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Twin brothers discover their new home is also a portal--for an hour a day--to a parallel dimension in this spine-chilling middle-grade adventure, perfect for fans of The Mysterious Benedict Society Twelve-year-old twins Colm and Mal might look identical, but they’re different in just about every other way. The one thing they can agree on is that neither brother wants to move to Chicago for a fresh start with their mom two years after their dad’s death. The boys soon discover that their new apartment building, Brunhild Tower, is full of strange quirks: a mysterious Princess who warns them not to wander the building at midday, eerie sounds coming from the walls, and an elevator that’s missing a button for the thirteenth floor. Then one afternoon, that button appears, catapulting the brothers and their inquisitive new neighbor, Tamika, into a parallel dimension and a twin building stuck in time, where the spirits of all the former residents of Brunhild Tower live on, trapped by an ancient curse. Now, Colm, Mal, and Tamika must race against time to solve the mystery of the phantom tower—or risk spending an eternity as ghosts themselves.
A princess in a tower. A prince hidden at birth. Together, they'll tear down walls. The townspeople call her the Tower Princess, but Gressa's life is no fairy tale. She's never understood why she's been separated from the rest of the kingdom, but now that she's older the pieces are coming together. For too long she's been trapped in her brother's scheme to find a way through the magical wall dividing their kingdom in two. She doesn't expect any help from the prince to the south, even if he did manage to bumble his way to her rescue. If she could pick anyone to form an alliance, it would be the squire she watches train from her window; he shows promise. But, confined to her tower, there's nothing she can do...or is there? One day a hole opens up in the Dividing Wall and with it, a chance for Gressa to change everything. The Tower Princess is the first book in the Lost Fairy Tales series, a collection of loosely-connected stand-alone novels. If you like classic fairytale stories and sweet romance, then you'll love Gressa and Manny's desperate quest for rescuing their kingdom.
Penguin Readers is an ELT graded reader series for learners of English as a foreign language. With carefully adapted text, new illustrations and language learning exercises, the print edition also includes instructions to access supporting material online. Titles include popular classics, exciting contemporary fiction, and thought-provoking non-fiction, introducing language learners to bestselling authors and compelling content. The eight levels of Penguin Readers follow the Common European Framework of Reference for language learning (CEFR). Exercises at the back of each Reader help language learners to practise grammar, vocabulary, and key exam skills. Before, during and after-reading questions test readers' story comprehension and develop vocabulary. Boy In The Tower, a Level 2 Reader, is A1+ in the CEFR framework. Sentences contain a maximum of two clauses, introducing the future tenses will and going to, present continuous for future meaning, and comparatives and superlatives. It is well supported by illustrations, which appear on most pages. Ade lives in a tower block in London. One day, something bad happens to Ade's mum. After that, she stays in her bedroom all the time and sleeps. Then buildings start falling down in the night, and there are strange plants on the street. What will happen to Ade and his friend Gaia? Visit the Penguin Readers website Exclusively with the print edition, readers can unlock online resources including a digital book, audio edition, lesson plans and answer keys.
