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What makes life worth living? Donna Apidone shares the journeys of 11 people who asked that question. They all moved beyond their limitations, felt inspiration and found purpose. Their stories are very different, but they have one thing in common: TransForMission. Follow the five steps of the TransForMission Path and find your own inspiration and purpose. This isn't a how-to. It's a will-do and a how-did-you?
Lead short-term mission trips (STMs) that catalyze trip participants into mission-oriented disciple-makers when they return home. STMs can be mutually beneficial service opportunities that have positive long-term impact on both trip participants and national hosts. While this is possible, it is not always the outcome of many STMs. STMs often prioritize the short-term experience of trip participants and miss the longer-term discipleship opportunity they offer. STMs can be a context of significant, mutually beneficial work between both trip participants and national hosts. This work can serve as a catalyst for meaningful, long-term growth for both parties, but an appropriate philosophy and trip structure is needed. This book studies and reveals best practices for both.
What makes life worth living? Donna Apidone shares the journeys of 11 people who asked that question. They all moved beyond their limitations, felt inspiration and found purpose. Their stories are very different, but they have one thing in common: TransForMission. Follow the five steps of the TransForMission Path and find your own inspiration and purpose. This isnt a how-to. Its a will-do and a how-did-you?
The articulation between persistence and change is relevant to a great number of different disciplines. It is particularly central to the study of urban and rural forms in many different fields of research, in geography, archaeology, architecture and history. Resilience puts forward the idea that we can no longer be truly satisfied with the common approaches used to study the dynamics of landscapes, such as the palimpsest approach, the regressive method and the semiological analysis amongst others, because they are based on the separation between the past and the present, which itself stems from the differentiation between nature and society. This book combines spatio-temporalities, as described in archeogeography, with concepts that have been developed in the field of ecological resilience, such as panarchy and the adaptive cycle. Thus revived, the morphological analysis in this work considers landscapes as complex resilient adaptive systems. The permanence observed in landscapes is no longer presented as the endurance of inherited forms, but as the result of a dynamic that is fed by this constant dialogue between persistence and change. Thus, resilience is here decisively on the side of dynamics rather than that of resistance.
Taking a 'performance studies' perspective on Shakespearean theatre, W. B. Worthen argues that the theatrical event represents less an inquiry into the presumed meanings of the text than an effort to frame performance as a vehicle of cultural critique. Using contemporary performances as test cases, Worthen explores the interfaces between the origins of Shakespeare's writing as literature and as theatre, the modes of engagement with Shakespeare's plays for readers and spectators, and the function of changing performance technologies on our knowledge of Shakespeare. This book not only provides the material for performance analysis, but places important contemporary Shakespeare productions in dialogue with three influential areas of critical discourse: texts and authorship, the function of character in cognitive theatre studies, and the representation of theatre and performing in the digital humanities. This book will be vital reading for scholars and advanced students of Shakespeare and of performance studies.
Three leading Christian educators offer a survey of faith formation from various perspectives: biblical, theological, pastoral, practical, and global. They present a biblical theology of faith formation for individual and congregational life and show how faith can be formed through the life and mission of the local church through practices such as communal worship, Bible study, and mission. They also explore the faces of faith formation in multicultural and global contexts. The book includes practical exercises for those beginning in ministry and reflection questions.
Offers a variety of approaches to incorporating discussions of book history or print culture into graduate and undergraduate classrooms. This work considers the book as a literary, historical, cultural, and aesthetic object. These essays are of interest to university teachers incorporating textual studies and research methods into their courses.
The Routledge Handbook of Translation and Media provides the first comprehensive account of the role of translation in the media, which has become a thriving area of research in recent decades. It offers theoretical and methodological perspectives on translation and media in the digital age, as well as analyses of a wide diversity of media contexts and translation forms. Divided into four parts with an editor introduction, the 33 chapters are written by leading international experts and provide a critical survey of each area with suggestions for further reading. The Handbook aims to showcase innovative approaches and developments, bridging the gap between currently separate disciplinary subfields and pointing to potential synergies and broad research topics and issues. With a broad-ranging, critical and interdisciplinary perspective, this Handbook is an indispensable resource for all students and researchers of translation studies, audiovisual translation, journalism studies, film studies and media studies.
Remarkably, thirty percent of North American teenagers—millions of people between the ages of 13 and 17—have engaged in religious missions or service projects. Building on this statistic, the authors of TransforMission believe that short-term mission is one way God is taking the gospel to the nations and, concurrently, transforming the lives of these student participants. Writing to youth ministers, missiologists, church leaders, adult volunteers, and post-high school students, they assess strategies for further promoting this kind of involvement by exploring several questions: • What mechanisms is God employing to achieve this advance in mission? • What is taking place in the lives of believers who are obediently participating in the fulfillment of the Great Commision? • What are the theological and theoretical foundations for the life transformation that is occurring? • What is the most effective means of conducting short-term mission experiences?
A new “textual studies” and archival approach to the investigation of works of new media and electronic literature that applies techniques of computer forensics to conduct media-specific readings of William Gibson's electronic poem “Agrippa,” Michael Joyce's Afternoon, and the interactive game Mystery House. In Mechanisms, Matthew Kirschenbaum examines new media and electronic writing against the textual and technological primitives that govern writing, inscription, and textual transmission in all media: erasure, variability, repeatability, and survivability. Mechanisms is the first book in its field to devote significant attention to storage—the hard drive in particular—arguing that understanding the affordances of storage devices is essential to understanding new media. Drawing a distinction between “forensic materiality” and “formal materiality,” Kirschenbaum uses applied computer forensics techniques in his study of new media works. Just as the humanities discipline of textual studies examines books as physical objects and traces different variants of texts, computer forensics encourage us to perceive new media in terms of specific versions, platforms, systems, and devices. Kirschenbaum demonstrates these techniques in media-specific readings of three landmark works of new media and electronic literature, all from the formative era of personal computing: the interactive fiction game Mystery House, Michael Joyce's Afternoon: A Story, and William Gibson's electronic poem “Agrippa.”