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Poetry is a highly valued form of human expression, and poems are challenging texts to translate. For both reasons, people willingly work long and hard to translate them, for little pay but potentially high personal satisfaction. This book shows how experienced poetry translators translate poems and bring them to readers, and how they not only shape new poems, but also help communicate images of the source culture. It uses cognitive and sociological translation-studies methods to analyse real data, most of it from two contrasting source countries, the Netherlands and Bosnia. Case studies, including think-aloud studies, analyse how translators translate poems. In interviews, translators explain why and how they translate. And a 17-year survey of a country’s poetry-translation output explores how translators work within networks of other people and texts – publishing teams, fellow translators, source-culture enthusiasts, and translation readers and critics. In mapping the whole sweep of poetry translators’ action, from micro-cognitive to macro-social, this book gives the first translation-studies overview of poetry translating since the 1970s.
ABC of Translation is an expanded version of a few pages that first appeared in Willis Barnstone's The Poetics of Translation: History, Theory, Practice. This book of aphorisms and meditations on translation is by one of the modern masters of the art of translation. Illustrated by the author. Translation is friendship between two poets, an intimate union that demands love, art and working with a foreign word. Know François Villon's song in French and the cello of his ballad will haunt you for life. Book jacket.
His book investigates the problems and possibilities in the translation of literature, especially poetry. The investigation is based on a comparison between Catullus' sixty-fourth poem and English translations of it published between 1870 and 1970. Several strategies for translating are analyzed, and their comparative merits and faults are discussed. The book also tries to describe the position translation and translation studies should occupy in the wider context of the study of comparative literature. --from publisher description.
This volume, with contributions in the form of narrations, or of work sheets, by leading British and American translators, shows what happens: how problems present themselves and how they are resolved.
The illuminating letters of the National Book Award winning poet Robert Bly and the Nobel Prize winning poet Tomas Tranströmer One day in spring 1964, the young American poet Robert Bly left his rural farmhouse and drove 150 miles to the University of Minnesota library in Minneapolis to obtain the latest book by the young Swedish poet Tomas Tranströmer. When Bly returned home that evening with a copy of Tranströmer's The Half-Finished Heaven, he found a letter waiting for him from its author. With this remarkable coincidence as its beginning, what followed was a vibrant correspondence between two poets who would become essential contributors to global literature. Airmail collects more than 290 letters, written from 1964 until 1990, when Tranströmer suffered a stroke that has left him partially paralyzed and diminished his capacity to write. Across their correspondence, the two poets are profoundly engaged with each other and with the larger world: the Vietnam War, European and American elections, and the struggles of affording a life as a writer. Airmail also illuminates the work of translation as Bly began to render Tranströmer's poetry into English and Tranströmer began to translate Bly's poetry into Swedish. Their collaboration quickly turned into a friendship that has lasted fifty years. Insightful, brilliant, and often funny, Airmail provides a rare portrait of two artists who have become integral to each other's particular genius. This publication marks the first time letters by Bly and Tranströmer have been made available in the United States.
For twenty years, Ilan Stavans has been translating poetry from Spanish, Yiddish, Hebrew, French, Portuguese, Russian, German, Georgian, and other languages. His versions of Borges, Neruda, Sor Juana Inés de la Cruz, Ferreira Gullar, Raúl Zurita, and dozens of others have become classics. This volume, which includes poems from more than forty poets from all over the world, is testimony to a life dedicated to the pursuit of beauty through poetry in different languages. “Lightning from the Stable” by Elizabeth Schön (Venezuela, 1921–2007) You don’t choose the abyss, the chaos, the nothingness They reach you in water running slowly for you not to be surprised by the absence of matter around you near the light of the soul calling the wing’s passing flap of the earth you live in.
Author of Encyclopedia of Translation Terminology (2007), A Dictionary of Translation and Interpreting (2002), and A Linguistic Study of the Development of Scientific Vocabulary in Standard Arabic (London: KPI 1987) Intended for poetry-translation scholars, teachers, students, and practitioners, this book provides an in-depth look at poetry translation as an act of creative recreation. Clearly written and amply illustrated, it is designed to help readers understand the nature of poetry, the key elements of its language, the various types of challenges frequently encountered in its translation, and the procedures, methods and strategies required to translate poems into poems. It provides important and penetrating answers to questions such as: What makes poetry translation a special case within literary translation?? Is poetry translatable?? Does poetry really get lost in translation?? How should a poem be translated? What makes a “good” translation? Is it preferable to translate a poem literally, or should the translator endeavor to recreate the effect of the original poem as a poem in its own right in the target language? Is poetry translation a matter of reproduction or an act of recreation? Who translates poetry? Should a poem be looked at as a “renaissance painting”? Why is poetry translation referred to as “the art of compromise”?
`The conviction, pleasures and gratitude of committed reading are evident in his affirmation of the poetic contract between readers and writers.' Andrea Brady, Poetry Review --