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Meditation is now enjoying a renewed surge of popularity, penetrating the public consciousness as never before. What might that mean for us all? "Be the Change" examines the transformations wrought by this ancient practice through the wisdom of extraordinary luminaries, interwoven with text from award-winning authors Ed and Deb Shapiro. The words of these spiritual leaders from all disciplines and walks of life will surprise, enlighten, and inspire readers to begin their own meditation practiceand perhaps create the foundation for a new and more hopeful age. Includes wisdom from luminaries such as: *HH the Dalai Lama * Marianne Williamson * Robert Thurman * Jon Kabat-Zinn* Ram Dass *Byron Katie * Dan Millman * Joan Borysenko *Jane Fonda * HH The Karmapa* Jack Kornfield *Krishna Das * Dean Ornish * Andrew Cohen * Jean Houston * Kitaro * Ellen Burstyn * Gregg Braden * Gay & Kathlyn Hendricks * Debbie Ford * Gangaji * Rabbi Zalman Schachter * Cyndi Lee * Wavy Gravy * Linus Roache * Tim Freke * Don Campbell *and many more "
A century-and-a-half after his birth, Nietzsche's importance and relevance as a thinker is greater than ever before, and yet a major perspective on his life and work has been left untried: the psychological approach. Composing the Soul is the first study to pay sustained attention to Nietzsche as a psychologist and to examine the contours of his psychology in the context of his life and psychological makeup. Featuring all new translations of quotations from Nietzsche's writings, Composing the Soul reveals the profundity of Nietzsche's lifelong personal and intellectual struggles to come to grips with the soul. Extremely well-written, this landmark work makes Nietzsche's life and ideas accessible to any reader interested in this much misunderstood thinker.
This book is the first collected volume to be entirely dedicated to the work of contemporary Anglo-American writer Patrick McGrath. It follows the international conference that was held in his presence at Perpignan University, France, in May 2011. It comprises nine chapters (as well as an introduction and an index) written by scholars specializing in Gothic and American literature, each dealing with specific aspects of McGrath’s work. The volume seeks to encompass the author’s whole literary production to date, spanning a 25-year writing career. It also features an exclusive afterword written by the author himself, who attended all the papers given during the conference with great attention and often intensely enthusiastic reactivity. The editor’s intention is twofold. The idea was first to provide a comprehensive survey of Patrick McGrath’s writing, returning to the aspects that are usually associated with the author’s work, such as his artful narrative control, his inclination for stories of “transgression and decay”, as well as his long-lasting reflexive relationship with the Gothic and the Grotesque. Yet the aim of this volume is also to open new directions for the study of McGrath’s texts, taking into account the noticeable evolution of the writer’s literary production, its growing Americanization and gradual distanciation with modes of excess. It seems that it is no longer possible to tag McGrath’s work as neo- or ‘postmodern’ Gothic. His books’ growing complexity and change of horizons call for fresh investigations. This book will be of interest to students of McGrath’s work, scholars of the Gothic and its contemporary manifestations, as well as to all academics specializing in contemporary American fiction.
Humanity is a single biological species but has split into two different mental species labelled Mythos and Logos. The Mythos species is driven by emotional stories, not by facts, evidence or rational arguments. Even scientific materialism is a Mythos – the sensory Mythos – which asserts that "rational unobservables", undetectable by the senses, simply cannot exist. The Enlightenment – the Age of Reason – was when Logos humanity came to the fore. HyperHumanity is the upgrade of Logos humanity that advocates Hyperrationalism. "Old" Humanity, stuck in its irrational Mythos past, will become extinct. The future is about the new human race – HyperHumanity. Do you belong to the Illuminated Ones, the Shining Ones, the Divine Ones, or are you on your knees to some story-book God, an irrational market or irrational devotion to your physical senses? HyperHumanity is not here to help Old Humanity. It is here to replace it! We are the true human race, that which seeks to claim its rightful prize – divinity.
