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Satyajit Ray was a master of science fiction writing. Through his Professor Shonku stories and other fiction and non-fiction pieces, he explored the genre from various angles. In the 1960s, Ray wrote a screenplay for what would have been the first-of-its-kind sci-fi film to be made in India. It was called The Alien and was based on his own short story "Bonkubabur Bandhu". On being prompted by Arthur C. Clarke, who found the screenplay promising, Ray sent the script to Columbia Pictures in Hollywood, who agreed to back it, and Peter Sellers was approached to play a prominent role. Then started the "Ordeals of the Alien" as Ray calls it, as even after a series of trips to the US, UK and France, the film was never made, and more shockingly, some fifteen years later, Ray watched Steven Spielberg's film Close Encounters of the Third Kind and later E.T.: The Extra-Terrestrial, and realized these bore uncanny resemblances to his script The Alien, including the way the ET was designed! A slice of hitherto undocumented cinema history, Travails with the Alien includes Ray's detailed essay on the project with the full script of The Alien, as well as the original short story on which the screenplay was based. These, presented alongside correspondence between Ray and Peter Sellers, Arthur C. Clarke, Marlon Brando, Hollywood producers who showed interest, and a fascinating essay by the young student at Columbia University's Graduate School of Journalism who broke the Spielberg story, make this book a rare and compelling read on science fiction, cinema and the art of adaptation.
A study of individual trajectories in an early modern global context
In the hilarious tradition of "The Hitchhiker's Guide to the Galaxy," Reid goes on a headlong journey through the outer reaches of the universe--and the inner workings of our absurdly dysfunctional music industry.
From The War of the Worlds, Mars Attacks!, Mission to Mars and Independence Day; Neil Badmington explores our relationship with aliens and how thinkers such as Descartes, Barthes, Freud, Lyotard and Derrida have conceptualised what it means to be human (and post-human).
Alternative history with aliens, an immortal misanthrope and SF tropes aplenty The year is 1975 – Robert Oppenheimer has invented the Atomic Engine, the first human has walked on the moon, and Jet Carson and the Eagle Seven have sacrificed their lives to stop alien invaders. Brooklyn, however, just wants to keep his head down, pay his mother’s rent, earn a little scratch of his own, and maybe get laid sometime. Simple pleasures! But life is about to get real complicated when a killer with a baseball bat and a mysterious box of 8-track tapes sets him up for murder. So, his choices are limited – rot away in prison or sign up to defend the planet from the assholes who dropped a meteorite on Cleveland. Brooklyn crosses his fingers and picks the Earth Orbital Forces, believing that after a few years in the trenches – assuming he survives – he can get his life back. Unfortunately, the universe has other plans. Brooklyn is launched into a quest to save humanity, find his true family, and grow as a person – while simultaneously coping with high-stakes space battles, mystery science experiments and the realisation that the true enemies perhaps aren’t the tentacled monsters on the recruitment poster… Or are they? File Under: Science Fiction [ Little Green Men | Injection | Below the Crust | The Truth is out There ]
Presents India's greatest film-maker on the art and craft of films. Speaking of Films brings together some of Ray's most memorable writings on film and film-making. With the masterly precision and clarity that characterize his films, Ray discusses a wide array of subjects: the structure and language of cinema with special reference to his adaptations of Tagore and Bibhuti Bhushan Bandopadhyay, the appropriate use of background music and dialogue in films, the relationship between a film-maker and a film critic, and important developments in cinema like the advent of sound and colour. He also writes about his own experiences, the challenges of working with rank amateurs, and the innovations called for when making a film in the face of technological, financial and logistical constraints. In the process, Ray provides fascinating behind-the-scenes glimpses of the people who worked with him - the intricacies of getting Chhabi Biswas, who had no ear for music, to play a patron of classical music in Jalsaghar, the incredible memory of the seventy-five-year-old Chunibala Devi, Indir Thakrun of Pather Panchali, and her remarkable attention to details.
This book connects the history of immigration with histories of Native Americans, African Americans, women, the poor, Latino/a Americans and Asian Americans.
Tara, an Indian-American junior at Brierly prep school, feels her world dramatically change when a mirror planet to Earth is discovered and she, in this new era of scientific history, reconsiders her self and possible selves.
A sensational YA science fiction debut from an exciting new British author! Just because she's confined to the planet, doesn't mean she can't reach for the stars. 2788. Only the handicapped live on Earth. Eighteen-year-old Jarra is among the one in a thousand people born with an immune system that cannot survive on other planets. Sent to Earth at birth to save her life, she has been abandoned by her parents. She can't travel to other worlds, but she can watch their vids, and she knows all the jokes they make. She's an "ape," a "throwback," but this is one ape girl who won't give in. Jarra makes up a fake military background for herself and joins a class of norms who are on Earth for a year of practical history studies excavating the dangerous ruins of the old cities. She wants to see their faces when they find out they've been fooled into thinking an ape girl was a norm. She isn't expecting to make friends with the enemy, to risk her life to save norms, or to fall in love. From the Hardcover edition.