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Travel Journal Arizona - Keep a diary of your holiday / vacation to Arizona. Includes diary, budget planner, activity planner, packing checklist and other useful aids to help you record and remember every aspect of your trip. Now includes the best places to stay in Arizona.
Arizona Bucket List Adventure Guide & Journal takes you on a quest to discover 50 must-see natural wonders in the Grand Canyon State. For each of the 50 places, there's a page that tells you the best time to go, how to get there and how to get permits or passes, if needed. On the opposite page, you check it off your bucket list and journal about your experience. Organized by region: Tourist magnets like Grand Canyon, Antelope Canyon, Horseshoe Bend, and Monument Valley are in the North Region. In North Central, you'll find tips for amazing sites near Sedona like West Fork Oak Creek, Devil's Bridge, and the vortexes. Other regions include the Superstition Mountains, Lower Salt River, Lake Havasu, Ringbolt (Arizona) Hot Springs, Saguaro National Park, Sabino Canyon, and more.
"A collection of renowned travel writer Tom Miller's best musings on the history and culture of Cuba"--Provided by publisher.
Everything from clothing styles to tequila shots is kicked back in Arizona. From teeming, cosmopolitan Phoenix to long stretches of open roads to intriguing trails that lead to incredible sights or adventures, Arizona has it all. This friendly guide helps you enjoy it all, with info on: 5 great itineraries, including kid-friendly jaunts, plus day trips and two-day trips The grandeur of the Grand Canyon, the Red Rocks of Sedona, the expanses of northeast Arizona—Hopi and Navajo country, and more Fantastic historic attractions, including Frank Lloyd Wright’s former home and studio, a ghost town, a mining town, an active trading post, Holbook (home of classic Route 66 kitsch), and more Upscale shopping in Phoenix or bargaining in Nogales Rafting on the Colorado River, mountain biking in Sedona, being a cowhand at a dude ranch, star gazing, horseback riding, and more Where to find Native American crafts, Navajo rugs, Western art, Southwestern and ethnic furnishing, katchina dolls, silver inlay jewelry Fantastic museums and monuments where you can delve into Native American culture, plus some places where the ancient traditions are practiced today Like every For Dummies travel guide, Arizona For Dummies, 4th Edition includes: Down-to-earth trip-planning advice What you shouldn’t miss — and what you can skip The best hotels and restaurants for every budget Handy Post-it Flags to mark your favorite pages Whether you want to experience the Old West or the new West…whether your style is luxuriating at a plush resort, golfing on glorious, challenging courses, appreciating incredible sights and scenery, or exploring historical attractions and our Native American heritage, you’ll find lots to do in Arizona. Kick back, relax, and enjoy.
A charming natural history (inclined to botany) of the Rincon Mountains of SE Arizona. But the location is not carefully specified.
In his second book of narrative, lyric poetry, Richard Blanco explores the familiar, unsettling journey for home and connections, those anxious musings about other lives: ÒShould I live here? Could I live here?Ó Whether the exotic (ÒIÕm struck with Maltese fever ÉI dream of buying a little Maltese farmÉ) or merely different (ÒToday, home is a cottage with morning in the yawn of an open windowÉÓ), he examines the restlessness that threatens from merely staying put, the fear of too many places and too little time. The words are redolent with his Cuban heritage: Marina making mole sauce; T’a Ida bitter over the revolution, missing the sisters who fled to Miami; his father, especially, Òhis hair once as black as the black of his oxfordsÉÓ Yet this is a volume for all who have longed for enveloping arms and words, and for that sanctuary called home. ÒSo much of my life spent like this-suspended, moving toward unknown places and names or returning to those I know, corresponding with the paradox of crossing, being nowhere yet here.Ó Blanco embraces juxtaposition. There is the Cuban Blanco, the American Richard, the engineer by day, the poet by heart, the rhythms of Spanish, the percussion of English, the first-world professional, the immigrant, the gay man, the straight world. There is the ennui behind the question: why cannot I not just live where I live? Too, there is the precious, fleeting relief when he can write "ÉI am, for a moment, not afraid of being no more than what I hear and see, no more than this:..." It is what we all hope for, too.
Travel journal for exploring Arizona
"The open road is calling, and you must go -- but first, grab your RV travel logbook! This family-friendly journal has space to plan and record the best parts of your road trip, whether you're taking a weekend excursion to your favorite state park or embarking on a cross-country journey..." -- cover
We live in a time in which photographs have become extraordinarily mobile. They can be exchanged and circulated at the swipe of a finger across a screen. The digital photographic image appears and disappears with a mere gesture of the hand. Yet, this book argues that this mobility of the image was merely accelerated by digital media and telecommunications. Photographs, from the moment of their invention, set images loose by making them portable, reproducible, projectable, reduced in size and multiplied. The fact that we do not associate analogue photography with such mobility has much to do with the limitations of existing histories and theories of photography, which have tended to view photographic mobility as either an incidental characteristic or a fault. Photography : The Unfettered Image traces the emergence of these ways of understanding photography, but also presents a differently nuanced and materialist history in which photography is understood as part of a larger development of media technologies. It is situated in much broader cultural contexts: caught up in the European colonial ambition to "grasp the world" and in the development of a new, artificial "second nature" dependent on the large-scale processing of animal and mineral materials. Focussing primarily on Victorian and 1920s–30s practices and theories, it demonstrates how photography was never simply a technology for fixing a fleeting reality.