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One of the seminal works of fiction of the 20th century, The Metamorphosis finds traveling salesman, Gregor Samsa, inexplicably transformed into a large, monstrous insect-like creature.
Patrick O'Neill approaches five of Kafka's novels and short stories by considering the many translations of each work as a single, multilingual “macrotext.”
Summary Kafka Streams in Action teaches you everything you need to know to implement stream processing on data flowing into your Kafka platform, allowing you to focus on getting more from your data without sacrificing time or effort. Foreword by Neha Narkhede, Cocreator of Apache Kafka Purchase of the print book includes a free eBook in PDF, Kindle, and ePub formats from Manning Publications. About the Technology Not all stream-based applications require a dedicated processing cluster. The lightweight Kafka Streams library provides exactly the power and simplicity you need for message handling in microservices and real-time event processing. With the Kafka Streams API, you filter and transform data streams with just Kafka and your application. About the Book Kafka Streams in Action teaches you to implement stream processing within the Kafka platform. In this easy-to-follow book, you'll explore real-world examples to collect, transform, and aggregate data, work with multiple processors, and handle real-time events. You'll even dive into streaming SQL with KSQL! Practical to the very end, it finishes with testing and operational aspects, such as monitoring and debugging. What's inside Using the KStreams API Filtering, transforming, and splitting data Working with the Processor API Integrating with external systems About the Reader Assumes some experience with distributed systems. No knowledge of Kafka or streaming applications required. About the Author Bill Bejeck is a Kafka Streams contributor and Confluent engineer with over 15 years of software development experience. Table of Contents PART 1 - GETTING STARTED WITH KAFKA STREAMS Welcome to Kafka Streams Kafka quicklyPART 2 - KAFKA STREAMS DEVELOPMENT Developing Kafka Streams Streams and state The KTable API The Processor APIPART 3 - ADMINISTERING KAFKA STREAMS Monitoring and performance Testing a Kafka Streams applicationPART 4 - ADVANCED CONCEPTS WITH KAFKA STREAMS Advanced applications with Kafka StreamsAPPENDIXES Appendix A - Additional configuration information Appendix B - Exactly once semantics
Transforming the Center, Eroding the Marginsis a collection ofcritical articles about recent and contemporary German literaturedesigned to stimulate discussion about German-speaking culture from thepoint of view of diversity. The combination of broad historicalapproaches and detailed textual analyses made it possible to present inthis volume a spectrum of identities and positions within theGerman-speaking sphere, and sometimes even within the work of a singleauthor. Examining the works of German-speaking authors of differentbackgrounds and countries of residence from many different points ofview shows that the very concept of a unified "German Culture" is aconstruct.Because of the increasing visibility of various ethnic,religious, cultural, and economic groups -- including migrant workers,exiles, and immigrants -- multiculturalism and cultural diversity inCentral Europe have received considerable attention in public debatesince the disintegration of the Eastern bloc and the fall of the BerlinWall. Yet neither cultural diversity nor the gender issues examinedthroughout the volume are recent phenomena. Upon closer scrutiny thenotions of center and margin are shown to have origins in the nineteenthcentury and before.The articles in this volume, distinct in theirapproaches and each one concerned with specific situations, reveal anongoing decline of mainstream discourse: the erosion of the cultural"center," and a strengthening of what continues to be referred to as"marginal." The literary and intellectual production of groups that areseen as marginal is becoming ever more compelling and visible, as isdocumented in Transforming the Center, Eroding the Margins.
Kafka's Blues proves the startling thesis that many of Kafka's major works engage in a coherent, sustained meditation on racial transformation from white European into what Kafka refers to as the "Negro" (a term he used in English). Indeed, this book demonstrates that cultural assimilation and bodily transformation in Kafka's work are impossible without passage through a state of being "Negro." Kafka represents this passage in various ways—from reflections on New World slavery and black music to evolutionary theory, biblical allusion, and aesthetic primitivism—each grounded in a concept of writing that is linked to the perceived congenital musicality of the "Negro," and which is bound to his wider conception of aesthetic production. Mark Christian Thompson offers new close readings of canonical texts and undervalued letters and diary entries set in the context of the afterlife of New World slavery and in Czech and German popular culture.
