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Establishing a connection to the past while at the sametime releasing us into the present is crucial to recalling atraumatic past. Tapping into the Book of Chronicles'genealogies as a memory space, Trauma Begets Genealogyfacilitates the transformation of the act of looking back into a key for the present. Using a gender studies perspective, it combines a nuanced analysis of the gendered references in 1 Chronicles 1-9 with an interdisciplinary approach that conceptualizes genealogies as memory performances and investigates them in diverse media. The genealogies of Chronicles are here read by Ingeborg Lowisch alongside the post-Holocaust documentary My Life Part 2, in which Berlin film-maker Angelika Levi performs her 'gynealogy' at the intersection of her family archive and of discourses that belong to public memory. While Lowisch's close reading of the gendered fragments in Chronicles attest to fissures in the patrilinear succession, the parallel perception of the film deepens our understanding of gendered genealogies in response to trauma by contributing a full female lineage. The resulting reassessment of an obscure set of biblical texts leads into the heart of the genealogical tissue and its fascinating ability to respond to a fractured past."
In this volume scholarly voices from diverse contexts and social locations are gathered together to bring new or unfamiliar facets of biblical texts to light, focusing on issues of intertextuality. Samuel, Kings and Chronicles I sheds light from new perspectives on themes in these so-called historical books including Asian American and Chinese readings, issues of land, genealogy and maleness. The authors challenge us to consider how we deal with cultural distances between ourselves and these ancient writings - and between one another in the contemporary world. These goal of these essays is de-centre the often homogeneous first-world orientation of much biblical scholarship and open to up new possibilities for discovery of meaning and method.
This book brings to light how the genealogies in the Bible are a developing genre, flexible in both patterns and deviations, allowing the inclusion of otherwise absent family members like mothers and daughters.
Archival Historiography in Jewish Antiquity argues that the later, often-overlooked texts of Ezra and Nehemiah help reveal how the Bible received its unusual form. Laura Carlson Hasler suggests that the concept of archival historiography, a form of writing not generally attributed to the biblical writers, makes sense of Ezra and Nehemiah's unusual format and place in the Bible.
This groundbreaking book breaks with established canons and resists some of the stereotypes of feminist biblical studies. It features a wide range of contributors who showcase new methodological and theoretical movements such as feminist materialisms, intersectionality, postidentitarian 'nomadic' politics, gender archaeology, and lived religion, and theories of the human and the posthuman. The Bible and Feminism: Remapping the Field engages a range of social and political issues, including migration and xenophobia, divorce and family law, abortion, 'pinkwashing', the neoliberal university, the second amendment, AIDS and sexual trafficking, and the politics of 'the veil'. Foundational figures in feminist biblical studies work alongside new voices and contributors from a multitude of disciplines in conversations with the Bible that go well beyond the expected canon-within-the-canon assumed to be of interest to feminist biblical scholars. Moving beyond the limits of a text-orientated model of reading, this collection looks at how biblical texts were actualized in the lives of religious revolutionaries, such as Joanna Southcott or Sor Juana Inés de la Cruz. It charts the politics of the Pauline veil in the self-understanding of Europe and reads the 'genealogical halls' in the book of Chronicles alongside acts of commemoration and forgetting in 9/11 and Tiananmen Square.
This handbook provides an important resource for the serious study of the Writings of the Hebrew Bible. It addresses historical and literary contexts as well as its roles as scripture and canon in Judaism and Christianity. The volume provides creative presentations of the messages and import of the books and the canonical division as a whole.
This volume is a concentrated examination of the varied roles of scribes and scribal practices in ancient Israel and Judah, shedding light on the social world of the Hebrew Bible. Divided into discussion of three key aspects, the book begins by assessing praxis and materiality, looking at the tools and materials used by scribes, where they came from and how they worked in specific contexts. The contributors then move to observe the power and status of scribal cultures, and how scribes functioned within their broader social world. Finally, the volume offers perspectives that examine ideological issues at play in both antiquity and the modern context(s) of biblical scholarship. Taken together, these essays demonstrate that no text is produced in a void, and no writer functions without a network of resources.
What did citizenship really mean in classical Athens? It is conventionally understood as characterised by holding political office. Since only men could do so, only they were considered to be citizens, and the community (polis) has appeared primarily as the scene of men's political actions. However, Athenian law defined citizens not by political office, but by descent. Religion was central to the polis and in this domain, women played prominent public roles. Both men and women were called 'citizens'. On a new reading of the evidence, Josine Blok argues that for the Athenians, their polis was founded on an enduring bond with the gods. Laws anchored the polis' commitments to humans and gods in this bond, transmitted over time to male and female Athenians as equal heirs. All public offices, in various ways and as befitting gender and age, served both the human community and the divine powers protecting Athens.
In the Old Testament, the Levites stand as key ministry leaders for the worship of the people of God, from their origins with Moses and the tabernacle, to their service at the Jerusalem temple, to their roles in the postexilic period. This study proposes a multidimensional reading of the texts centered on the Levites in the Davidic narratives of 1 Chronicles 10–29. From a literary point of view, the notion that the Levites are closely associated with the symbol of God’s presence is explored. From a historical perspective, the roles of the Levites in expanding the service to God and his people is examined. And from a theological perspective, the means by which the Levites facilitate the song of God’s people is studied. Overall, this work seeks to defend the idea that these texts contribute significantly to the rhetorical argumentation, the historiographic method, and the biblical-theological meaning of the canonical books of Chronicles generally, and of the Davidic narratives of 1 Chronicles 10–29 specifically, as they emphasize the central role played by proper Levitical worship leadership at the time of David and during the challenging situation of the Chronicler’s Yehudite postexilic audience.
The Dictionary of the Bible and Ancient Media is a convenient and authoritative reference tool, introducing specific terms and concepts helpful to the study of the Bible and related literature in ancient communications culture. Since the early 1980s, biblical scholars have begun to explore the potentials of interdisciplinary theories of oral tradition, oral performance, personal and collective memory, ancient literacy and scribality, visual culture and ritual. Over time these theories have been combined with considerations of critical and exegetical problems in the study of the Bible, the history of Israel, Christian origins, and rabbinics. The Dictionary of the Bible and Ancient Media responds to the rapid growth of the field by providing a source of reference that offers clear definitions, and in-depth discussions of relevant terms and concepts, and the relationships between them. The volume begins with an overview of 'ancient media studies' and a brief history of research to orient the reader to the field and the broader research context of the book, with individual entries on terms and topics commonly encountered in studies of the Bible in ancient media culture. Each entry defines the term/ concept under consideration, then offers more sustained discussion of the topic, paying particular attention to its relevance for the study of the Bible and related literature