A remarkable young woman blazes her own trail, from the backwoods of Russia to the court of Moscow, in the exhilarating sequel to Katherine Arden’s bestselling debut novel, The Bear and the Nightingale. Katherine Arden’s enchanting first novel introduced readers to an irresistible heroine. Vasilisa has grown up at the edge of a Russian wilderness, where snowdrifts reach the eaves of her family’s wooden house and there is truth in the fairy tales told around the fire. Vasilisa’s gift for seeing what others do not won her the attention of Morozko—Frost, the winter demon from the stories—and together they saved her people from destruction. But Frost’s aid comes at a cost, and her people have condemned her as a witch. Now Vasilisa faces an impossible choice. Driven from her home by frightened villagers, the only options left for her are marriage or the convent. She cannot bring herself to accept either fate and instead chooses adventure, dressing herself as a boy and setting off astride her magnificent stallion Solovey. But after Vasilisa prevails in a skirmish with bandits, everything changes. The Grand Prince of Moscow anoints her a hero for her exploits, and she is reunited with her beloved sister and brother, who are now part of the Grand Prince’s inner circle. She dares not reveal to the court that she is a girl, for if her deception were discovered it would have terrible consequences for herself and her family. Before she can untangle herself from Moscow’s intrigues—and as Frost provides counsel that may or may not be trustworthy—she will also confront an even graver threat lying in wait for all of Moscow itself. Praise for The Girl in the Tower “[A] magical story set in an alluring Russia.”—Paste “Arden’s lush, lyrical writing cultivates an intoxicating, visceral atmosphere, and her marvelous sense of pacing carries the novel along at a propulsive clip. A masterfully told story of folklore, history, and magic with a spellbinding heroine at the heart of it all.”—Booklist (starred review) “[A] sensual, beautifully written, and emotionally stirring fantasy . . . Fairy tales don’t get better than this.”—Publishers Weekly (starred review) “[Katherine] Arden once again delivers an engaging fantasy that mixes Russian folklore and history with delightful worldbuilding and lively characters.”—Library Journal
With Tae Min’s help, Grey’s squad reaches the top ten, but every game changes who will stay trapped in Fortnite Battle Royale and who will go home. There are only three days of battles left, and Grey isn’t sure it’s enough to secure top five for his whole squad. His rank is higher than his friends, and it starts to look like he’ll get home like he wanted. But someone he cares about will have to stay, and Grey has to make a choice: give up his spot or leave his friends. Either choice will mean losing something, but Grey must decide if what’s gained is worth more.
"Searing, poignant, and utterly compelling—102 Minutesdoes for the September 11 catastrophe what Walter Lord did for the Titanic in his masterpiece,A Night to Remember."—Rick Atkinson, author ofIn the Company of SoldiersandAn Army at Dawn At 8:46 am on September 11, 2001, 14,000 people were inside the twin towers. Over the next 102 minutes, each would become part of a drama for the ages. Drawing on hundreds of interviews with rescuers and survivors, thousands of pages of oral histories, and countless phone, e-mail, and emergency radio transcripts,New York Timesreporters Jim Dwyer and Kevin Flynn tell the story of September 11 from the inside looking out, weaving together the stories of ordinary men and women into an epic account of struggle, determination, and grace. Hailed immediately upon its hardcover publication as the definitive account of that terrible morning,102 Minutesnow contains a new Afterword that incorporates powerful firsthand material, including tapes and documents, that Dwyer and Flynn recently obtained after more than three years of litigation with the city of New York. Eight weeks on theNew York Timesbestseller list and translated into a dozen languages,102 Minutesis a gripping narrative that is also investigative reporting of the first rank—"in a class by itself," according toReader's Digest. Dwyer and Flynn reveal the decisions, both good and bad, that proved to be the difference between life and death on a day that changed America forever.