Franz Kafka, the author has very nicely narrated the story of Gregou Samsa who wakes up one day to discover that he has metamorphosed into a bug. The book concerns itself with the themes of alienation and existentialism. The author has written many important stories, including ‘The Judgement’, and much of his novels ‘Amerika’, ‘The Castle’, ‘The Hunger Artist’. Many of his stories were published during his lifetime but many were not. Over the course of the 1920s and 30s Kafka’s works were published and translated instantly becoming landmarks of twentieth-century literature. Ironically, the story ends on an optimistic note, as the family puts itself back together. The style of the book epitomizes Kafka’s writing. Kafka very interestingly, used to present an impossible situation, such as a man’s transformation into an insect, and develop the story from there with perfect realism and intense attention to detail. The Metamorphosis is an autobiographical piece of writing, and we find that parts of the story reflect Kafka’s own life.
Nonhuman figures are ubiquitous in the work of Franz Kafka, from his early stories down to his very last one. Despite their prominence throughout his oeuvre, Kafka’s animal representations have been considered first and foremost as mere allegories of intrahuman matters. In recent years, the allegorization of Kafka’s animals has been poetically dismissed by Kafka’s commentators and politically rejected by posthumanist scholars. Such critique, however, has yet to inspire either an overarching or an interdiscursive account. This book aims to fill this lacuna. Positing animal stories as a distinct and significant corpus within Kafka’s entire poetics, and closely examining them in dialogue with both literary and posthumanist analysis, Kafka’s Zoopoetics critically revisits animality, interspecies relations, and the very human-animal contradistinction in the writings of Franz Kafka. Kafka’s animals typically stand at the threshold between humanity and animality, fusing together human and nonhuman features. Among his liminal creatures we find a human transformed into vermin (in “The Metamorphosis”), an ape turned into a human being (in “A Report to an Academy”), talking jackals (in “Jackals and Arabs”), a philosophical dog (in “Researches of a Dog”), a contemplative mole-like creature (in “The Burrow”), and indiscernible beings (in “Josefine, the Singer or the Mouse People”). Depicting species boundaries as mutable and obscure, Kafka creates a fluid human-animal space, which can be described as “humanimal.” The constitution of a humanimal space radically undermines the stark barrier between human and other animals, dictated by the anthropocentric paradigm. Through denying animalistic elements in humans, and disavowing the agency of nonhuman animals, excluding them from social life, and neutralizing compassion for them, this barrier has been designed to regularize both humanity and animality. The contextualization of Kafka's animals within posthumanist theory engenders a post-anthropocentric arena, which is simultaneously both imagined and very real.
Tangled Transformations presents a historical analysis of the interplay between German unification and European integration from the mid-1980s to the mid-1990s. Building on freshly released documents, the book’s sixteen chapters explore constellations in which the two processes accelerated and informed one another. The book highlights the role of Germany’s neighbours to the east, with chapters discussing the cotransformation between East and West as well as chapters dedicated to Poland, Romania, and Hungary. It sheds new light on the two interrelated processes by examining the role of Germany’s most important Western neighbours and partners: the United States, the United Kingdom, France, and Italy. The book pays particular attention to the role of the European Commission as well as to monetary and industrial policy. It also moves beyond the economic sphere by discussing foreign and security policy issues, justice and home affairs, German debates about European integration at the time, and the significance of the German federal states. Ultimately, Tangled Transformations demonstrates the strong interlinkages between German unification and European integration.
This book presents contemporary analyses of interpretation by some of the most prominent figures in contemporary philosophy and literary criticism. These essays question and transform traditional statements on the aims, methods, and techniques of interpretation. The essays demonstrate how contemporary discussions of interpretation are necessarily sent back to the hermeneutic tradition. Emphasizing the importance of Friedrich Nietzsche's influence on the contemporary debates concerning current interpretive practices, this volume traces the differences in interpretive perspectives generated in the writings of Michel Foucault, Eric Blondel, Julia Kristeva, Jacques Derrida, Manfred Frank, Werner Hamacher, and Jean-Luc Nancy. The essays by Foucault, Blondel, Frank, Hamacher, and Nancy appear here for the first time in English.
This book, helping us to see beyond the cliche 'Kafkaesque', is illustrated by legendary underground artist Robert Crumb.