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The world’s oldest still-active war correspondent, Al J. Venter, has reported from the front lines for well over half a century, witnessing the horrors humanity visits upon itself in twenty-five conflict zones across Africa, the Middle East, and Central Asia. In this memoir, Venter masterfully recounts his experiences, sharing the real stories behind the headlines and the sharp lessons he learned that enabled him to survive his countless exploits, ranging from exposing a major KGB operative in Rhodesia entirely by accident, and accompanying an Israeli force led by Ariel Sharon into Beirut, to gun-running into the United States.
The books that we choose to keep -- let alone read -- can say a lot about who we are and how we see ourselves. In My Ideal Bookshelf, dozens of leading cultural figures share the books that matter to them most; books that define their dreams and ambitions and in many cases helped them find their way in the world. Contributors include Malcolm Gladwell, Thomas Keller, Michael Chabon, Alice Waters, James Patterson, Maira Kalman, Judd Apatow, Chuck Klosterman, Miranda July, Alex Ross, Nancy Pearl, David Chang, Patti Smith, Jennifer Egan, and Dave Eggers, among many others. With colorful and endearingly hand-rendered images of book spines by Jane Mount, and first-person commentary from all the contributors, this is a perfect gift for avid readers, writers, and all who have known the influence of a great book.
This guide explores the geographical diversities of Lake Chad in the north, Mount Cameroon in the west, and the dense rainforests of the south.
Stephanie Urdang was born in Cape Town, South Africa, into a white, Jewish family staunchly opposed to the apartheid regime. In 1967, at the age of twenty-three, no longer able to tolerate the grotesque iniquities and oppression of apartheid, she chose exile and emigrated to the United States. There she embraced feminism, met anti-apartheid and solidarity movement activists, and encountered a particularly American brand of racial injustice. Urdang also met African revolutionaries such as Amilcar Cabral, who would influence her return to Africa and her subsequent journalism. In 1974, she trekked through the liberation zones of Guinea-Bissau during its war of independence; in the 1980’s, she returned repeatedly to Mozambique and saw how South Africa was fomenting a civil war aimed to destroy the newly independent country. From the vantage point of her activism in the United States, and from her travels in Africa, Urdang tracked and wrote about the slow, inexorable demise of apartheid that led to South Africa’s first democratic elections, when she could finally return home. Urdang’s memoir maps out her quest for the meaning of home and for the lived reality of revolution with empathy, courage, and a keen eye for historical and geographic detail. This is a personal narrative, beautifully told, of a journey traveled by an indefatigable exile who, while yearning for home, continued to question where, as a citizen of both South Africa and the United States, she belongs. “My South Africa!” she writes, on her return in 1991, after the release of Nelson Mandela, “How could I have imagined for one instant that I could return to its beauty, and not its pain?”
Food Connections follows the movement of food from its production sites in West Africa to its final spaces of consumption in Europe. It is an ethnographic study of economic and social life amongst a close-knit community of food producers, traders and consumers and a wide range of small intermediaries that operate in Guinea-Bissau and Portugal. By investigating the way meanings of food and land are embedded in everyday experiences and relationships in the various phases of the movement, on both sides of the migration, it reveals the connections that transnational processes of food production, exchange and consumption generate between two lifeworlds.
A "week one, day one" kind of teacher?s manual with daily geography drills and numerous weekly assignment choices that include: mapping activities, atlas usage, research, notebooking and culture. Daily drills at 3 different levels for versatility and multi-year usage. Students learn to recognize important characteristics and traits of each continent, read and create maps, identify key geographical terms and more. Finish up the year by reading Around the World in 80 Days, by Jules Verne. This course lays a solid foundation of world geography for students 2nd grade and up.
Copperplate Script - A Yin & Yang Approach by Paul Antonio, is an innovative, new technology applied to an historical script. The script presented in this manual is not an historical hand, but a geometric construct to aid in a more exacting understanding of the script. This construct assists with writing a cleaner and more beautiful copperplate script.The Technology reintroduces a comprehensive terminology for the parts of the letters - words used by the English Writing Masters in their Copybooks, in the 16th, 17th and 18th centuries, as well as additional names augmented from the historical record. Geometry and physics are used to explain how a curve works and where it sits in relation to the baseline. This concept, then compares how a car or a bicycle tackles a roundabout.Learning the skeletal forms, similar to learning Roman Capitals, is a key part of the manual. The process begins with using a pencil first, followed by the nib.The over-arching concept of the technology utilises 4Fold Symmetry. There are four facets in the 4Fold Symmetry, all of which have 2 aspects; simple and complex. Angular Confinement is the first facet. It shows how confining the curves, inside a plane sided figure (in this case a parallelogram), is like drawing a square to plot a circle.Additional pages of study include an extensive list of difficult-to-write practise words, exemplars of numbers and variations, ligatures of double letters and ampersands. Sections on Brush Copperplate, Flourishing and its rules, as well as a glossary, augment this fine body of work.This manual offers an extensive, in-depth study of Copperplate Script suitable for any level of ability and an extraordinary resource for the beginner, intermediate or advanced calligrapher.