A writer of rare imagination, Sarah Ash lends her unique vision to epic fantasy. In this captivating continuation of her saga, the author of Lord of Snow and Shadows revisits a realm filled with spirits and singers, daemons and kings. . . . Gavril Nagarian has finally cast out the dragon-daemon from within himself. The Drakhaoul is gone—and with it all of Gavril’s fearsome powers. No longer possessed, he is instead being driven mad by the Drakhaoul’s absence. Worse, he has betrayed his blood, his people, and put the ice-bound princedom of Azhkendir at risk—and lost.At the mercy of the victorious Eugene of Tielen, Gavril is sentenced to life in an insane asylum. For the power-hungry Eugene longs to possess a Drakhaoul of his own, and his prisoner seems the best way to achieve that goal. Meanwhile, a shattered empire reunites. But peace is as fragile as a rebel’s whisper—and a captive’s wish to be free. . . . Praise for Prisoner of the Iron Tower “A new fantasy series [that] will leave readers drooling to get their hands on the sequel.”—Publishers Weekly “Solid, wonderful fantasy, sparkling and imaginative!”—Booklist “Ash takes her large and colorful cast of characters from horror to pathos, from triumph to betrayal, smoothly and convincingly. a roller-coaster ride of events and emotions in the best modern fantasy manner.”—Kirkus Reviews
Geralt is a witcher, a man whose magic powers, enhanced by long training and a mysterious elixir, have made him a brilliant fighter and a merciless assassin. Yet he is no ordinary murderer: his targets are the multifarious monsters and vile fiends that ravage the land and attack the innocent. He roams the country seeking assignments, but gradually comes to realise that while some of his quarry are unremittingly vile, vicious grotesques, others are the victims of sin, evil or simple naivety. One reviewer said: 'This book is a sheer delight. It is beautifully written, full of vitality and endlessly inventive: its format, with half a dozen episodes and intervening rest periods for both the hero and the reader, allows for a huge range of characters, scenarios and action. It's thought-provoking without being in the least dogmatic, witty without descending to farce and packed with sword fights without being derivative. The dialogue sparkles; characters morph almost imperceptibly from semi-cliche to completely original; nothing is as it first seems. Sapkowski succeeds in seamlessly welding familiar ideas, unique settings and delicious twists of originality: his Beauty wants to rip the throat out of a sensitive Beast; his Snow White seeks vengeance on all and sundry, his elves are embittered and vindictive. It's easily one of the best things I've read in ages.'
Gothel is a witch. Punished for the actions of her mother, her choice is simple: either she stands guard over Princess Rapunzel—or she dies. But just because a choice is easy doesn’t mean it’s pleasant. Protecting Rapunzel means watching as the princess lays trapped in a tower, bedridden by hair that is so long and heavy it’s slowly driving her insane. Gothel’s life has become one of imprisonment and solitude as well—until a prince and his handsome squire appear at the tower. Only one object can cut Rapunzel’s hair and end the curse: a pair of magical shears. But the shears are guarded by the most terrifying witches in the land, who also happen to be Gothel’s aunts. As Gothel and the prince’s squire, Raj Talmund, work to form a plan, she finds herself more and more drawn to the mysterious young man from the Outerlands. Unfortunately, his destiny is far more dangerous than she wants to admit: to save a princess, he must kill the witch who's been forced to guard her. THE WITCH'S TOWER is the first in an inspired new series of fairy-tale retellings from award-winning fantasy author Tamara Grantham.
“Fun…and full of smart science. Fans of CSI—the real kind—will want to read it” (The Washington Post): A young forensic pathologist’s “rookie season” as a NYC medical examiner, and the hair-raising cases that shaped her as a physician and human being. Just two months before the September 11 terrorist attacks, Dr. Judy Melinek began her training as a New York City forensic pathologist. While her husband and their toddler held down the home front, Judy threw herself into the fascinating world of death investigation—performing autopsies, investigating death scenes, counseling grieving relatives. Working Stiff chronicles Judy’s two years of training, taking readers behind the police tape of some of the most harrowing deaths in the Big Apple, including a firsthand account of the events of September 11, the subsequent anthrax bio-terrorism attack, and the disastrous crash of American Airlines Flight 587. An unvarnished portrait of the daily life of medical examiners—complete with grisly anecdotes, chilling crime scenes, and a welcome dose of gallows humor—Working Stiff offers a glimpse into the daily life of one of America’s most arduous professions, and the unexpected challenges of shuttling between the domains of the living and the dead. The body never lies—and through the murders, accidents, and suicides that land on her table, Dr. Melinek lays bare the truth behind the glamorized depictions of autopsy work on television to reveal the secret story of the real morgue. “Haunting and illuminating...the stories from her average workdays…transfix the reader with their demonstration that medical science can diagnose and console long after the heartbeat stops” (The New York Times).