Download Free Transgressao Em Novas Cartas Portuguesas Book in PDF and EPUB Free Download. You can read online Transgressao Em Novas Cartas Portuguesas and write the review.

A dynamic reading of Paul’s faith language, outlining its subtle nuances as belief, trust, and faithfulness. Faith language permeates the letters of Paul. Yet, its exact meaning is not always clear. Many today, reflecting centuries of interpretation, consider belief in Jesus to be a passive act. In this important book, Nijay Gupta challenges common assumptions in the interpretation of Paul and calls for a reexamination of Paul’s faith language. Gupta argues that Paul’s faith language resonates with a Jewish understanding of covenant involving goodwill, trust, and expectation. Paul’s understanding of faith involves the transformation of one’s perception of God and the world through Christ, relational dependence on Christ, as well as active loyalty to Christ. Pastors and scholars alike will benefit from this close examination of Paul’s understanding and use of faith language. For Gupta, Paul’s understanding involves a divine-human relationship centered on Christ that believes, trusts, and obeys.
Since its original publication in Portuguese in 2008, this first English translation of Divining Slavery has been extensively revised and updated, complete with new primary sources and a new bibliography. It tells the story of Domingos Sodré, an African-born priest who was enslaved in Bahia, Brazil in the nineteenth century. After obtaining his freedom, Sodré became a slave owner himself, and in 1862 was arrested on suspicion of receiving stolen goods from slaves in exchange for supposed 'witchcraft'. Using this incident as a catalyst, the book discusses African religion and its place in a slave society, analyzing its double role as a refuge for blacks as well as a bridge between classes and ethnic groups (such as whites who attended African rituals and sought help from African diviners and medicine men). Ultimately, Divining Slavery explores the fluidity and relativity of conditions such as slavery and freedom, African and local religions, personal and collective experience and identities in the lives of Africans in the Brazilian diaspora.
"The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"--