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Khanyisa grew up in rural South Africa where she was raised by her grandparents; a prison cook and a poor priest. In spite of her poor upbringing, Khanyisa was able to graduate University with the help of her grandmother. It was during what she calls "the peak of her depression in 2009, that she was confronted with the reality of being an unemployable graduate. Khanyisa then decided to leave South Africa and start a career as an ESL teacher in South Korea. Additionally, her struggle with her sexuality that conflicted with her staunch Christian lifestyle became too much to endure.In Traveling While Black & Lesbian, Khanyisa takes us on a journey of how that decision impacted her life. We are visually transported to her life in Asia, Central America, The United States and SouthEast Asia. The memoir details her experiences as a traveling queer woman of color.
The Queer Limit of Black Memory: Black Lesbian Literature and Irresolution identifies a new archive of Black women's literature that has heretofore been on the margins of literary scholarship and African diaspora cultural criticism. It argues that Black lesbian texts celebrate both the strategies of resistance used by queer Black subjects and the spaces for grieving the loss of queer Black subjects that dominant histories of the African diasporas often forget. Matt Richardson has gathered an understudied archive of texts by LaShonda Barnett, S. Diane Adamz-Bogus, Dionne Brand, Sharon Bridgforth, Laurinda D. Brown, Jewelle Gomez, Jackie Kay, and Cherry Muhanji in order to relocate the queerness of Black diasporic vernacular traditions, including drag or gender performance, blues, jazz, and West African spiritual and religious practices. Richardson argues that the vernacular includes queer epistemologies, or methods for accessing and exploring the realities of Black queer experience that other alternative archives and spaces of commemoration do not explore. The Queer Limit of Black Memory brings together several theorists whose work is vital within Black studies--Fred Moten, Saidiya Hartman, Hortense Spillers, Frantz Fanon, and Orlando Patterson--in service of queer readings of Black subjectivity.
Winner, Lambda Literary Award in LGBTQ Anthology Winner, Judy Grahn Award for Lesbian Nonfiction, Publishing Triangle Awards A Ms. magazine, Refinery29, and Lambda Literary Most Anticipated Read of 2021 A groundbreaking collection tracing the history of intellectual thought by Black Lesbian writers, in the tradition of The New Press's perennial seller Words of Fire African American lesbian writers and theorists have made extraordinary contributions to feminist theory, activism, and writing. Mouths of Rain, the companion anthology to Beverly Guy-Sheftall's classic Words of Fire, traces the long history of intellectual thought produced by Black Lesbian writers, spanning the nineteenth century through the twenty-first century. Using “Black Lesbian” as a capacious signifier, Mouths of Rain includes writing by Black women who have shared intimate and loving relationships with other women, as well as Black women who see bonding as mutual, Black women who have self-identified as lesbian, Black women who have written about Black Lesbians, and Black women who theorize about and see the word lesbian as a political descriptor that disrupts and critiques capitalism, heterosexism, and heteropatriarchy. Taking its title from a poem by Audre Lorde, Mouths of Rain addresses pervasive issues such as misogynoir and anti-blackness while also attending to love, romance, “coming out,” and the erotic. Contributors include: Barbara Smith Beverly Smith Bettina Love Dionne Brand Cheryl Clarke Cathy J. Cohen Angelina Weld Grimke Alexis Pauline Gumbs Audre Lorde Dawn Lundy Martin Pauli Murray Michelle Parkerson Mecca Jamilah Sullivan Alice Walker Jewelle Gomez
Winner of the John Boswell Prize from the American Historical Association 2018 Winner of the William Sanders Scarborough Prize from the Modern Language Association 2018 Winner of an American Library Association Stonewall Honor 2018 Winner of Lambda Literary Award for Transgender Nonfiction 2018 Winner of the Sylvia Rivera Award in Transgender Studies from the Center for Lesbian and Gay Studies The story of Christine Jorgensen, America’s first prominent transsexual, famously narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives—ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence. Drawing on a deep and varied archive of materials—early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films—Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the “father of American gynecology,” to the negation of blackness that makes transnormativity possible. Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of “cross dressing” and canonical black literary works that express black men’s access to the “female within,” Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don’t Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.
