers interesting new perspectives not only on British Romanticism and on travel writing of the Romantic era, but also on many attitudes, practices, and typologies still current in travel and tourism.
In this innovative study of the Grand Tour, Black relies on archival sources to provide an exploration of the real tourist experience rather than, as for the majority of studies of the Grand Tour, an account that is essentially based on travel literature. While sensitive to wider cultural dimensions, the author demonstrates his interest in the experience of tourists, particularly the circumstances they encountered, and the impact of the Grand Tour on British Society.
Exploring how readers received and responded to literary works in the long eighteenth century, M-C. Newbould focuses on the role played by Laurence Sterne’s fiction and its adaptations. Literary adaptation flourished throughout the eighteenth century, encouraging an interactive relationship between writers, readers, and artists when well-known works were transformed into new forms across a variety of media. Laurence Sterne offers a particularly dynamic subject: the immense interest provoked by The Life and Opinions of Tristram Shandy, Gentleman and A Sentimental Journey through France and Italy inspired an unrivalled number and range of adaptations from their initial publication onwards. In placing her examination of Sterneana within the context of its production, Newbould demonstrates how literary adaptation operates across generic and formal boundaries. She breaks new ground by bringing together several potentially disparate aspects of Sterneana belonging to areas of literary studies that include drama, music, travel writing, sentimental fiction and the visual. Her study is a vital resource for Sterne scholars and for readers generally interested in cultural productivity in this period.
This book offers a unique and fascinating investigation into the lives and careers of the British in eighteenth-century Russia and, more specifically, into the development of a vibrant British community in St Petersburg during the city's first century of existence as the new capital of an ever-expanding Russian empire. Based on an extremely wide use of primary sources, particularly archival, from Britain and Russia, the book concentrates on the activities of the British within various fields such as commerce, the navy, the medical profession, science and technology and the arts, and ends with a broad survey of travellers and of travel accounts, many of them completely unknown. Also included are many attractive and unusual illustrations which help demonstrate the variety and character of Russia's British community.
This book is the first study in English of the multi-volume set of texts and engravings of the Description of Egypt, a work produced following the three-year-long Egyptian campaign led by Napoleon Bonaparte in 1798. The book challenges the conventional and rather reductive interpretation of the Description that followed Edward Said's Orientalism, as a summation of an orientalist colonial project. It re-centres the Description in the much more complex and dynamic political and intellectual world of France of the late eighteenth and early nineteenth century and its colonial aspirations. It follows closely the notes, texts, and illustrations of the contributors to the work, the majority of whom were graduates of the first years of the Polytechnic school in Paris, and the well-documented editing process that continued for almost thirty years, in which France moved from Revolution to Empire and Restoration. It shows the ways in which scholarly traditions and newly acquired skills interplay with Enlightenment texts, contemporary politics, and received ideas about antiquity, and how these were reinterpreted and modified – in texts and illustrations – through the encounter with the physical and social worlds of Ottoman Egypt. Using the rich repository of the Description of Egypt the book demonstrates the contribution of antiquarian methods of research to the emerging disciplines of the social sciences.
Tobias Smollett (1721-1771) is best known today as a novelist, but in the eighteenth-century, he was regarded as a historian and critic. In this book, Richard J. Jones explores the diversity of Smollett's journalistic and literary writings and establishes new connections between Smollett's work and writers of the Scottish Enlightenment. The book takes as its focal point Smollett's visit to Nice, between 1763 and 1765, and the account he wrote of it in Travels through France and Italy (1766). This account is usually seen as a "travel narrative" but Jones argues that it should be read as a "pocket encyclopedia" in the tradition of Voltaire. Jones divides his study into sections on medicine, fine art, the theater and history. In doing so, he offers a productive juxtaposition of authors, texts and contexts, presenting Smollett as a writer whose Scottish (and particularly Glaswegian) identity informed his involvement in a wider European Enlightenment.
Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals July - December)
This volume contains studies of scientific and cultural discoveries made on Cook's 1768-7 voyage to the South Sea in Endeavour, and issues emerging from this and successive Pacific voyages.