Download Free Trash Trio Book in PDF and EPUB Free Download. You can read online Trash Trio and write the review.

Here are three of the filthiest-and yet, in their own way, sweetest—screenplays ever written: Pink Flamingos, Desperate Living, and Flamingos Forever. Intermixed with the scripts are dozens of classic stills from the films. In Pink Flamingos, Waters's muse and leading lady, Divine, a 300-pound cross-dresser who could turn your stomach in one scene and break your heart in the next, competes with her family for the title of "filthiest people alive"—as readers will see, it's really anyone's game. Desperate Living is a perverse fairy tale featuring gun-toting lesbians, leather-clad castle guards, and a repulsive queen who has her own daughter gang-raped among other atrocities. Flamingos Forever is the unproduced sequel to Pink Flamingos, set fifteen years after the original, when the rivalry for "filthiest people alive" is revived; it was never filmed, Waters tells us, because by the time it was written, too many of the original cast had died—this book is the only chance for Water's fans to read it.
"Finally, in the best Mickey Rooney-Judy Garland tradition, you can now put on my movies like little plays in the privacy of your own home. Some rainy Saturday afternoon, just call all your friends together & yell, 'Hey, kids, let's do Pink Flamingos!' Every hideous word of these films is right here in black & white, so you don't have to rely on the vague memory of some midnight show you staggered into years ago in a questionable state of mind. In the light of day, on the printed page, these 'celluloid atrocities' may seem even ruder than you remember. Say the dialogue out loud, even yell it like the characters do-you'll feel better. Do Divine's psychotic monologues & feel the tensions & distractions of everyday life melt away." -From the author's Introduction. Trash Trio contains the word-for-word, true-to-god, uncensored scripts of John Waters' classic cult films Pink Flamingos & Desperate Living-and the never-produced, never-before-published sequel to Pink Flamingos, the stillborn baby at the back of Waters closet, Flamingos Forever. "He remains the visionary of camp & the den mother of the bizarre." -Village Voice "Waters cultivates sleaze like a rare orchid..." -Baltimore Sun
Tendencies brings together for the first time the essays that have made Eve Kosofsky Sedgwick "the soft-spoken queen of gay studies" (Rolling Stone). Combining poetry, wit, polemic, and dazzling scholarship with memorial and autobiography, these essays have set new standards of passion and truthfulness for current theoretical writing. The essays range from Diderot, Oscar Wilde, and Henry James to queer kids and twelve-step programs; from "Jane Austen and the Masturbating Girl" to a performance piece on Divine written with Michael Moon; from political correctness and the poetics of spanking to the experience of breast cancer in a world ravaged and reshaped by AIDS. What unites Tendencies is a vision of a new queer politics and thought that, however demanding and dangerous, can also be intent, inclusive, writerly, physical, and sometimes giddily fun.
In this work modernism is illuminated through little-known but striking works by Ezra Pound, Gertrude Stein and others who revived the closet drama, plays written largely for private reading as a means of exploring forbidden sexualities.
Most books about B-movies are straight-forward genre guides, biographies or encyclopaedias. Not this one. In addition to chapters on film showmen, gimmicks and cult films, Land of a Thousand Balconies documents those incidents and unusual film happenings which author Jack Stevenson has -- over the past fifteen years -- been privy to in his various capacities as show organiser, tour arranger, festival jury member and projectionist-for-hire. Land of a Thousand Balconies also focuses on movie theatres and renegade exhibition spaces, lamenting on the disappearing 'sense of place' that is such an integral part of the movie-going experience. Here the reader is invited to tour a diversity of venues -- from the notorious old grindhouses of San Francisco, the home-made store-front cinemas of Seattle and NY, through to the underground film clubs of Europe. Book jacket.
An outrageous collection from the uniquely legendary John Waters, updated with new material—including Waters’s 2002 New York Times article, “Finally, Footlights on the Fat Girls.” Crackpot, originally released in 1986, is John Waters’s brilliantly entertaining litany of odd and fascinating people, places, and things. From Baltimore to Los Angeles, from William Castle to Pia Zadora, from the National Enquirer to Ronald Reagan’s colon, Waters explores the depths of our culture. And he dispenses useful advice along the way: how not to make a movie, how to become famous (read: infamous), and of course, how to most effectively shock and make our nation’s public laugh at the same time. Loaded with bonus features, this special edition is guaranteed to leave you totally mental.
Max Cantu is a teacher turned private detective in the beautiful city of Newport Beach, California. He and his wife, Bryn, just welcomed their newborn baby daughter home. Brooke is everything a daddy could hope for. Max would be content sitting around, rocking her in her crib, and staring at her all day. Of course, work has other ideas. He returns to his office one morning to find three frantic calls from a Ms. Ella Frou. Ms. Frou soon shows up on his doorstep, and she has a serious complaint: her beloved dog, Casey, has been stolen.. So begins several disparate cases that will take Max away from his cozy home and newborn girl. Max comes upon a variety of clients. He interacts with a cross section of characters in order to solve his cases.
Nirvana, the White Stripes, Hole, the Hives—all sprang from an underground music scene where similarly raw bands, enjoying various degrees of success and luck, played for throngs of fans in venues ranging from dive bars to massive festivals, but were mostly ignored by a music industry focused on mega-bands and shiny pop stars. We Never Learn: The Gunk Punk Undergut, 1988–2001 tracks the inspiration and beautiful destruction of this largely undocumented movement. What they took, they fought for, every night. They reveled in '50s rock 'n' roll, '60s garage rock, and '70s punk while creating their own wave of gut-busting riffs and rhythm. The majority of bands that populate this book—the Gories, the Supersuckers, the Dwarves, the Mummies, Rocket from the Crypt, Jon Spencer Blues Explosion, and the Muffs among them—gained little long-term reward from their nonstop touring and brain-slapping records. What they did have was free liquor, cheap drugs, chaotic romances, and a crazy good time, all the while building a dedicated fan base that extends across the world. Truly, this is the last great wave of down-and-dirty rock 'n' roll. In this expanded edition, Eric Davidson reveals more about the punk undergut with a new preface, postscript, and even more photos. Includes free twenty-song download!