A REESE'S BOOK CLUB PICK * INSTANT NEW YORK TIMES BESTSELLER * BELLETRIST BOOK CLUB PICK * INDIE NEXT SELECTION * LIBRARY READS SELECTION * AMAZON EDITORS' CHOICE * WASHINGTON POST BEST OF THE YEAR The "terrifying, wise, tender, and thrilling" (R.O. Kwon) adventure story of a fugitive girl, a mysterious gang of robbers, and their dangerous mission to transform the Wild West. In the year of our Lord 1894, I became an outlaw. The day of her wedding, 17 year old Ada's life looks good; she loves her husband, and she loves working as an apprentice to her mother, a respected midwife. But after a year of marriage and no pregnancy, in a town where barren women are routinely hanged as witches, her survival depends on leaving behind everything she knows. She joins up with the notorious Hole in the Wall Gang, a band of outlaws led by a preacher-turned-robber known to all as the Kid. Charismatic, grandiose, and mercurial, the Kid is determined to create a safe haven for outcast women. But to make this dream a reality, the Gang hatches a treacherous plan that may get them all killed. And Ada must decide whether she's willing to risk her life for the possibility of a new kind of future for them all. Featuring an irresistibly no-nonsense, courageous, and determined heroine, Outlawed dusts off the myth of the old West and reignites the glimmering promise of the frontier with an entirely new set of feminist stakes. Anna North has crafted a pulse-racing, page-turning saga about the search for hope in the wake of death, and for truth in a climate of small-mindedness and fear.
It only took one moment of weakness for Laney Keating's world to fall apart. One stupid gesture for a hopeless crush.. Then the rumors began. Slut, they called her. Queer. Psycho. Mentally ill, messed up, so messed up even her own mother decided she wasn't worth sticking around for. If Laney could erase that whole yeas, she would. College is her chance to start with a clean slate.
Folksy and fresh, endearing and affecting, Fried Green Tomatoes at the Whistle Stop Cafe is a now-classic novel about two women: Evelyn, who’s in the sad slump of middle age, and gray-headed Mrs. Threadgoode, who’s telling her life story. Her tale includes two more women—the irrepressibly daredevilish tomboy Idgie and her friend Ruth—who back in the thirties ran a little place in Whistle Stop, Alabama, offering good coffee, southern barbecue, and all kinds of love and laughter—even an occasional murder. And as the past unfolds, the present will never be quite the same again. Praise for Fried Green Tomatoes at the Whistle Stop Cafe “A real novel and a good one [from] the busy brain of a born storyteller.”—The New York Times “Happily for us, Fannie Flagg has preserved [the Threadgoodes] in a richly comic, poignant narrative that records the exuberance of their lives, the sadness of their departure.”—Harper Lee “This whole literary enterprise shines with honesty, gallantry, and love of perfect details that might otherwise be forgotten.”—Los Angeles Times “Funny and macabre.”—The Washington Post “Courageous and wise.”—Houston Chronicle
DIVDIVThe physical and emotional attraction a charismatic black female evangelist feels for a beautiful but damaged blues singer grows into a powerful, sensual love in a southern city rocked by racism, intolerance, and sexual violence/divDIV The traveling minister Reverend Myrtle Black is a proud, strong African American woman, passionately devoted to God, justice, and intimate female contact. Enraged over a brutal assault on two young prostitutes, the good pastor comes to Nashville intending to organize local women in protest over the racism and sexism the city’s officials seem all too eager to ignore. Then, in the course of her crusade, a beautiful, profoundly damaged stranger walks through the church door . . . and turns Myrtle’s life upside down./divDIV A world-famous rhythm-and-blues singer, Travis Lee has experienced more than her share of pain and heartbreak. Having hit rock bottom—burned out on drugs and stuck in her latest very bad relationship—she comes to Reverend Myrtle seeking the kind of hope and salvation only Jesus can bring. What she experiences instead is a profound and powerful physical and emotional attraction that neither she nor the minister can ignore. But in the media spotlight, in this town where intolerance rules, a love such as theirs is a most dangerous thing, inspiring the hatred and violence of those who would go to any lengths to destroy it./divDIV/div/div