Addressing the Victorian obsession with the sordid materiality of modern life, this book studies dirt in nineteenth-century English literature and the Victorian cultural imagination. Dirt litters Victorian writing – industrial novels, literature about the city, slum fiction, bluebooks, and the reports of sanitary reformers. It seems to be "matter out of place," challenging traditional concepts of art and disregarding the concern with hygiene, deodorization, and purification at the center of the "civilizing process." Drawing upon Material Cultural Studies for an analysis of the complex relationships between dirt and textuality, the study adds a new perspective to scholarship on both the Victorian sanitation movement and Victorian fiction. The chapters focus on Victorian commodity culture as a backdrop to narratives about refuse and rubbish; on the impact of waste and ordure on life stories; on the production and circulation of affective responses to filth in realist novels and slum travelogues; and on the function of dirt for both colonial discourse and its deconstruction in postcolonial writing. They address questions as to how texts about dirt create the effect of materiality, how dirt constructs or deconstructs meaning, and how the project of writing dirt attempts to contain its excessive materiality. Schülting discusses representations of dirt in a variety of texts by Charles Dickens, E. M. Forster, Elizabeth Gaskell, George Gissing, James Greenwood, Henry James, Charles Kingsley, Henry Mayhew, George Moore, Arthur Morrison, and others. In addition, she offers a sustained analysis of the impact of dirt on writing strategies and genre conventions, and pays particular attention to those moments when dirt is recycled and becomes the source of literary creation.
Blending close readings of literature, films, and other artworks with analysis of texts of political philosophy, science, and social theory, Mieka Erley offers an interdisciplinary perspective on attitudes to soil in Russia and the Soviet Union from the early nineteenth to the mid-twentieth century. As Erley shows in On Russian Soil, the earth has inspired utopian dreams, reactionary ideologies, social theories, and durable myths about the relationship between nation and nature. In this period of modernization, soil was understood as the collective body of the nation, sitting at the crux of all economic and social problems. The "soil question" was debated by nationalists and radical materialists, Slavophiles and Westernizers, poets and scientists. On Russian Soil highlights a selection of key myths at the intersection of cultural and material history that show how soil served as a natural, national, and symbolic resource from Fedor Dostoevsky's native soil movement to Nikita Khrushchev's Virgin Lands campaign at the Soviet periphery in the 1960s. Providing an original contribution to ecocriticism and environmental humanities, Erley expands our understanding of how cultural processes write nature and how nature inspires culture. On Russian Soil brings Slavic studies into new conversations in the environmental humanities, generating fresh interpretations of literary and cultural movements and innovative readings of major writers.
Within these pages, the enigmatic language of symbolism unlocks the secrets of spiritual evolution, transcending the limitations of mundane expression. Revealing the essence of humanity's origin, this extraordinary book delves into the intricate mechanisms that shape our physical existence and the immutable laws that govern our being. Prepare to embark on a transformative journey that spans the realms of mind, body and spirit, illuminating the quest for knowledge and truth. Through the alchemical quest, the seeker embarks on a multidimensional odyssey that transcends the boundaries between the spiritual and the material. Witness the intricate dance of spiritual growth and tangible metamorphosis as the alchemical fires ignite profound change on every level of existence.
Focusing on 'filth' in literary & cultural materials from London, Paris & their colonial outposts in the 19th & early 20th centuries, the essays in this volume range over topics from the building of sewers to the fictional representation of labouring women as polluting.
A history of dust, discussing dust's role as a condition of life and as a measure of the small until the beginning of the twentieth century.
In What a Difference a Day Makes: Women Who Conquered 1950s Music, Steve Bergsman highlights the Black female artists of the 1950s, a time that predated the chart-topping girl groups of the early 1960s. Many of the singers of this era became wildly famous and respected, and even made it into the Rock ’n’ Roll Hall of Fame. However, there were many others, such as Margie Day, Helen Humes, Nellie Lutcher, Jewel King, and Savannah Churchill, who made one or two great records in the 1950s and then disappeared from the scene. The era featured former jazz and blues singers, who first came to prominence in the 1940s, and others who pioneered early forms of rock ’n’ roll. In a companion volume, Bergsman has written the history of white women singers of the same era. Although song styles were parallel, the careers of Black and white female singers of the period ran in very different directions as the decade progressed. The songs of African American vocalists like Dinah Washington and Etta James were segregated to the R&B charts or covered by pop singers in the early and mid-1950s but burst into prominence in the last part of the decade and well into the 1960s. White singers, on the other hand, excelled in the early 1950s but saw their careers decline with the advent of rock music. In this volume, Bergsman takes an encyclopedic look at both the renowned and the sadly faded stars of the 1950s, placing them and their music back in the spotlight.