National anti gay marriage laws join California's voter approved Proposition 8 challenging America. Afro-American Christians launch from sidelined shadows hitting the streets, vocally backing these measures. Intense Afro denunciation of gays capture media coverage; angry images fuel America's sensational discourse stage—they've become the new self-appointed representatives of global religious advocacy. Afro supporters justify opposition citing standard historical verbiage. Claimed is that no evidence of sacredly integrated gay life, or gay marriage resonates from antiquity. Intense condemnation of gays professes compassion, not "hate." A white gay mainstream, shocked and baffled, wonders in their eyes how so-called fellow Civil Rights seeking groups could in turn condemn them. Afro religious though, vehemently reject any claim to shared Civil Rights predicament made by gays. Trouble In Black Paradise tackles this entanglement head on. Highly volatile situations are fleshed-out in a way unprecedented by impassioned literary presentation. Now, a man steeped in Civil Rights tradition through Southern Baptist family initiates a sensitive, intimate dialogue with broader Afro-Christian communities. Fundi is an educator, historian and social/cultural activist of 38 years; concurrently he's been a practitioner of Buddhism and an openly gay Black man "coming out" in the pre AIDS era. Afro-Americans and the gay mainstream do not live in a vacuum. Troubling civil nuances impacting each cultural phenomenon reveals a strangely unused bridge. Here, decades of cutting edge social/anthropological research is finely organized, enlightening each side about one another—heroes, villains, institutions (uplifting and disingenuous) and media, all are laid bare. Exposes' confront negligible Civil Rights participation by an entrenched Afro-Christian establishment; white gays in parallel light reveal extreme political/multiethnic disconnect. Racism and homophobia are intertwined aspects—inexplicably tying both—and find rigorous review. Trouble In Black Paradise holds unforeseen surprises with a shocking conclusion. Fasten yourself for a beginning-to-end rollercoaster ride.
The first book of its kind, Our Caribbean is an anthology of lesbian and gay writing from across the Antilles. The author and activist Thomas Glave has gathered outstanding fiction, nonfiction, memoir, and poetry by little-known writers together with selections by internationally celebrated figures such as José Alcántara Almánzar, Reinaldo Arenas, Dionne Brand, Michelle Cliff, Audre Lorde, Achy Obejas, and Assotto Saint. The result is an unprecedented literary conversation on gay, lesbian, bisexual, and transgendered experiences throughout the Caribbean and its far-flung diaspora. Many selections were originally published in Spanish, Dutch, or creole languages; some are translated into English here for the first time. The thirty-seven authors hail from the Bahamas, Barbados, Cuba, the Dominican Republic, Grenada, Guyana, Haiti, Jamaica, Panama, Puerto Rico, St. Vincent, St. Kitts, Suriname, and Trinidad. Many have lived outside the Caribbean, and their writing depicts histories of voluntary migration as well as exile from repressive governments, communities, and families. Many pieces have a political urgency that reflects their authors' work as activists, teachers, community organizers, and performers. Desire commingles with ostracism and alienation throughout: in the evocative portrayals of same-sex love and longing, and in the selections addressing religion, family, race, and class. From the poem "Saturday Night in San Juan with the Right Sailors" to the poignant narrative "We Came All the Way from Cuba So You Could Dress Like This?" to an eloquent call for the embrace of difference that appeared in the Nassau Daily Tribune on the eve of an anti-gay protest, Our Caribbean is a brave and necessary book. Contributors: José Alcántara Almánzar, Aldo Alvarez, Reinaldo Arenas, Rane Arroyo, Jesús J. Barquet, Marilyn Bobes, Dionne Brand, Timothy S. Chin, Michelle Cliff, Wesley E. A. Crichlow, Mabel Rodríguez Cuesta, Ochy Curiel, Faizal Deen, Pedro de Jesús, R. Erica Doyle, Thomas Glave, Rosamond S. King, Helen Klonaris, Lawrence La Fountain-Stokes, Audre Lorde, Shani Mootoo, Anton Nimblett, Achy Obejas, Leonardo Padura Fuentes, Virgilio Piñera, Patricia Powell, Kevin Everod Quashie, Juanita Ramos, Colin Robinson, Assotto Saint, Andrew Salkey, Lawrence Scott, Makeda Silvera, H. Nigel Thomas, Rinaldo Walcott, Gloria Wekker, Lawson Williams